35-150mm Travel Lens Review: Real-World Impressions from Peru

In this 35-150mm Travel Lens Review, adventure photographer Jose Mostajo shares his experience using the Tamron 35-150 mm F/2-2.8 Di III VXD during a photography journey through the mountains, cities, and landscapes of Peru. From Machu Picchu to Rainbow Mountain, Jose put the lens to the test across diverse environments, showcasing its versatility for travel, landscape, and portrait photography.

In This Review, You’ll Learn:

  • How the Tamron 35-150mm performs in varied natural light and weather conditions
  • Why this zoom lens is ideal for travel photographers looking to carry less gear
  • Real-world examples of sharpness, autofocus speed, and low-light performance
  • Insights into using the lens at both 35mm and 150mm for creative flexibility
  • How Jose captured fast-moving wildlife and scenic vistas with a single lens

Imagens e texto de Jose Mostajo

Capturing the Spirit of Peru with One Versatile Lens

Photographer framed in ancient stone ruin at golden hour with snowy Peruvian mountains in the background, featured in 35-150mm Travel Lens Review.

I recently traveled to Peru to photograph and document the cities of Huaraz and Cusco, as well as nearby mountain hikes and summits. Being from Peru, I try to visit often and continue discovering different regions. From the ruins of Machu Picchu, to the colors of rainbow mountain, to the summit of Pisco mountain, the views are so diverse that you really need to give yourself time to explore. The key lens for the entire trip was the Tamron 35-150mm F/2-2.8 Di III VXD (Model A058) for Sony E-mount full-frame mirrorless cameras (also available for Montagem Nikon Z). With its wide focal range and fast aperture, it gave me all the flexibility needed to capture everything from landscapes, to cities, to people.

Low-Light Versatility and High-Quality Construction

Stone ruins of Machu Picchu captured with rich detail during golden hour, featured in 35-150mm Travel Lens Review by Jose Mostajo.

Grande parte do que fotografei girava em torno de amanheceres e entardeceres, e poder fotografar em F2 com uma lente zoom foi incrível. Além de manter meu ISO baixo, as fotos saíram muito nítidas, mesmo com a abertura total. Outra vantagem dessa lente é sua construção. Em termos de tamanho, ela é comparável a outras lentes zoom F2.8, e sua construção é de alta qualidade e resistente à umidade. Isso significa que não tive problemas em levá-la para montanhas onde estava cercado de neve ou quando começou a chover.

Close-Up Creativity in the High Andes

Close-up of vibrant green and red-edged succulent captured with creamy background bokeh, featured in 35-150mm Travel Lens Review.

This lens has an MOD (Minimum Object Distance) of 0.33m (13″) at 35mm, which was great to shoot the native flowers I encountered up close. That coupled with an aperture of F2 gave me a ton of separation and really soft, dreamy backgrounds. Overall, this lens felt like having multiple primes in one. 150mm at F2.8? I didn’t know I needed it until I started this trip. I ended up shooting a lot like that, especially when capturing the mountains up close when the sun was setting.

Autofocus Performance That Keeps Up with the Unexpected

Llama standing on a grassy ridge under bright blue skies with snow-capped mountain in background, featured in 35-150mm Travel Lens Review.

Another pleasant surprise I am happy to report in my 35-150mm travel lens review is that the fast-autofocusing system. With its VXD (Voice-coil eXtreme-torque Drive) linear motor, it was totally silent, but always quick and precise. Even though I wasn’t shooting too much action, I encountered a llama running full-speed and a few condors flying above, and I had no problem capturing them with continuous autofocus and high-speed bursts.

A Reliable Travel Companion for All Shooting Needs

Historic baroque-style cathedral in Cusco, Peru, photographed under dramatic skies with detailed architecture and mountainous backdrop.

As an avid hiker and constant traveler, having this lens around means needing less gear to carry. I can shoot portraits for a job, landscapes while on a trek, and even my dinner inside a dimly lit cafe. All in all, the 35-150mm is a high-quality lentes sem espelho com ótica incrível que não pode faltar em sua bolsa.

Conclusion: A Game-Changing Zoom for Travel Photographers

Jose Mostajo’s 35-150mm travel lens review demonstrates why this lens is more than just a zoom lens—it’s a versatile, high-performance tool for travel and adventure photographers. From golden hour landscapes to fast-moving wildlife, and from up-close flora to distant peaks, this lens delivered professional-grade results without the need to swap gear. Whether you shoot for work or wanderlust, the 35-150mm’s unique combination of focal range, fast aperture, and rugged build makes it a standout choice for creatives on the go.

A Tamron 35-150 mm F/2-2.8 Di III A VXD está disponível para câmeras sem espelho Sony E e Nikon Z. Se estiver procurando uma lente para levar em suas aventuras, visite um de nossos revendedores autorizados Tamron ou o Loja Tamron hoje!

35-150mm Field Test Professional Photographer Profile: Jose Mostajo

José Mostajo

Jose Mostajo é um fotógrafo peruano de viagens e aventuras que mora nos EUA. Tendo iniciado sua jornada com uma viagem de mochila de 11 meses pela América do Sul em 2018, sua paixão pelo ar livre continuou com viagens ao redor do mundo. Seu trabalho levou a parcerias com uma variedade de organizações, como o Australian Tourism Board e o Environmental Defense Fund, e a trabalhos comerciais com empresas como Enterprise, Columbia e Hilton Hotels. Com suas fotografias, ele espera inspirar as pessoas a sair de casa e apreciar a natureza. @josemostajo

 

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