
The Rule Breaker
With her Tamron 70-180mm F2.8 VC G2 telephoto zoom, Haley Mason brings her visions to life through child portrait photography.
Author: Jenn Gidman
Images: Haley Mason
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With her Tamron 70-180mm F2.8 VC G2 telephoto zoom, Haley Mason brings her visions to life through child portrait photography.
Haley Mason grew up surrounded by photographers and videographers. “My dad and uncle always had a camera in their hands,” she says. “My grandpa collected cameras as well and would talk about them often. He had me dip my toes into film, and my uncle gave me my first camera, a point-and-shoot, and my first DSLR. I slowly fell in love with capturing everything I saw.”
Haley’s segue into child portrait photography began at age 15, when her then-boyfriend (now husband) presented her with another DSLR and she began photographing newborns and families. “When my own daughter was born, I didn’t want to miss a moment,” she says. Today, Haley’s focus lies in capturing portraits that capture the details of every child in front of her camera.
“Lighting and focal length can make or break a photo,” she says. “If I see something in good light, I’ll grab my camera to capture the moment, or I’ll re-create it later. If I’m desiring more negative space when composing a shot, I’ll consider the color, texture, emotion, atmosphere—whatever it takes to make the viewer feel something. One thing I’m not great at is following rules. I tend to just ‘see’ a photo in my mind. If I can’t bring that vision to life, I move on.”
To help her achieve her dramatic child portrait photography, Haley uses the Tamron 70-180mm F/2.8 Di III VC VXD G2 telephoto zoom. “I’m more of a prime lens shooter, so I was pleased to find this is an amazingly accurate and sharp lens, even fully zoomed in,” she says. “With its F2.8 minimum aperture, the lens is incredible in low light—I’ve even used it in fog. The Vibration Compensation (VC) feature ensures I don’t have to worry about camera shake, even when I have to bump up my ISO. Plus, it’s very compact, at just 6.2 inches long, and weighs just over 30 ounces, which is so light for a telephoto zoom.”
HALEY’S QUICK PORTRAIT PHOTOGRAPHY TIPS
Find the right lighting and backgrounds.
I like shooting during the golden hour and blue hour, but I prefer, say, sidelight with a big tree on one side of my subject to block the sun, or shooting indoors using window light. I can shoot most times of day using this kind of available light, depending on what part of the house I’m shooting in. This type of light also works well in colder weather when I can’t bring the kids outside.

I gravitate toward a clean background so I can place more of the focus on my subject. I love the little details in each child’s face. I won’t lie, though—I do love a beautiful green forest or gorgeous meadow of flowers, or even the texture of wood or stone. I’ll incorporate those backgrounds into my outdoor sessions if I think they’ll enhance the photo.
Settle on an eye-catching perspective.
The 70-180mm F2.8 VC G2 allows me so much flexibility in being able to change up my angles, and it’s definitely fun to experiment. But my favorite photos are ones taken from above. Putting a squeeze toy around the lens helps keep the kids’ attention. For the photo here of my son Klein, I wanted to see how the 70-180mm F2.8 VC G2 would capture him from this angle. I gave Klein a chocolate chip, and he ended up falling asleep while he was lying there, allowing me to capture all of the details in his face as he snoozed.

Tap into a child’s … inner child.
Kids love music, so I’ll play their favorite songs, which seems to relax them. I’ll also give them something tasty to nibble on, like a chocolate chip, if I want more of a “sweet” face. I’ve even had them pet small animals, like a kitten or baby duck, and told them to sing into a fan. If nothing I’ve tried works to loosen them up, I’ll let them help me pick what they do, so they have a little more agency. I find then that they’re more willing to do the things I suggest as well.

Sometimes you can capture kids just doing their own thing, without any other guidance. Klein, for instance, is a big helper. On one occasion, he was helping us collect eggs and kept putting them in his pocket. It was the perfect lighting, and the perfect moment, as shown here.

Often, I’ll have the kids pretend to be a character they’ve seen or want to be like. In my daughter Scar’s case, she loves to dress in clothes from different time periods. I love capturing her in this time of her life, where she speaks volumes with what she wears.

To see more of Haley Mason’s child portrait photography, check out her Instagram.