A comprehensive explanation for the question “what is aperture” including example settings and the relationship between aperture, shutter speed, and ISO

For many photographers, aperture is one of the most visually powerful camera settings, but also one of the most misunderstood. While it is often associated with background blur or “bokeh,” aperture plays a much broader role in shaping how a photograph looks and feels. It directly affects how much light enters the camera, how much of a scene appears in focus, and how a subject stands out from its surroundings.
Aperture can be confusing at first, especially because its numbers seem counterintuitive. Smaller f-numbers create a wider opening, while larger f-numbers produce a smaller opening, which often trips up beginners. When advice about depth of field, lens speed, and exposure balance is added, it becomes difficult to know which aperture setting to choose in real-world shooting situations.

Aperture is more than a creative blur control. It influences exposure, depth of field, and how flexible a photographer can be in different lighting conditions. Understanding how aperture works and how it interacts with shutter speed and ISO helps photographers make deliberate choices, whether capturing portraits with soft backgrounds, landscapes with edge-to-edge sharpness, or fast-moving subjects in challenging light.
Photography educator and author Bryan Peterson, known for Understanding Exposure, frequently emphasizes that mastering aperture is essential because it influences both exposure and visual storytelling—two foundational elements of effective photography.
What You’ll Learn In This Guide:
In this guide, you will learn what aperture, or F-number, is in photography, how aperture works inside a camera lens, how it affects exposure and depth of field, and how to choose the right aperture settings for different photography scenarios, with practical guidance to help you use aperture confidently in real-world shooting situations.
What is Aperture (F-numbers)?

Aperture is the adjustable opening inside a camera lens that controls how much light passes through the lens, and it is described using f-numbers, also called F-numbers or aperture values. In still photography, aperture opens and closes to precisely adjust the amount of light that passes through the lens. The size of this opening is expressed using f-numbers, which are also referred to as F-numbers or aperture values.
F-number (F) is calculated by dividing the focal length of a lens (f) by its effective aperture diameter (D). Therefore, F-number can be expressed as F=f/D.
If the figure becomes small, it is the same as saying that the effective aperture (D) of a lens is large. As a result, the amount of light passing through the lens increases. For this reason, the larger the F figure becomes, the less light passes through the lens.
In addition, the design of the aperture diaphragm affects the appearance of bokeh in an image. Lenses with a multi-blade diaphragm can produce a more circular aperture shape, which helps create smoother, more natural-looking bokeh, especially around small point light sources such as streetlights. Tamron lenses use carefully designed multi-blade diaphragms to support circular bokeh and pleasing out-of-focus highlights.
Why is F-number Important?
F-number is important because it describes a lens’s light-gathering ability and directly influences exposure flexibility, depth of field, and background blur in a photograph.
For example, when shooting in dark environments or at night, choosing a lens with a smaller F-number makes it easier to gather more light. This added light allows photographers to use faster shutter speeds to reduce camera shake or lower ISO settings to maintain image quality.
When a larger F-number is used, less light enters the lens, which may require slower shutter speeds or higher ISO settings. These adjustments can increase the risk of camera shake or image noise, making aperture choice an important part of exposure control.
What is the Maximum Aperture of a Lens?
The maximum, or wide-open, aperture refers to the lowest F-number a lens can be set to when its aperture is fully open.
A larger maximum aperture allows more light to enter the lens, making it easier to shoot in low-light conditions and create a shallow depth of field. This light-gathering ability is especially useful when photographing fast-moving subjects or working in dim environments.
Tamron’s Sony E and Nikon Z G2 trinity lenses each offer an f/2.8 maximum aperture:
- 16-30mm F/2.8 Di III VXD G2 (Model A064)
- 28-75mm F/2.8 Di III VXD G2 (Model A063)
- 70-180mm F/2.8 Di III VC VXD G2 (Model A065).
How Does Aperture Work?
Aperture works by opening and closing a diaphragm inside the lens, adjusting the size of the opening that allows light to pass through to the camera sensor. It is a mechanical component built into the lens itself—not the camera body—and the maximum aperture size is determined by the lens’s optical and physical design.
Aperture functions much like the pupil of a human eye. In bright conditions, the diaphragm blades contract to create a smaller opening, limiting the amount of light entering the lens. Think of it like squinting. In low-light situations, those blades expand to allow more light through. Just like your pupils become very large in a dark room. This opening is formed by overlapping metal blades that move in precise increments, controlled electronically or mechanically when you change aperture settings on the camera.
How is Aperture Measured?

Aperture is measured using f-numbers, also called f-stops, which represent the ratio of a lens’s focal length to the diameter of its aperture opening.
An f-number is written as f/2, f/2.8 f/4, f/8, etc. and it describes how wide the aperture is relative to the lens’s focal length—not the absolute size of the opening. For example, a 50mm lens set to f/2 has an aperture opening that is 25mm wide, while at f/4 the opening is 12.5mm. Because f-numbers are ratios, the same f-stop on different lenses allows a proportional amount of light to reach the sensor, regardless of focal length.
Each full f-stop change either doubles or halves the amount of light entering the lens.
- Moving from f/4 to f/2 lets in twice as much light,
- while moving from f/4 to f/8 cuts the light in half.
This standardized measurement system allows photographers to predict exposure changes reliably.
According to photography educator Cambridge in Colour, a widely cited educational resource, understanding f-numbers is essential because they provide a consistent way to balance aperture with shutter speed and ISO when controlling exposure and depth of field.
What Does Aperture Control In Photography?
Aperture controls how much light enters the camera, the depth of field in an image, and the appearance of background blur, often referred to as bokeh.
First, aperture directly regulates exposure by determining the volume of light reaching the camera sensor.
- A wider aperture allows more light to enter, which is especially useful in low-light conditions,
- while a narrower aperture restricts light, helping prevent overexposure in bright environments.
Because aperture works in tandem with shutter speed and ISO, adjusting it often requires balancing the other exposure settings.
Aperture also plays a key role in shaping the visual character of an image.
- Depth of field determines how much of the scene appears sharp from foreground to background,
- while bokeh describes the quality and smoothness of out-of-focus areas.
Photography educator Michael Freeman, author of The Photographer’s Eye, explains that aperture is one of the most powerful creative tools available to photographers because it influences both technical exposure and how viewers visually engage with a subject.
What Difference Can a F-Number Make?

Changing the F-number can dramatically alter the look and mood of a photograph. Smaller F-numbers create stronger background blur, while larger F-numbers keep more of the scene in focus.
This effect occurs because changing the F-number alters the depth of field, or how much of the image appears sharp. By adjusting aperture, photographers can choose whether to isolate a subject with a blurred background or keep most of the scene in focus.
Using a smaller F-number produces a shallow depth of field that emphasizes specific subjects while softening the background. Understanding how different F-numbers affect an image allows photographers to control visual emphasis and guide the viewer’s attention.
How Does Aperture Affect Depth of Field?
A wider aperture (lower f-number) creates a shallow depth of field, while a smaller aperture (higher f-number) increases how much of the scene appears in focus.
- Using a wide aperture limits sharp focus to a narrow area, causing backgrounds or foregrounds to blur more quickly. This makes it easier to visually separate a subject from its surroundings, which is why wide apertures are commonly used for portraits or detail-focused images.
- A smaller aperture expands the zone of sharpness, keeping more of the scene in focus from front to back. This is useful for situations where clarity across the frame is important, such as landscapes, architecture, or group photos, where multiple elements need to appear sharp at the same time.
F-Number, Shutter Speed, and ISO

Aperture, shutter speed, and ISO work together to control exposure, and changing the F-number directly affects how shutter speed and ISO must be adjusted.
- When a smaller F-number is selected, more light reaches the sensor. This allows photographers to use faster shutter speeds or lower ISO settings, which helps reduce camera shake and minimize image noise. A wider aperture can also increase background blur, helping the subject stand out.
- When a larger F-number is used, less light enters the lens, which may require slower shutter speeds, higher ISO settings, or both to maintain proper exposure. Slower shutter speeds can increase the risk of camera shake, while higher ISO values can introduce image noise, making it important to balance these settings carefully.
What is “Aperture Priority” Mode
Aperture Priority mode is a camera shooting mode in which the photographer selects the F-number, and the camera automatically adjusts the shutter speed to maintain proper exposure. This mode allows photographers to focus on controlling depth of field and background blur while the camera handles shutter speed adjustments automatically.
In Aperture Priority mode, using a larger F-number typically results in slower shutter speeds, while smaller F-numbers allow faster shutter speeds. Because slower shutter speeds can increase the risk of camera shake, it is important to monitor shutter speed and adjust aperture or ISO when needed.
What is a Lens With a Fixed Maximum Aperture (Constant F-Number)?
With many zoom lenses, the maximum aperture changes as the focal length moves from the wide end (zoomed-out) to the telephoto end (zoomed-in). Normally, the more you zoom in (go telephoto) the F-number value will become larger. But for lenses with a fixed maximum aperture (constant F-number), the maximum aperture is kept the same throughout the zoom range.
The greatest advantage of these lenses is that it is much easier to adjust shutter speed and ISO. As the shutter speed does not change when the lens is zoomed in or out and the same amount of light can be maintained even when shooting at the telephoto end, it is possible to capture clear images utilizing bokeh effects without having to increase ISO.
These fixed maximum aperture (constant F-number) lenses flexibly adapt to shooting conditions and allow you to capture consistent images. That’s why they are often favored by professional photographers and advanced users.
For example, consider the Tamron 17-50mm F4:
17-50mm F/4 Di III VXD (Model A068)
The 17-50mm F/4 Di III VXD (Model A068)It’s the world’s first lens covering from ultra wide-angle 17mm to the standard 50mm focal length. The highly-compact Tamron 17-50mm F/4 Di III VXD (model a068) for Sony E-mount full-frame mirrorless cameras offers maximum versatility for still and video creators. From landscapes to living rooms, this lens captures all that you see.
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Choosing the Best F-Number for the Scene and the Recommended Lenses
Because photographs can look very different depending on the subject, environment, and shooting conditions, there is no single F-number that works for every situation. By considering where you are shooting and what you want to emphasize in advance, you can choose an aperture setting with confidence.
For example, selecting a smaller F-number helps emphasize a subject by creating stronger background blur. In contrast, using a larger F-number keeps more of the scene in focus, which is often desirable for landscapes and wide-view compositions.
Below are examples of recommended F-number settings for different types of photography, along with lenses suited to each shooting scenario.
Best Aperture for Portraits

In portrait photography, a wide aperture is often used to make the subject stand out by creating a soft blur in the foreground and background.
Common aperture choices for portraits include f/2.8 on standard zoom lenses and around f/1.4 on prime lenses. Using an aperture close to a lens’s maximum opening enhances background blur and helps isolate the subject.
Lens choice also plays an important role in portrait photography. For example, the Tamron 35-150mm F2-2.8 (Model A058) covers a wide range of focal lengths while offering wide maximum apertures of f/2 at the wide end and f/2.8 at the telephoto end.
A wide maximum aperture also makes it easier to use faster shutter speeds or lower ISO settings while maintaining proper exposure, helping preserve image quality in a variety of lighting conditions.
Tamron 35-150mm F/2-2.8 Di III VXD (Model A058)
The 35-150mm F/2-2.8 Di III VXD (Model A058) is a high resolution travel zoom lens that covers everything from the 35mm wide angle to the 150mm telephoto focal length, the first zoom lens achieving an aperture of F2 at the wide angle end. It has a groundbreaking fast-aperture and utilizes the linear motor focus mechanism VXD (Voice-coil eXtreme-torque Drive), thereby achieving high speed, high precision autofocusing. The innovative lens design enabled us to greatly improve the lens’s grip and functionality. The software, developed in-house, enables to easily customize functions and to update firmware.
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Best Aperture for Landscape Photography

In landscape photography, a smaller aperture is commonly used to keep as much of the scene in focus as possible. To increase depth of field and maintain sharpness from the foreground to the background, F-numbers between f/8 and f/11 are often recommended.
However, stopping down too far can reduce image sharpness due to diffraction. As a general guideline, image detail may begin to soften at F-numbers smaller than f/16, so using a slightly wider aperture can help preserve sharpness.
Tamron 16-30mm F/2.8 Di III VXD G2 (Model A064)
The 16-30mm F/2.8 Di III VXD G2 is an ultra wide-angle zoom lens designed for full-frame mirrorless cameras, covering an expanded focal length range for versatile wide-angle expression. Despite its bright constant aperture, the lens achieves a compact, lightweight design while delivering high image quality across the entire zoom range, from edge to edge. Equipped with the high-speed, high-precision VXD autofocus mechanism, it provides fast and accurate focusing for landscapes, architecture, travel, and dynamic scenes. The 16-30mm F2.8 G2 balances portability, optical performance, and responsive autofocus, making it a refined wide-angle solution for both still photography and video.
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Best Aperture for Night Views

In night photography, a smaller aperture is often used to preserve detail across the scene, especially when capturing cityscapes, architecture, or illuminated landmarks. F-numbers between f/8 and f/11 are commonly chosen to maintain depth of field and image clarity.
Because less light reaches the sensor at smaller apertures, night photography often requires slower shutter speeds, higher ISO settings, or both. Using a tripod helps reduce camera shake during long exposures, while careful ISO selection helps manage image noise.
Tamron 17-70mm F/2.8 Di III-A VC RXD (Model B070)
The 17-70mm F/2.8 Di III-A VC RXD (Model B070) is a large-aperture standard zoom lens for APS-C format mirrorless cameras. With a focal length range of 17mm to 70mm (a full-frame equivalent of 25.5-105mm) for daily use, this achieves a 4.1x zoom. The optical design ensures high resolution and high contrast not just in the center of the image but also in corners and at the edges. The quiet AF drive motor and the VC image stabilization mechanism facilitate hand-held shooting. In addition, by counteracting focus breathing, the 17-70mm F2.8 empowers users’ expression of their creative intentions to the fullest degree. This highly practical lens allows you to easily enjoy the high image quality of a large F2.8 aperture for both still and video shooting.
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Best Aperture for Astrophotography

In astrophotography, wide apertures are commonly used to capture as much starlight as possible. F-numbers close to a lens’s maximum aperture, such as f/2 to f/2.8, are often chosen to record faint stars and the Milky Way clearly.
Because astrophotography often involves long exposures, shutter speed and ISO must be balanced carefully to avoid star movement caused by the Earth’s rotation. Exposure times are typically limited to prevent stars from appearing as trails, making aperture choice especially important.
Tamron 11-20mm F/2.8 Di III-A RXD (Model B060)
The 11-20mm F/2.8 Di III-A RXD (Model B060) is the world’s first ultra wide-angle zoom lens with a constant F2.8 aperture for Sony E-mount APS-C mirrorless cameras. Compact and lightweight, this lens is perfect for capturing expansive night skies, dramatic landscapes, and immersive video. The fast F2.8 aperture provides excellent low-light performance and beautiful background separation, even at wide focal lengths. With quiet and responsive autofocus driven by the RXD stepping motor, it’s also ideal for handheld and on-the-go shooting. This highly versatile lens lets you enjoy the full creative potential of wide-angle photography.
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Best Aperture for Sports Events

Sports photography often involves fast-moving subjects and changing distances, making it important to balance motion control with sufficient depth of field.
To keep subjects sharp while maintaining enough depth of field, slightly stopped-down apertures such as f/4 to f/8 are commonly used for sports photography. This aperture range helps keep moving subjects and surrounding action in focus.
Because sports often involve rapid movement, faster shutter speeds are needed to freeze action. Using a slightly higher ISO can help achieve these speeds while maintaining proper exposure, especially when shooting with stopped-down apertures.
70-300mm F/4.5-6.3 Di III RXD (Model A047)
The 70-300mm F/4.5-6.3 Di III RXD (Model A047) for full-frame mirrorless cameras is a telephoto zoom lens designed and created so photographers of all skill levels can enjoy high quality images comfortably. The 70-300mm covers a broad telephoto zoom range yet is the small and lightest weight. With special emphasis on resolving power, Tamron has deployed special lens elements appropriately arranged to correct chromatic aberration, generally very strong in a telephoto lens, as well as other aberrations. Users can enjoy high-resolution images combined with stunning bokeh qualities that are achievable only with a telephoto lens. The lens also incorporates the RXD, a high-speed precision AF drive system that is remarkably quiet. The 70-300mm is a versatile lens for photographing landscapes, sports and other action, pets, wildlife, and more. The lens also demonstrates its potential for portrait shooting, casual snapshots, and scenarios that require you to be mobile and shoot handheld, like sporting events.
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How Aperture Affects Exposure and Bokeh
Many factors influence the look and quality of a photograph, and aperture plays a central role in both exposure and background blur. By balancing F-number with shutter speed and ISO, photographers can control brightness, depth of field, and overall visual emphasis. Experimenting with different aperture settings across shooting scenarios helps build an intuitive understanding of how these elements work together.
Where to Buy Tamron Lenses
Learn more about Tamron lenses at an authorized Tamron dealer near you or shop directly at the official TAMRON Store.
FAQs About Aperture in Photography
1. Is f/1.8 or f/2.2 better?
Neither is universally better—it depends on your goal. f/1.8 allows more light and produces a shallower depth of field, which is useful in low light or when isolating a subject. f/2.2 lets in slightly less light but can offer a bit more depth of field and edge consistency.
2. Is f/2.8 or f/4 better?
f/2.8 is better for low-light situations and background separation, while f/4 provides more depth of field and can be easier to manage for scenes where more of the image needs to stay in focus. An f/4 lens may be more compact. The better choice depends on lighting conditions and creative intent.
3. What aperture makes a photo brighter?
A wider aperture, represented by a lower f-number such as f/1.8 or f/2.8, makes a photo brighter because it allows more light to reach the camera sensor.
4. Does higher aperture mean a sharper image?
Not always. A higher f-number increases depth of field, which can make more of the scene appear sharp, but very small apertures can introduce diffraction that reduces overall image sharpness.
5. Which aperture is the sharpest?
Most lenses are sharpest when stopped down slightly from their maximum aperture, often around the middle of their aperture range rather than wide open or fully closed.
6. At what aperture is my lens sharpest?
For many lenses, peak sharpness typically occurs around f/5.6 to f/8, though the exact value varies depending on lens design and focal length.
7. Why is it called f-stop?
The term f-stop comes from “focal ratio,” which describes the relationship between a lens’s focal length and the diameter of its aperture opening.
8. What is T-stop?
A T-stop measures the actual amount of light transmitted through a lens, accounting for light loss inside the optics. It is commonly used in video and cinema work for precise exposure control.
9. How do you know the aperture of a lens?
You can find a lens’s aperture range printed on the lens barrel, listed in product specifications, or displayed in the camera’s settings when the lens is attached.
10. What is the aperture of a 35mm lens?
There is no single aperture for a 35mm lens. Different 35mm lenses have different maximum apertures, such as f/1.4, f/1.8, f/2, or f/2.8, depending on their optical design.