Photographing an Airshow with the TAMRON 150-600mm G2

Images and text by Carolyn Hutchins

Photographing an airshow presents a unique set of challenges. Over recent years, the two lenses that I have come to rely on most when doing so, have been the Tamron 150-600mm and the Tamron 18-400mm (check out Tamron’s latest all-in-one zooms). I’ve used them in combination with DSLR and mirrorless systems from Nikon, and they work effortlessly with both.

This year, the main performers at Sun ‘n Fun were the US Air Force Thunderbirds, an aerobatic team of F-16s. To get tight images, I use the 150-600, as it provides great reach, but also goes wide enough for me to capture multiple jets when they are flying in formation.

It’s sharp and picks up the smaller details, so I also use this lens for the skydiving teams, here it’s one from the SOCOM Para-Commandos. Because every show begins with a flag jumper during the national anthem, this is an important moment, and the details need to look right (the stars and stripes can’t look like dots and streaks).

But the Tamron 150-600mm F/5-6.3 Di VC USD G2 (Model A022) is not a small lens, which is why practice is important as well. Learn your gear, the more familiar with it you are, the better. Jets move fast, and you will probably not get a second chance to catch something. For me, one of the biggest challenges is balance. I am not a tall person, and even without being extended or having the lens hood on, the 150-600 is half of my forearm.

So, when I am stationed on a small platform, and in strong wind, stabilization can be a challenge. Through (a lot of) practice, I have figured out the best ways to stand, brace myself, and move along with the subjects I happen to be tracking.

For the evening shows, I tend to use the discontinued Tamron 18-400 a bit more. With less light in the sky and more prop aircraft, the need arises for slower shutter speeds. The 18-400, like the new 28-300mm, is smaller and lighter that the ultra telephoto zoom, giving me the ability to move quicker, while still giving me the zoom reach that I need.

Here, RJ Gritter is flying aerobatics in a high wing airplane at sunset. So, for this situation, it was all about the colors. The bright pattern of the aircraft stands out very strongly against the colors of the sky, and that’s what I really wanted to capture.

In addition to the actual flights, I also must document many other aspects of the show. Tamron all-in-one zooms like the latest 28-300mm are unmatched in the versatility of range, making them easy to turn around and capture images of the people as I make my way throughout the grounds, and saving me a great deal of time by not having to change lenses from one assignment to the next.

Like anything, it’s important to prepare for airshows. Pay attention to obvious things like weather, but also give thought to the layout of the airport. Is the runway east/west or north/south? Where do the aircraft taxi in and out? Where will the sun be facing at times of the show? What exactly do you want to capture? Propeller aircraft? Jets? Static displays?

Some of my favorite places to shoot from are not actually at the show center, in fact, the two 4 plane formation images of the Thunderbirds were both taken from the eastern end of the runway. So, while there can be quite a lot to consider, a little bit of research for your individual situation will go a long way.

Learn about Tamron all-in-one and telephoto zoom lenses for your next airshow. Find an authorized Tamron dealers in your area or visit the TAMRON Store today.

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