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vid\u00e9ographie pour les photographes : techniques, objectifs et sujets \u00e0 filmer"},"content":{"rendered":"<div data-elementor-type=\"wp-post\" data-elementor-id=\"25976\" class=\"elementor elementor-25976\" data-elementor-settings=\"{"element_pack_global_tooltip_width":{"unit":"px","size":"","sizes":[]},"element_pack_global_tooltip_width_tablet_extra":{"unit":"px","size":"","sizes":[]},"element_pack_global_tooltip_width_tablet":{"unit":"px","size":"","sizes":[]},"element_pack_global_tooltip_width_mobile_extra":{"unit":"px","size":"","sizes":[]},"element_pack_global_tooltip_width_mobile":{"unit":"px","size":"","sizes":[]},"element_pack_global_tooltip_padding":{"unit":"px","top":"","right":"","bottom":"","left":"","isLinked":true},"element_pack_global_tooltip_padding_tablet_extra":{"unit":"px","top":"","right":"","bottom":"","left":"","isLinked":true},"element_pack_global_tooltip_padding_tablet":{"unit":"px","top":"","right":"","bottom":"","left":"","isLinked":true},"element_pack_global_tooltip_padding_mobile_extra":{"unit":"px","top":"","right":"","bottom":"","left":"","isLinked":true},"element_pack_global_tooltip_padding_mobile":{"unit":"px","top":"","right":"","bottom":"","left":"","isLinked":true},"element_pack_global_tooltip_border_radius":{"unit":"px","top":"","right":"","bottom":"","left":"","isLinked":true},"element_pack_global_tooltip_border_radius_tablet_extra":{"unit":"px","top":"","right":"","bottom":"","left":"","isLinked":true},"element_pack_global_tooltip_border_radius_tablet":{"unit":"px","top":"","right":"","bottom":"","left":"","isLinked":true},"element_pack_global_tooltip_border_radius_mobile_extra":{"unit":"px","top":"","right":"","bottom":"","left":"","isLinked":true},"element_pack_global_tooltip_border_radius_mobile":{"unit":"px","top":"","right":"","bottom":"","left":"","isLinked":true}}\" data-elementor-post-type=\"post\">\n\t\t\t\t<div class=\"elementor-element elementor-element-6c42eab e-flex e-con-boxed e-con e-parent\" data-id=\"6c42eab\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-7b7951d elementor-widget elementor-widget-text-editor\" data-id=\"7b7951d\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Si vous ma\u00eetrisez d\u00e9j\u00e0 la photographie, vous poss\u00e9dez d\u00e9j\u00e0 bon nombre des comp\u00e9tences n\u00e9cessaires pour r\u00e9aliser des vid\u00e9os. Ce guide propose des conseils pratiques en mati\u00e8re de vid\u00e9ographie destin\u00e9s aux photographes et aux d\u00e9butants. Il aborde les techniques essentielles, les r\u00e9glages de l'appareil photo, le choix des objectifs, la mise au point, les mouvements, le son, l'\u00e9clairage et les premiers \u00e9l\u00e9ments \u00e0 filmer. Le plus grand d\u00e9fi consiste \u00e0 comprendre comment le mouvement, le temps, le son et l'encha\u00eenement des plans modifient la fa\u00e7on dont vous capturez une sc\u00e8ne.<\/p><p>La plupart des probl\u00e8mes rencontr\u00e9s au d\u00e9but en mati\u00e8re de vid\u00e9o proviennent d'habitudes de photographie qui ne s'appliquent pas \u00e0 la vid\u00e9o, et non de l'appareil lui-m\u00eame. Apprenez quelques diff\u00e9rences fondamentales et vous pourrez r\u00e9aliser des vid\u00e9os naturelles, coh\u00e9rentes et captivantes avec le mat\u00e9riel que vous avez d\u00e9j\u00e0 dans votre sac.<\/p><p><strong>Table des mati\u00e8res<\/strong><\/p><ul><li><a href=\"#move-video\">Quels sont les changements lorsque l'on passe de la photographie \u00e0 la vid\u00e9o ?<\/a><\/li><li><a href=\"#camera-settings\">Quels param\u00e8tres de l'appareil photo faut-il modifier pour filmer une vid\u00e9o ?<\/a><\/li><li><a href=\"#look-for\">Quels sont les crit\u00e8res \u00e0 prendre en compte pour choisir un objectif destin\u00e9 \u00e0 la vid\u00e9o par rapport \u00e0 la photo ?<\/a><\/li><li><a href=\"#start-with\">Par quels objectifs commencer pour la vid\u00e9o ?<\/a><\/li><li><a href=\"#sequences\">Comment prendre des photos en rafale plut\u00f4t qu'une par une ?<\/a><\/li><li><a href=\"#handle-focus\">When Should the Camera Move \u2014 and How Do You Handle Focus?<\/a><\/li><li><a href=\"#audio-lighting\">Pourquoi le son et l'\u00e9clairage ont plus d'importance que ne le pensent les photographes<\/a><\/li><li><a href=\"#shoot-first\">Par quoi commencer ? Quatre projets pour d\u00e9butants<\/a><\/li><li><a href=\"#lens-have\">Commencez par l'objectif que vous poss\u00e9dez, puis choisissez celui dont vous avez besoin<\/a><\/li><li><a href=\"#buy\">O\u00f9 acheter les objectifs Tamron<\/a><\/li><li><a href=\"#faqs\">Foire aux questions sur la vid\u00e9ographie pour les photographes et les d\u00e9butants<\/a><\/li><\/ul><h2 id=\"move-video\">Quels sont les changements lorsque l'on passe de la photographie \u00e0 la vid\u00e9o ?<\/h2><figure id=\"attachment_25965\" aria-describedby=\"caption-attachment-25965\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img fetchpriority=\"high\" decoding=\"async\" class=\"size-full wp-image-25965\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/09\/photography-vs-video-single-still-sequence.webp\" alt=\"Graphique comparatif pr\u00e9sentant une photographie unique d'une montagne \u00e0 c\u00f4t\u00e9 d'une s\u00e9quence d'images vid\u00e9o illustrant l'\u00e9volution de la lumi\u00e8re au fil du temps.\" width=\"1200\" height=\"800\" \/><figcaption id=\"caption-attachment-25965\" class=\"wp-caption-text\">La photographie immortalise un seul instant d\u00e9cisif, tandis que la vid\u00e9o enregistre une succession d'instants qui montrent comment la lumi\u00e8re, le mouvement et une sc\u00e8ne \u00e9voluent au fil du temps.<\/figcaption><\/figure><p>La photographie immortalise un instant d\u00e9cisif, tandis que la vid\u00e9o rend compte de ce qui se passe au fil du temps. Chaque plan doit tenir la route pendant plusieurs secondes et s'encha\u00eener naturellement avec les plans qui l'entourent. La vid\u00e9o ajoute donc quatre variables importantes aux comp\u00e9tences que vous mettez d\u00e9j\u00e0 en \u0153uvre en tant que photographe : le temps, le mouvement, le son et la continuit\u00e9.<\/p><p>L'exposition, la composition, la lumi\u00e8re, la couleur, la distance focale et la profondeur de champ restent des \u00e9l\u00e9ments importants. Ce qui change, c'est la mani\u00e8re dont vous les utilisez. Au lieu d'essayer de cr\u00e9er un seul clich\u00e9 parfait, vous commencez \u00e0 envisager une s\u00e9rie de clich\u00e9s qui, ensemble, permettent de raconter une histoire.<\/p><h3>Ce que vous savez d\u00e9j\u00e0 et qui s'applique ici<\/h3><p>Presque tous les principes fondamentaux de la photographie s'appliquent directement \u00e0 la vid\u00e9o. L'exposition, l'ouverture, la sensibilit\u00e9 ISO, la distance focale, la perspective, la compression, la profondeur de champ, la composition, la balance des blancs et votre sens de la lumi\u00e8re restent inchang\u00e9s. Une seule chose diff\u00e8re : en vid\u00e9o, ces r\u00e9glages doivent rester constants pendant toute la dur\u00e9e d'un plan, et non pas seulement pour une image.<\/p><p>Si vous comprenez d\u00e9j\u00e0 comment la distance focale modifie la perspective ou comment l'ouverture influe sur la profondeur de champ, vous n'avez pas besoin de r\u00e9apprendre ces principes. Vous devez apprendre \u00e0 les mettre en pratique au fil du temps. Si vous d\u00e9butez compl\u00e8tement dans le domaine de l'animation, notre <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/introduction-a-la-videographie-les-bases\/\"><strong>Guide des bases de la vid\u00e9ographie<\/strong><\/a> propose une introduction plus compl\u00e8te au mat\u00e9riel, aux principes de prise de vue et \u00e0 la terminologie utilis\u00e9s dans le domaine de la vid\u00e9o.<\/p><h3>Les habitudes qui posent probl\u00e8me dans les vid\u00e9os<\/h3><p>Cinq mauvaises habitudes en mati\u00e8re de photographie nuisent \u00e0 la qualit\u00e9 d'une vid\u00e9o : modifier la vitesse d'obturation pour contr\u00f4ler l'exposition, se fier \u00e0 la balance des blancs automatique, filmer tout en pleine ouverture, bouger la cam\u00e9ra sans raison et rechercher \u00e0 tout prix le plan phare au lieu de filmer l'ensemble de la sc\u00e8ne. La vid\u00e9o exige une coh\u00e9rence d'un moment \u00e0 l'autre et d'un plan \u00e0 l'autre.<\/p><p>Apprenez-le dans cet ordre : verrouillez vos r\u00e9glages, stabilisez vos prises de vue, filmez suffisamment de plans, ajoutez des mouvements r\u00e9fl\u00e9chis, peaufinez le son, puis concentrez-vous sur la narration. Une fois que vous ma\u00eetriserez ces bases, entra\u00eenez-vous \u00e0 : <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/maitriser-les-techniques-de-base-de-la-videographie-ameliorez-votre-realisation\/\"><strong>les techniques de base de la vid\u00e9ographie<\/strong><\/a> peut vous aider \u00e0 am\u00e9liorer le cadrage, l'\u00e9clairage, les mouvements de cam\u00e9ra et la ma\u00eetrise de l'objectif.<\/p><h2 id=\"camera-settings\">Quels param\u00e8tres de l'appareil photo faut-il modifier pour filmer une vid\u00e9o ?<\/h2><figure id=\"attachment_25969\" aria-describedby=\"caption-attachment-25969\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img decoding=\"async\" class=\"size-full wp-image-25969\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/09\/tamron-video-camera-settings-frame-rate-shutter-speed.webp\" alt=\"Infographie pr\u00e9sentant les r\u00e9glages d'une cam\u00e9ra vid\u00e9o, avec une mise en \u00e9vidence des param\u00e8tres \u00ab 24 images par seconde \u00bb et \u00ab 1\/50 s \u00bb, ainsi que les combinaisons de fr\u00e9quence d'images et de vitesse d'obturation pour la vid\u00e9o.\" width=\"1200\" height=\"800\" \/><figcaption id=\"caption-attachment-25969\" class=\"wp-caption-text\">Commencez par choisir la fr\u00e9quence d'images, puis r\u00e9glez la vitesse d'obturation \u00e0 environ le double de cette fr\u00e9quence afin de conserver un flou de mouvement naturel dans la vid\u00e9o.<\/figcaption><\/figure><p>Commencez par choisir votre fr\u00e9quence d'images, puis r\u00e9glez la vitesse d'obturation \u00e0 environ le double de cette fr\u00e9quence. En vid\u00e9o, la vitesse d'obturation ne sert plus \u00e0 contr\u00f4ler l'exposition. Elle d\u00e9termine le flou de mouvement et reste fixe ; l'exposition est donc g\u00e9r\u00e9e par l'ouverture, la sensibilit\u00e9 ISO et, si la luminosit\u00e9 l'exige, un filtre ND.<\/p><p>Many cameras crop the sensor at higher frame rates or certain resolutions, which changes your effective focal length. Check your camera’s crop behavior before you pick a lens.<\/p><p>Un point de d\u00e9part pratique consiste \u00e0 :<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-c2c5533 uael-header-sticky-no uael-border-yes elementor-widget elementor-widget-uael-table\" data-id=\"c2c5533\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"uael-table.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div itemscope class=\"uael-table-wrapper\" itemtype=\"http:\/\/schema.org\/Table\">\n\t\t<table id=\"uael-table-id-c2c5533\" class=\"uael-text-break uael-column-rules uael-table\" data-sort-table=\"no\" data-show-entry=\"no\" data-searchable=\"no\" data-responsive=\"no\">\n\t\t\t\t<thead>\n\t\t\t\t\t\t\t\t\t\t<tr class=\"uael-table-row\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<th data-sort=\"0\" class=\"sort-this elementor-repeater-item-6c92000 uael-table-col uael-table-head-cell-text\" scope=\"col\">\n\t\t\t\t\t\t\t<span class=\"sort-style\">\n\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">Fr\u00e9quence d'images<\/span>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t<\/th>\n\t\t\t\t\t\t\t\t\t\t\t\t<th data-sort=\"1\" class=\"sort-this elementor-repeater-item-86fe861 uael-table-col uael-table-head-cell-text\" scope=\"col\">\n\t\t\t\t\t\t\t<span class=\"sort-style\">\n\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">Vitesse d'obturation initiale<\/span>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t<\/th>\n\t\t\t\t\t\t\t\t\t\t\t\t<th data-sort=\"2\" class=\"sort-this elementor-repeater-item-21410d4 uael-table-col uael-table-head-cell-text\" scope=\"col\">\n\t\t\t\t\t\t\t<span class=\"sort-style\">\n\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">Utilisation courante<\/span>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t<\/th>\n\t\t\t\t\t\t\t\t<\/thead>\n\t\t\t\t<tbody>\n\t\t\t<!-- ROWS -->\n\t\t\t\t\t\t\t\t\t\t<tr data-entry=\"1\" class=\"uael-table-row\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-a16db7a\" data-title=\"Frame rate\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">24 images par seconde<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-43d451f\" data-title=\"Starting shutter speed\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">1\/50 s.<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-466a104\" data-title=\"Common use\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">Vid\u00e9o cin\u00e9matographique et narrative<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/tr><tr data-entry=\"2\" class=\"uael-table-row\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-96b4bc3\" data-title=\"Frame rate\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">30 images par seconde<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-ca652de\" data-title=\"Starting shutter speed\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">1\/60 s.<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-293a390\" data-title=\"Common use\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">Vid\u00e9os g\u00e9n\u00e9rales et en ligne<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/tr><tr data-entry=\"3\" class=\"uael-table-row\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-cb486c9\" data-title=\"Frame rate\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">60 images par seconde<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-5ce154c\" data-title=\"Starting shutter speed\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">1\/125 s.<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-fb5f579\" data-title=\"Common use\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">Action ou s\u00e9quence destin\u00e9e \u00e0 \u00eatre visionn\u00e9e au ralenti<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/tr><tr data-entry=\"4\" class=\"uael-table-row\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-13c0198\" data-title=\"Frame rate\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">120 images par seconde<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-5f449ec\" data-title=\"Starting shutter speed\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">1\/250 s.<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-904e745\" data-title=\"Common use\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">Des s\u00e9quences au ralenti plus marqu\u00e9es<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t<\/tbody>\n\t<\/table>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-19e70d5 elementor-widget elementor-widget-text-editor\" data-id=\"19e70d5\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Si vous en \u00eates encore \u00e0 d\u00e9couvrir comment ces param\u00e8tres fonctionnent ensemble, consultez notre guide sur <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/tourner-des-videos-avec-un-appareil-photo-sans-miroir\/\"><strong>filmer avec un appareil photo hybride<\/strong><\/a> explique les principales commandes de la cam\u00e9ra et les \u00e9l\u00e9ments \u00e0 prendre en compte lors de la configuration pour l'enregistrement vid\u00e9o.<\/p><h3>Fr\u00e9quence d'images : ce que signifient r\u00e9ellement les 24, 30 et 60 images par seconde<\/h3><p>La fr\u00e9quence d'images d\u00e9termine la fa\u00e7on dont le mouvement est per\u00e7u \u00e0 l'\u00e9cran, et vous devez la d\u00e9finir avant de commencer \u00e0 filmer. La fr\u00e9quence de 24 images par seconde correspond au rythme propre aux films de fiction. La fr\u00e9quence de 30 images par seconde offre un rendu l\u00e9g\u00e8rement plus fluide et convient aux vid\u00e9os grand public et aux vid\u00e9os en ligne. Les fr\u00e9quences de 60 et 120 images par seconde permettent de capturer des sc\u00e8nes d'action rapide et vous offrent suffisamment d'images pour ralentir le rythme lors du montage.<\/p><p>La fr\u00e9quence d'images rel\u00e8ve d'un choix cr\u00e9atif et technique, et non d'un param\u00e8tre de qualit\u00e9. Une fr\u00e9quence plus \u00e9lev\u00e9e n'est pas n\u00e9cessairement meilleure.<\/p><h3>La r\u00e8gle des 180 degr\u00e9s et son importance<\/h3><p>La r\u00e8gle des 180 degr\u00e9s fixe la vitesse d'obturation \u00e0 deux fois la fr\u00e9quence d'images. \u00c0 24 images par seconde, cela correspond \u00e0 1\/50e de seconde. Cette r\u00e8gle trouve son origine dans les cam\u00e9ras argentiques, dont les obturateurs rotatifs exposaient chaque image pendant la moiti\u00e9 de sa dur\u00e9e, ce qui produisait un flou de mouvement que les spectateurs per\u00e7oivent comme naturel. Des vitesses d'obturation plus rapides rendent le mouvement net et saccad\u00e9. Des vitesses plus lentes le font flou.<\/p><p>C'est pour cette raison que la vitesse d'obturation ne permet plus de contr\u00f4ler l'exposition en mode vid\u00e9o.<\/p><h3>Pourquoi les filtres ND sont-ils indispensables ?<\/h3><p>Un filtre ND r\u00e9duit la quantit\u00e9 de lumi\u00e8re qui atteint le capteur, ce qui vous permet de conserver votre fr\u00e9quence d'images, votre vitesse d'obturation et votre ouverture dans des conditions de forte luminosit\u00e9. En ext\u00e9rieur, avec une ouverture de f\/2,8 et une vitesse d'obturation de 1\/50e de seconde, la plupart des appareils photo surexposent en plein soleil, m\u00eame \u00e0 la sensibilit\u00e9 ISO de base. Un filtre ND est le seul moyen de conserver ces r\u00e9glages tout en obtenant une exposition correcte.<\/p><p>Un filtre ND variable s'adapte \u00e0 diff\u00e9rentes intensit\u00e9s en fonction des variations de luminosit\u00e9, ce qui est id\u00e9al pour les prises de vue en mouvement. Choisissez un filtre correspondant au plus grand diam\u00e8tre de filetage dont vous disposez et utilisez des bagues d'adaptation pour pouvoir utiliser un seul et m\u00eame filtre sur plusieurs objectifs.<\/p><h3>R\u00e9gler manuellement la balance des blancs<\/h3><p>R\u00e9glez manuellement la balance des blancs pour garantir une coh\u00e9rence des couleurs tout au long d'un plan et entre chaque s\u00e9quence d'une sc\u00e8ne. La balance des blancs automatique r\u00e9agit aux variations de couleur et de lumi\u00e8re pendant que la cam\u00e9ra tourne, et le changement qui en r\u00e9sulte se produit \u00e0 l'\u00e9cran, sous les yeux du spectateur. Une photographie fixe masque ce ph\u00e9nom\u00e8ne, car elle ne montre qu'une seule image.<\/p><p>Choisissez un pr\u00e9r\u00e9glage ou un r\u00e9glage en Kelvin adapt\u00e9 et conservez-le jusqu\u2019\u00e0 ce que l\u2019\u00e9clairage change. Une fois que vous ma\u00eetrisez l\u2019exposition et les couleurs, des techniques telles que la profondeur de champ, l\u2019\u00e9clairage, le cadrage et les mouvements de cam\u00e9ra peuvent vous aider \u00e0 <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/comment-obtenir-un-look-cinematographique-avec-les-objectifs-tamron\/\"><strong>obtenir un rendu cin\u00e9matographique<\/strong><\/a> sans avoir \u00e0 recourir \u00e0 des effets pour le cr\u00e9er par la suite.<\/p><h2 id=\"look-for\">Quels sont les crit\u00e8res \u00e0 prendre en compte pour choisir un objectif destin\u00e9 \u00e0 la vid\u00e9o par rapport \u00e0 la photo ?<\/h2><figure id=\"attachment_25973\" aria-describedby=\"caption-attachment-25973\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img decoding=\"async\" class=\"size-full wp-image-25973\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/09\/tamron-video-lens-microphone-mirrorless-camera.webp\" alt=\"Cr\u00e9ateur utilisant un appareil photo hybride \u00e9quip\u00e9 d'un objectif Tamron et d'un micro canon pour l'enregistrement vid\u00e9o.\" width=\"1200\" height=\"800\" \/><figcaption id=\"caption-attachment-25973\" class=\"wp-caption-text\">Un objectif Tamron associ\u00e9 \u00e0 un appareil photo sans miroir et \u00e0 un microphone int\u00e9gr\u00e9 permet une mise au point automatique fluide, des distances focales polyvalentes et des prises de vue vid\u00e9o pratiques.<\/figcaption><\/figure><p>Un objectif photo est \u00e9valu\u00e9 en fonction de l'image qu'il produit \u00e0 un instant donn\u00e9. Un objectif vid\u00e9o est quant \u00e0 lui \u00e9valu\u00e9 en fonction de son comportement lorsque la situation \u00e9volue. Six \u00e9l\u00e9ments d\u00e9terminent ce comportement : la stabilit\u00e9 de l'ouverture, la variation de mise au point, la fluidit\u00e9 et le bruit de l'autofocus, la stabilisation, la distance focale, ainsi que le choix entre un zoom et un objectif \u00e0 focale fixe en fonction de votre style de prise de vue.<\/p><p>Comprendre ces diff\u00e9rences peut faciliter le choix <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/objectifs-tamron-pour-la-video\/\"><strong>objectifs d'appareil photo pour la vid\u00e9ographie<\/strong><\/a> beaucoup plus facile, car cela permet d'\u00e9valuer le comportement d'un objectif pendant la prise de vue, plut\u00f4t que de se limiter aux caract\u00e9ristiques techniques traditionnelles de la photographie statique.<\/p><p>\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-65a1fb2 uael-header-sticky-no uael-border-yes elementor-widget elementor-widget-uael-table\" data-id=\"65a1fb2\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"uael-table.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div itemscope class=\"uael-table-wrapper\" itemtype=\"http:\/\/schema.org\/Table\">\n\t\t<table id=\"uael-table-id-65a1fb2\" class=\"uael-text-break uael-column-rules uael-table\" data-sort-table=\"no\" data-show-entry=\"no\" data-searchable=\"no\" data-responsive=\"no\">\n\t\t\t\t<thead>\n\t\t\t\t\t\t\t\t\t\t<tr class=\"uael-table-row\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<th data-sort=\"0\" class=\"sort-this elementor-repeater-item-5e27134 uael-table-col uael-table-head-cell-text\" scope=\"col\">\n\t\t\t\t\t\t\t<span class=\"sort-style\">\n\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">Consid\u00e9rations relatives aux objectifs<\/span>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t<\/th>\n\t\t\t\t\t\t\t\t\t\t\t\t<th data-sort=\"1\" class=\"sort-this elementor-repeater-item-39039ec uael-table-col uael-table-head-cell-text\" scope=\"col\">\n\t\t\t\t\t\t\t<span class=\"sort-style\">\n\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">Pour la photographie<\/span>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t<\/th>\n\t\t\t\t\t\t\t\t\t\t\t\t<th data-sort=\"2\" class=\"sort-this elementor-repeater-item-854945a uael-table-col uael-table-head-cell-text\" scope=\"col\">\n\t\t\t\t\t\t\t<span class=\"sort-style\">\n\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">Pour la vid\u00e9o<\/span>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t<\/th>\n\t\t\t\t\t\t\t\t<\/thead>\n\t\t\t\t<tbody>\n\t\t\t<!-- ROWS -->\n\t\t\t\t\t\t\t\t\t\t<tr data-entry=\"1\" class=\"uael-table-row\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-474dc3e\" data-title=\"Lens consideration\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">Ouverture<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-3d9f3d1\" data-title=\"For still photography\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">L'exposition peut \u00eatre r\u00e9gl\u00e9e d'une image \u00e0 l'autre<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-08ef810\" data-title=\"For video\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">La coh\u00e9rence tout au long d'un extrait vid\u00e9o rev\u00eat une grande importance<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/tr><tr data-entry=\"2\" class=\"uael-table-row\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-c8f15d9\" data-title=\"Lens consideration\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">Respiration consciente<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-a070bcb\" data-title=\"For still photography\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">G\u00e9n\u00e9ralement difficile \u00e0 remarquer<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-cc674ef\" data-title=\"For video\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">Les changements de cadrage peuvent \u00eatre visibles lors des r\u00e9glages de mise au point<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/tr><tr data-entry=\"3\" class=\"uael-table-row\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-0d559c6\" data-title=\"Lens consideration\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">Autofocus<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-3d04337\" data-title=\"For still photography\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">La rapidit\u00e9 est tr\u00e8s appr\u00e9ci\u00e9e<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-2b0353b\" data-title=\"For video\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">La fluidit\u00e9, la pr\u00e9cision de suivi et le fonctionnement silencieux sont des crit\u00e8res importants<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/tr><tr data-entry=\"4\" class=\"uael-table-row\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-456e533\" data-title=\"Lens consideration\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">Stabilisation<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-aa4030c\" data-title=\"For still photography\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">Utile avec des vitesses d'obturation plus lentes<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-46d44d5\" data-title=\"For video\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">Permet de limiter les tremblements visibles et persistants<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/tr><tr data-entry=\"5\" class=\"uael-table-row\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-0d768e8\" data-title=\"Lens consideration\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">Longueur focale<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-45fd7d4\" data-title=\"For still photography\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">En se basant principalement sur la composition<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-6ed0973\" data-title=\"For video\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">Cela a \u00e9galement une incidence sur les mouvements et la stabilit\u00e9<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/tr><tr data-entry=\"6\" class=\"uael-table-row\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-172002b\" data-title=\"Lens consideration\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">Zoom ou objectif \u00e0 focale fixe ?<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-36b9dc3\" data-title=\"For still photography\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">Les deux solutions peuvent bien fonctionner<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-38a9964\" data-title=\"For video\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">Les zooms facilitent la prise de vue pour les d\u00e9butants<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t<\/tbody>\n\t<\/table>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b85afa5 elementor-widget elementor-widget-text-editor\" data-id=\"b85afa5\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h3>Ouverture fixe ou ouverture variable<\/h3><p>Un zoom \u00e0 ouverture constante conserve la m\u00eame ouverture maximale sur toute sa plage focale, ce qui permet de maintenir une exposition constante lorsque vous recadrez ou zoomez. Un zoom \u00e0 ouverture variable voit son ouverture maximale diminuer \u00e0 mesure que l'on se rapproche du t\u00e9l\u00e9objectif, ce qui entra\u00eene une variation de l'exposition lors d'un zoom si vous photographiez \u00e0 pleine ouverture.<\/p><p>Les objectifs \u00e0 ouverture variable conviennent \u00e0 la vid\u00e9o. R\u00e9glez l'exposition sur l'ouverture la plus petite de la plage que vous comptez utiliser, et le d\u00e9calage n'aura plus d'importance.<\/p><h3>Qu'est-ce que la respiration de concentration et pourquoi est-elle importante dans les vid\u00e9os ?<\/h3><p>La \u00ab respiration de la mise au point \u00bb est un changement de cadrage ou d\u2019angle de vue qui se produit lorsque l\u2019objectif modifie la distance de mise au point. Cela s\u2019apparente \u00e0 un zoom subtil. Une photographie fixe ne montre que l\u2019image finale ; la \u00ab respiration \u00bb est donc invisible. La vid\u00e9o, quant \u00e0 elle, montre l\u2019int\u00e9gralit\u00e9 de la transition, ce qui permet au spectateur de voir le cadrage \u00e9voluer \u00e0 mesure que la mise au point passe du premier plan \u00e0 l\u2019arri\u00e8re-plan.<\/p><p>C'est particuli\u00e8rement perceptible lors de plans o\u00f9 l'on effectue d\u00e9lib\u00e9r\u00e9ment un \u00ab rack-focus \u00bb ou un \u00ab focus-pull \u00bb.<\/p><h3>Mise au point automatique pour la vid\u00e9o : la fluidit\u00e9 et le silence priment sur la rapidit\u00e9<\/h3><p>La qualit\u00e9 de l'autofocus vid\u00e9o se mesure \u00e0 l'aune de la fluidit\u00e9, de la pr\u00e9cision et du bruit, et non de la vitesse. Un va-et-vient ou un effet de pulsation visibles peuvent distraire le spectateur, tandis que le bruit du moteur de l'autofocus peut \u00eatre capt\u00e9 lors d'un enregistrement sonore \u00e0 proximit\u00e9 de la cam\u00e9ra.<\/p><p>Gr\u00e2ce aux appareils photo hybrides modernes et aux syst\u00e8mes AF silencieux des objectifs, la mise au point automatique en continu s'av\u00e8re de plus en plus pratique pour les interviews, les \u00e9v\u00e9nements, les vid\u00e9os de famille et les voyages.<\/p><h3>Stabilisation d'image : stabilisation optique de l'objectif (OIS), stabilisation int\u00e9gr\u00e9e au capteur (IBIS) et comment elles fonctionnent ensemble<\/h3><p>La vid\u00e9o utilise trois types de stabilisation. La stabilisation optique (OIS) corrige les mouvements au niveau de l'objectif. La stabilisation int\u00e9gr\u00e9e au bo\u00eetier (IBIS) corrige les mouvements au niveau du capteur. La stabilisation \u00e9lectronique effectue la correction par logiciel et recadre l'image pour ce faire. Sur les combinaisons appareil photo\/objectif compatibles, l'OIS et l'IBIS fonctionnent conjointement : l'objectif corrige certains axes de mouvement et le bo\u00eetier corrige les autres.<\/p><p>Tamron d\u00e9signe son <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/quest-ce-que-la-stabilisation-optique-de-limage-quest-ce-que-la-stabilisation-dimage\/\"><strong>stabilisation optique de l'objectif<\/strong><\/a> syst\u00e8me appel\u00e9 VC, ou \u00ab Vibration Compensation \u00bb (compensation des vibrations). La stabilisation est utile, mais elle ne remplace pas une bonne technique de prise de vue \u00e0 main lev\u00e9e ni un support d'appareil photo adapt\u00e9.<\/p><h3>Distance focale : pourquoi la vid\u00e9o n\u00e9cessite souvent un angle plus large que la photographie<\/h3><p>La vid\u00e9o privil\u00e9gie les focales larges par rapport \u00e0 la photo pour trois raisons : on travaille dans des espaces restreints, le sujet a besoin d'espace pour se d\u00e9placer dans le cadre, et on se d\u00e9place souvent avec la cam\u00e9ra. Les focales larges masquent \u00e9galement les petits mouvements de la cam\u00e9ra tenue \u00e0 la main, que les focales t\u00e9l\u00e9objectifs amplifient.<\/p><p>Voici un guide utile pour commencer :<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-1c16e34 uael-header-sticky-no uael-border-yes elementor-widget elementor-widget-uael-table\" data-id=\"1c16e34\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"uael-table.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div itemscope class=\"uael-table-wrapper\" itemtype=\"http:\/\/schema.org\/Table\">\n\t\t<table id=\"uael-table-id-1c16e34\" class=\"uael-text-break uael-column-rules uael-table\" data-sort-table=\"no\" data-show-entry=\"no\" data-searchable=\"no\" data-responsive=\"no\">\n\t\t\t\t<thead>\n\t\t\t\t\t\t\t\t\t\t<tr class=\"uael-table-row\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<th data-sort=\"0\" class=\"sort-this elementor-repeater-item-ed9f381 uael-table-col uael-table-head-cell-text\" scope=\"col\">\n\t\t\t\t\t\t\t<span class=\"sort-style\">\n\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">Longueur focale<\/span>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t<\/th>\n\t\t\t\t\t\t\t\t\t\t\t\t<th data-sort=\"1\" class=\"sort-this elementor-repeater-item-fcd11f8 uael-table-col uael-table-head-cell-text\" scope=\"col\">\n\t\t\t\t\t\t\t<span class=\"sort-style\">\n\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">Utilisations courantes de la vid\u00e9o<\/span>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t<\/th>\n\t\t\t\t\t\t\t\t<\/thead>\n\t\t\t\t<tbody>\n\t\t\t<!-- ROWS -->\n\t\t\t\t\t\t\t\t\t\t<tr data-entry=\"1\" class=\"uael-table-row\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-42c52c2\" data-title=\"Focal length\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">16-24 mm<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-9a5dc0b\" data-title=\"Typical video uses\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">Vlogs, d\u00e9coration d'int\u00e9rieur, plans d'ensemble<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/tr><tr data-entry=\"2\" class=\"uael-table-row\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-4bb4fbb\" data-title=\"Focal length\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">24-35mm<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-3425d49\" data-title=\"Typical video uses\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">Documentaire, voyage, prises de vue g\u00e9n\u00e9rales<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/tr><tr data-entry=\"3\" class=\"uael-table-row\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-af2c519\" data-title=\"Focal length\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">35 \u00e0 50 mm<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-ed9a308\" data-title=\"Typical video uses\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">Entretiens et points de vue spontan\u00e9s du quotidien<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/tr><tr data-entry=\"4\" class=\"uael-table-row\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-d8fde52\" data-title=\"Focal length\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">50 \u00e0 85 mm<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-a61b7af\" data-title=\"Typical video uses\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">Portraits et gros plans<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/tr><tr data-entry=\"5\" class=\"uael-table-row\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-e19dfe4\" data-title=\"Focal length\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">85 mm et plus<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-fe60571\" data-title=\"Typical video uses\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">En se basant principalement sur la composition<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/tr><tr data-entry=\"6\" class=\"uael-table-row\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-6df5f62\" data-title=\"Focal length\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">Zoom ou objectif \u00e0 focale fixe ?<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-c737edf\" data-title=\"Typical video uses\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">\u00c9v\u00e9nements, r\u00e9sum\u00e9s concis et reportages spontan\u00e9s<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t<\/tbody>\n\t<\/table>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-c072953 elementor-widget elementor-widget-text-editor\" data-id=\"c072953\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h3>Zoom ou Prime pour la vid\u00e9o ?<\/h3><p>Commencez par un zoom. Un seul objectif permet de couvrir les plans larges, moyens, rapproch\u00e9s et les gros plans sans changer d\u2019objectif, ce qui vous permet de vous entra\u00eener \u00e0 la couverture et \u00e0 l\u2019encha\u00eenement des plans, les deux comp\u00e9tences les plus importantes une fois que vous commencez \u00e0 monter vos prises de vue. Les objectifs \u00e0 focale fixe sont parfaits pour les conditions de faible luminosit\u00e9, la faible profondeur de champ, les configurations compactes et une r\u00e9alisation ma\u00eetris\u00e9e.<\/p><p>Le fait de tourner une vid\u00e9o n'est pas une raison suffisante pour passer aux objectifs \u00e0 focale fixe. Choisissez celui qui correspond le mieux au plan que vous souhaitez r\u00e9aliser.<\/p><p>Pour plus d'informations, consultez notre guide sur <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/objectifs-tamron-pour-la-video\/\"><strong>objectifs d'appareil photo pour la vid\u00e9ographie<\/strong><\/a> et notre <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/prime-vs-zoom-lens\/\"><strong>Objectif principal ou zoom : Quelle est la diff\u00e9rence et lequel choisir ?<\/strong><\/a> article.<\/p><h2 id=\"start-with\">Par quels objectifs commencer pour la vid\u00e9o ?<\/h2><figure id=\"attachment_25966\" aria-describedby=\"caption-attachment-25966\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-25966\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/09\/tamron-g2-video-lens-types-comparison.webp\" alt=\"Tableau comparatif pr\u00e9sentant quatre types d'objectifs Tamron G2 destin\u00e9s \u00e0 la vid\u00e9o : le zoom grand angle 16-30 mm F2.8 G2, le zoom standard 28-75 mm F2.8 G2, zoom t\u00e9l\u00e9objectif 70-180 mm F2,8 G2 et zoom polyvalent 25-200 mm F2,8-5,6 G2.\" width=\"1200\" height=\"800\" \/><figcaption id=\"caption-attachment-25966\" class=\"wp-caption-text\">Quatre cat\u00e9gories d'objectifs Tamron G2 pour la vid\u00e9o et la photographie hybride : zoom grand angle, zoom standard, zoom t\u00e9l\u00e9objectif et zoom polyvalent.<\/figcaption><\/figure><p>Commencez par vous procurer un objectif polyvalent plut\u00f4t que de renouveler tout votre \u00e9quipement photographique. Un objectif \u00e0 ouverture fixe <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/what-is-a-standard-zoom-lens\/\"><strong>zoom standard<\/strong><\/a> Il est particuli\u00e8rement utile car il permet de r\u00e9aliser des plans d'ensemble, des cadrages moyens, des portraits et des gros plans tout en garantissant une exposition pr\u00e9visible. Commencez par prendre des photos, puis identifiez la limite sp\u00e9cifique qu'un autre objectif permettrait r\u00e9ellement de surmonter.<\/p><h3>Votre premier objectif : un zoom standard \u00e0 ouverture fixe<\/h3><p>Pour les utilisateurs d'appareils photo hybrides plein format, le <a href=\"https:\/\/tamron-americas.com\/fr\/produit\/28-75mm-f-2-8-di-iii-vxd-g2\/\"><strong>Tamron 28-75mm F\/2.8 <span class=\"no-break\">Di III<\/span> VXD G2 (A063)<\/strong><\/a> offre une plage focale polyvalente et une ouverture constante de f\/2,8 pour la vid\u00e9o g\u00e9n\u00e9raliste. Pour les appareils photo APS-C, le <a href=\"https:\/\/tamron-americas.com\/fr\/produit\/17-70mm-f-2-8-di-iii-a-vc-rxd\/\"><strong>Tamron 17-70mm F\/2.8 <span class=\"no-break\"><span class=\"no-break\">Di III<\/span>-A<\/span> VC RXD (B070)<\/strong><\/a> allie une plage de zoom standard \u00e9tendue, une ouverture constante de F2,8 et la stabilisation VC de Tamron.<\/p><p>Ces deux types d'objectifs vous permettent d'apprendre \u00e0 cadrer et \u00e0 couvrir l'action sans avoir \u00e0 interrompre constamment la prise de vue pour changer d'objectif.<\/p><h3>Pour les prises de vue grand angle, le vlogging et les mouvements \u00e0 la main<\/h3><p>Wide lenses are useful when filming in tight spaces, vlogging at arm’s length, capturing establishing shots, or moving with a subject. The <a href=\"https:\/\/tamron-americas.com\/fr\/produit\/20-40mm-f-2-8-di-iii-vxd\/\"><strong>Tamron 20-40mm F\/2.8 <span class=\"no-break\">Di III<\/span> VXD (A062)<\/strong><\/a> offre une plage focale compacte allant du grand angle au standard, tandis que le <a href=\"https:\/\/tamron-americas.com\/fr\/produit\/16-30mm-f-2-8-di-iii-vxd-g2\/\"><strong>Tamron 16-30mm F\/2.8 <span class=\"no-break\">Di III<\/span> VXD G2 (A064)<\/strong><\/a> s'aventure encore plus loin dans le domaine des objectifs ultra-grand-angle.<\/p><p>Les photographes qui envisagent de passer davantage de temps devant l'objectif peuvent \u00e9galement d\u00e9couvrir quelles plages focales et quelles caract\u00e9ristiques d'objectif s'av\u00e8rent particuli\u00e8rement efficaces pour <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/objectifs-tamron-pour-le-vlogging\/\"><strong>objectifs d'appareil photo pour le vlogging<\/strong><\/a>.<\/p><h3>Pour Reach : \u00e9v\u00e9nements, spectacles et informations condens\u00e9es<\/h3><p>Les focales de t\u00e9l\u00e9objectif vous permettent d'isoler les sujets, de capturer des instants spontan\u00e9s \u00e0 distance et de cr\u00e9er un effet de compression marqu\u00e9. Les mouvements de l'appareil photo devenant plus perceptibles \u00e0 mesure que la focale augmente, il est d'autant plus important de disposer d'un syst\u00e8me de stabilisation ou d'un support solide pour l'appareil.<\/p><p>Un t\u00e9l\u00e9objectif zoom rapide tel que le <a href=\"https:\/\/tamron-americas.com\/fr\/produit\/tamron-70-180mm-f-2-8-di-iii-vc-vxd-g2\/\"><strong>Tamron 70-180mm F\/2.8 <span class=\"no-break\">Di III<\/span> VC VXD G2 (A065)<\/strong><\/a> offre une port\u00e9e suppl\u00e9mentaire tout en assurant une stabilisation par cam\u00e9ra virtuelle pour les prises de vue \u00e0 main lev\u00e9e.<\/p><h3>La solution tout-en-un : un seul objectif, moins de changements<\/h3><p>Un zoom \u00ab tout-en-un \u00bb sacrifie une partie de la constance d'ouverture d'un zoom F2,8 au profit d'une plage focale bien plus \u00e9tendue. Cela peut constituer un excellent compromis lorsque les changements d'objectif s'av\u00e8rent peu pratiques, notamment lors de prises de vue en voyage, de reportages ou de tournages improvis\u00e9s.<\/p><p>Les <a href=\"https:\/\/tamron-americas.com\/fr\/produit\/25-200mm-f-2-8-5-6-di-iii-vxd-g2\/\"><strong>Tamron 25-200mm F\/2.8-5.6 <span class=\"no-break\">Di III<\/span> VXD G2 (A075)<\/strong><\/a> Il permet de photographier des vues panoramiques, des personnes, des d\u00e9tails et des sujets \u00e9loign\u00e9s avec un seul objectif. Si vous pr\u00e9voyez d'utiliser le zoom pendant la prise de vue, n'oubliez pas que l'ouverture maximale varie en fonction de la plage de zoom et r\u00e9glez l'exposition en cons\u00e9quence.<\/p><p>Cette polyvalence peut s\u2019av\u00e9rer particuli\u00e8rement utile sur le terrain, o\u00f9 notre guide sur <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/meilleurs-objectifs-tamron-pour-la-realisation-de-films-de-voyage\/\"><strong>Objectifs Tamron pour la r\u00e9alisation de films de voyage<\/strong><\/a> examine comment le choix de l'objectif, la portabilit\u00e9, la distance focale et la diversit\u00e9 des prises de vue s'articulent entre eux lorsqu'il s'agit de documenter un voyage.<\/p><h2 id=\"sequences\">Comment prendre des photos en rafale plut\u00f4t qu'une par une ?<\/h2><figure id=\"attachment_25975\" aria-describedby=\"caption-attachment-25975\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-25975\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/09\/video-shot-sequence-wide-medium-close-up-detail.webp\" alt=\"S\u00e9quence vid\u00e9o en quatre plans montrant respectivement un plan large, un plan moyen, un gros plan et un plan de d\u00e9tail d'un guitariste jouant au bord d'un lac.\" width=\"1200\" height=\"800\" \/><figcaption id=\"caption-attachment-25975\" class=\"wp-caption-text\">Une simple succession de plans larges, moyens, de gros plans et de plans de d\u00e9tail offre aux monteurs plusieurs perspectives d'une m\u00eame action et contribue \u00e0 construire un r\u00e9cit visuel plus complet.<\/figcaption><\/figure><p>Une photographie fonctionne lorsqu'elle est prise isol\u00e9ment. Une vid\u00e9o fonctionne lorsqu'elle est constitu\u00e9e d'une s\u00e9rie de plans qui s'encha\u00eenent harmonieusement ; alors, cessez de rechercher l'angle parfait et commencez \u00e0 accumuler des prises de vue. Filmez la m\u00eame action sous quatre angles diff\u00e9rents : plan large, plan moyen, gros plan et d\u00e9tail.<\/p><p>Adopter cette fa\u00e7on de penser constitue l'un des changements les plus importants lorsqu'on passe de la photographie \u00e0 la r\u00e9alisation cin\u00e9matographique, car la composition doit d\u00e9sormais guider le spectateur d'un plan \u00e0 l'autre. Notre guide sur <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/realisation-composition-direction-mise-au-point-travail\/\"><strong>composition cin\u00e9matographique, mise en sc\u00e8ne et travail sur la mise au point<\/strong><\/a> explore ces choix narratifs de mani\u00e8re plus approfondie.<\/p><h3>Les modes \u00ab Large \u00bb, \u00ab Moyen \u00bb, \u00ab Pr\u00e8s \u00bb et \u00ab D\u00e9tail \u00bb<\/h3><p>Le plan d'ensemble permet de situer le lieu. Le plan moyen montre l'action. Le gros plan met en valeur le personnage ou l'objet qui compte. Le plan de d\u00e9tail apporte de la texture. Si vous filmez ces quatre plans pour chaque action, vous fournirez au monteur une s\u00e9quence qui s'encha\u00eene naturellement, plut\u00f4t que quatre s\u00e9quences sans lien entre elles.<\/p><p>Si l'on prend l'exemple d'une personne en train de pr\u00e9parer un caf\u00e9, on pourrait par exemple photographier la pi\u00e8ce, la personne au comptoir, le caf\u00e9 qui coule dans la tasse, ainsi qu'un gros plan sur la vapeur ou les mains.<\/p><h3>A-Roll et B-Roll : la signification de ces termes<\/h3><p>Le \u00ab A-roll \u00bb d\u00e9signe le contenu ou l'action principale, tandis que le \u00ab B-roll \u00bb correspond aux s\u00e9quences d'accompagnement utilis\u00e9es pour apporter du contexte, de la vari\u00e9t\u00e9 ou des informations compl\u00e9mentaires. Si quelqu'un parle de la fabrication de guitares artisanales, l'interview constitue le \u00ab A-roll \u00bb ; les plans de l'atelier, des outils, des mains fa\u00e7onnant le bois et des instruments finis constituent le \u00ab B-roll \u00bb.<\/p><p>Les photographes s'adaptent souvent rapidement au B-roll, car chaque s\u00e9quence peut \u00eatre abord\u00e9e comme une photographie anim\u00e9e soigneusement compos\u00e9e.<\/p><h3>La composition change lorsque le sujet se d\u00e9place<\/h3><p>Most photography composition principles remain useful in video, but you must also consider where the subject is going. Leave visual space in front of movement or the direction of a person’s gaze so the subject has room to move naturally within the frame.<\/p><p>Le sens de d\u00e9placement \u00e0 l'\u00e9cran est tout aussi important. Si un personnage se d\u00e9place de gauche \u00e0 droite dans un plan et de droite \u00e0 gauche dans le suivant, cela d\u00e9sorientera le spectateur au moment de la coupure, \u00e0 moins que ce choix ne soit d\u00e9lib\u00e9r\u00e9.<\/p><h3>Les principes de base du montage qui assurent la fluidit\u00e9 des s\u00e9quences<\/h3><p>Deux techniques de montage peuvent consid\u00e9rablement am\u00e9liorer une s\u00e9quence : le montage sur l'action, qui dissimule une coupure au sein d'un mouvement, et les \u00ab J-cuts \u00bb ou \u00ab L-cuts \u00bb, o\u00f9 le son commence avant l'image suivante ou se poursuit apr\u00e8s le changement d'image. Ces deux techniques contribuent \u00e0 donner l'impression que les plans successifs s'inscrivent dans une exp\u00e9rience continue.<\/p><p>Privil\u00e9giez les coupes nettes. \u00c9vitez les transitions trop \u00e9labor\u00e9es. Le contenu l'emporte toujours sur les effets.<\/p><h2 id=\"handle-focus\">When Should the Camera Move \u2014 and How Do You Handle Focus?<\/h2><figure id=\"attachment_25967\" aria-describedby=\"caption-attachment-25967\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-25967\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/09\/tamron-gimbal-camera-movement-video.webp\" alt=\"Appareil photo sans miroir \u00e9quip\u00e9 d'un objectif Tamron mont\u00e9 sur un stabilisateur portatif permettant de contr\u00f4ler les mouvements lors de l'enregistrement vid\u00e9o.\" width=\"1200\" height=\"800\" \/><figcaption id=\"caption-attachment-25967\" class=\"wp-caption-text\">Un stabilisateur portable permet d'obtenir des mouvements de cam\u00e9ra fluides et ma\u00eetris\u00e9s lors de l'enregistrement de vid\u00e9os avec un objectif Tamron.<\/figcaption><\/figure><p>One of the most useful videography tips for beginners is to move the camera less, not more. Start with stable, intentional compositions and let your subject provide the movement. When the camera does move, give the movement a clear purpose. The same principle applies to focus: every visible change should direct the viewer’s attention rather than distract from it.<\/p><p>Apprendre le <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/les-bases-du-travail-a-la-camera-la-prise-de-vue-video-debutants\/\"><strong>les bases du travail de cam\u00e9ra pour le tournage vid\u00e9o<\/strong><\/a> peut aider les photographes \u00e0 comprendre comment les panoramiques, les inclinaisons, les travellings et autres mouvements influencent l'ambiance et le sens d'une sc\u00e8ne.<\/p><h3>Commencez par des plans fixes<\/h3><p>Un plan fixe est un plan statique r\u00e9alis\u00e9 \u00e0 l'aide d'un tr\u00e9pied ou d'un autre support stable, dans lequel l'action se d\u00e9roule \u00e0 l'int\u00e9rieur d'un cadre fixe. C'est l'\u00e9l\u00e9ment de base le plus utile en vid\u00e9o. Installez la cam\u00e9ra sur un support, cadrez soigneusement et laissez la sc\u00e8ne se d\u00e9rouler. Les s\u00e9quences stables s'encha\u00eenent de mani\u00e8re fluide, et le contraste met davantage en valeur vos plans en mouvement d\u00e9lib\u00e9r\u00e9s.<\/p><p>D\u00e8s que vous commencez \u00e0 effectuer des panoramiques et des inclinaisons, il vous faut un tr\u00e9pied \u00e9quip\u00e9 d'une rotule vid\u00e9o \u00e0 fluide. Une rotule photo ne permettra pas d'obtenir un mouvement fluide.<\/p><h3>Panoramiques, inclinaisons, zooms et prises de vue \u00e0 la main<\/h3><p>Chaque mouvement de cam\u00e9ra suit la m\u00eame structure : on commence par un plan fixe, on effectue un mouvement contr\u00f4l\u00e9, puis on termine par un plan fixe. Ce sont ces images fixes \u00e0 chaque extr\u00e9mit\u00e9 qui rendent le plan utilisable au montage. Commencez par quatre types de mouvements : le panoramique, l'inclinaison, le zoom avant ou arri\u00e8re, et le suivi parall\u00e8lement \u00e0 l'action.<\/p><p>Pour filmer \u00e0 main lev\u00e9e, gardez les coudes pr\u00e8s du corps, fl\u00e9chissez l\u00e9g\u00e8rement les genoux, tenez la cam\u00e9ra pr\u00e8s de votre centre de gravit\u00e9 et d\u00e9placez-vous lentement. Une prise de vue \u00e0 main lev\u00e9e bien ma\u00eetris\u00e9e peut donner un r\u00e9sultat naturel et captivant ; toutes les prises ne n\u00e9cessitent pas forc\u00e9ment l'utilisation d'un stabilisateur.<\/p><h3>Mise au point automatique continue ou mise au point manuelle ?<\/h3><p>Use continuous autofocus with face, eye, or subject detection for interviews, family, travel, events, and any moving subject. It is the right default for mirrorless video. Switch to manual focus when you control both the subject’s movement and the camera position, and when the focus transition is itself part of the shot.<\/p><p>Learn to use focus peaking, focus magnification, and your camera’s autofocus transition speed and sensitivity controls where available.<\/p><h3>Changements de mise au point : d\u00e9placer l'attention sans bouger la cam\u00e9ra<\/h3><figure id=\"attachment_25968\" aria-describedby=\"caption-attachment-25968\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-25968\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/09\/tamron-lens-utility-mobile-focus-pull-video.webp\" alt=\"Smartphone \u00e9quip\u00e9 de l'application \u00ab TAMRON Lens Utility Mobile \u00bb \u00e0 c\u00f4t\u00e9 d'un appareil photo hybride muni d'un objectif Tamron, permettant de contr\u00f4ler la mise au point en mode vid\u00e9o.\" width=\"1200\" height=\"800\" \/><figcaption id=\"caption-attachment-25968\" class=\"wp-caption-text\">L'application TAMRON Lens Utility Mobile prend en charge les transitions de mise au point contr\u00f4l\u00e9es pour la vid\u00e9o, y compris les changements de mise au point entre diff\u00e9rents sujets.<\/figcaption><\/figure><p>Un changement de mise au point modifie ce que le spectateur remarque en d\u00e9pla\u00e7ant la mise au point d'une partie du cadre \u00e0 une autre. Vous pouvez par exemple commencer par une tasse de caf\u00e9 bien nette au premier plan, puis d\u00e9placer la mise au point sur la personne assise derri\u00e8re, cr\u00e9ant ainsi un r\u00e9cit visuel sans bouger la cam\u00e9ra.<\/p><p>C'est \u00e9galement l'une des situations o\u00f9 la respiration de concentration se fait le plus sentir. Pour les objectifs compatibles, <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/realisation-de-films-partie-2-mise-au-point-travail-tamron-lens-utility-mobile\/\"><strong>TAMRON Lens Utility : r\u00e9glage de la mise au point sur mobile<\/strong><\/a> offre des moyens suppl\u00e9mentaires de planifier et de contr\u00f4ler les transitions de mise au point dans les vid\u00e9os.<\/p><h3>Utilisez une profondeur de champ plus faible que ce que vous pensez<\/h3><p>Filmez la plupart de vos vid\u00e9os avec une ouverture comprise entre F2,8 et F5,6. Cette plage vous offre une bonne isolation du sujet et une profondeur de champ suffisante pour suivre un sujet en mouvement. Une tr\u00e8s faible profondeur de champ met en valeur un portrait statique, mais ne convient pas au mouvement : une personne qui se penche de quelques pouces vers l'avant sort imm\u00e9diatement du plan de mise au point, et la prise de vue est alors inutilisable.<\/p><p>Ouvrez le cadre parce que l'histoire l'exige, et non parce que l'objectif en est capable.<\/p><h2 id=\"audio-lighting\">Pourquoi le son et l'\u00e9clairage ont plus d'importance que ne le pensent les photographes<\/h2><figure id=\"attachment_25971\" aria-describedby=\"caption-attachment-25971\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-25971\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/09\/tamron-video-interview-audio-lighting-setup.webp\" alt=\"Installation pour une interview vid\u00e9o en coulisses, comprenant un objectif de cam\u00e9ra, un micro \u00e0 perche et une lampe \u00e0 lumi\u00e8re continue, avec des \u00e9tiquettes indiquant les consignes relatives au son et \u00e0 l'\u00e9clairage.\" width=\"1200\" height=\"800\" \/><figcaption id=\"caption-attachment-25971\" class=\"wp-caption-text\">Une configuration d'interview vid\u00e9o met en avant trois \u00e9l\u00e9ments cl\u00e9s pour un enregistrement r\u00e9ussi : l'objectif, le placement du microphone et l'\u00e9clairage continu.<\/figcaption><\/figure><p>Le son et l'\u00e9clairage continu sont les deux comp\u00e9tences v\u00e9ritablement nouvelles que les photographes acqui\u00e8rent lorsqu'ils se lancent dans la vid\u00e9o. Une photographie ne n\u00e9cessite aucun son, et un flash ne doit \u00e9clairer qu'une fraction de seconde. La vid\u00e9o, en revanche, doit enregistrer un son exploitable et maintenir un \u00e9clairage ad\u00e9quat pendant toute la dur\u00e9e de chaque prise.<\/p><p>Ces comp\u00e9tences prennent \u00e9galement de plus en plus d'importance \u00e0 mesure que vous allez au-del\u00e0 des conseils de base en mati\u00e8re de vid\u00e9ographie pour vous orienter vers <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/step-it-up-techniques-avancees-de-videographie\/\"><strong>techniques avanc\u00e9es de vid\u00e9ographie<\/strong><\/a>, o\u00f9 l'\u00e9clairage, le rendu de l'objectif, la stabilisation et les mouvements de cam\u00e9ra deviennent des \u00e9l\u00e9ments davantage ma\u00eetris\u00e9s de la narration visuelle.<\/p><h3>Audio : l'emplacement prime sur le prix<\/h3><p>Getting a microphone closer to the speaker generally improves recording quality more effectively than placing a more sophisticated microphone far away. Your camera’s internal microphone can be useful for ambient or reference sound, but dialogue often benefits from an on-camera shotgun microphone or wireless lavalier placed closer to the subject.<\/p><p>Dans la mesure du possible, choisissez des endroits calmes, \u00e9vitez les pi\u00e8ces o\u00f9 le son se r\u00e9percute fortement et utilisez des \u00e9couteurs pour \u00e9couter les enregistrements importants.<\/p><h3>\u00c9clairage : le flash ne sert \u00e0 rien dans ce cas-l\u00e0<\/h3><p>La vid\u00e9o n\u00e9cessite un \u00e9clairage continu plut\u00f4t qu'un flash momentan\u00e9, mais les connaissances en \u00e9clairage que vous poss\u00e9dez d\u00e9j\u00e0 restent valables. La direction, la douceur, la couleur, le contraste et la taille de la source lumineuse restent des \u00e9l\u00e9ments fondamentaux.<\/p><p>Pour commencer, il suffit de placer votre sujet \u00e0 environ 45 degr\u00e9s d'une grande fen\u00eatre et de r\u00e9gler l'exposition en fonction du visage. Un r\u00e9flecteur, une lampe d'appoint ou une petite LED peuvent ensuite vous permettre d'affiner le r\u00e9glage sans avoir \u00e0 mettre en place un dispositif d'\u00e9clairage complexe.<\/p><h2 id=\"shoot-first\">Par quoi commencer ? Quatre projets pour d\u00e9butants<\/h2><figure id=\"attachment_25974\" aria-describedby=\"caption-attachment-25974\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-25974\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/09\/videography-beginner-projects-four-panel-montage.webp\" alt=\"Montage vid\u00e9o en quatre parties pr\u00e9sentant une s\u00e9quence illustrant le processus de cr\u00e9ation d'une chanson \u00e0 la guitare, une vid\u00e9o de voyage, une interview en solo et un court r\u00e9cit visuel se d\u00e9roulant dans une for\u00eat.\" width=\"1200\" height=\"800\" \/><figcaption id=\"caption-attachment-25974\" class=\"wp-caption-text\">Four beginner video projects\u2014process sequence, travel or location video, one-person interview, and short visual story\u2014help build practical videography skills step by step.<\/figcaption><\/figure><p>La meilleure fa\u00e7on de mettre en pratique ces conseils de vid\u00e9ographie destin\u00e9s aux photographes et aux d\u00e9butants est de commencer par un petit projet qui \u00e9vite les complications inutiles. Commencez par une courte s\u00e9quence visuelle sans dialogue, puis ajoutez des prises de vue sur le terrain, le son et, enfin, la narration. Chaque projet devrait vous permettre d\u2019acqu\u00e9rir une nouvelle comp\u00e9tence sans n\u00e9cessiter l\u2019achat d\u2019un tout nouvel \u00e9quipement vid\u00e9o.<\/p><h3>Projet n\u00b0 1 : une s\u00e9quence de dix prises de vue<\/h3><p>Choisissez une activit\u00e9 simple, comme faire du caf\u00e9, pr\u00e9parer le petit-d\u00e9jeuner, peindre, ranger un sac photo ou composer un bouquet. Prenez une dizaine de clich\u00e9s en variant les plans (large, moyen, rapproch\u00e9 et de d\u00e9tail), puis montez la s\u00e9quence pour en faire une vid\u00e9o de 20 \u00e0 30 secondes.<\/p><p>N'utilisez pas de dialogues. Concentrez-vous sur la dur\u00e9e de chaque plan et apprenez comment une composition s'encha\u00eene avec la suivante.<\/p><h3>Projet n\u00b0 2 : Une s\u00e9quence de lieux<\/h3><p>Rendez-vous dans un lieu visuellement int\u00e9ressant et r\u00e9alisez une s\u00e9quence de 30 \u00e0 60 secondes. Filmez un plan d'ensemble, un plan large, un plan moyen, un gros plan, un d\u00e9tail, un plan en mouvement, un \u00e9l\u00e9ment humain et une image de cl\u00f4ture.<\/p><p>This exercise helps photographers move from simply recording attractive clips to constructing a sense of place\u2014an essential skill for travel video. The same approach is explored further in our guide to <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/meilleurs-objectifs-tamron-pour-la-realisation-de-films-de-voyage\/\"><strong>R\u00e9alisation de films de voyage avec des objectifs Tamron<\/strong><\/a>.<\/p><h3>Projet n\u00b0 3 : Un entretien en une seule question<\/h3><p>Posez une question \u00e0 une personne et enregistrez sa r\u00e9ponse, puis filmez des images d'illustration en rapport avec le sujet abord\u00e9. Le montage conjoint de l'interview et des images d'illustration permet d'aborder plusieurs comp\u00e9tences fondamentales \u00e0 la fois : la coh\u00e9rence de l'exposition, le cadrage des personnes, la mise au point automatique, le son, l'\u00e9clairage continu, la couverture visuelle et le rythme du montage.<\/p><p>Veillez \u00e0 ce que la question et la r\u00e9ponse soient concises afin que l\u2019exercice reste ax\u00e9 sur la technique plut\u00f4t que sur la complexit\u00e9 de la r\u00e9alisation.<\/p><h3>Projet n\u00b0 4 : Une histoire de soixante \u00e0 quatre-vingt-dix secondes<\/h3><p>Cr\u00e9ez une histoire simple avec un d\u00e9but, un d\u00e9veloppement et une fin. Par exemple, filmez un photographe en train de choisir son mat\u00e9riel, de se rendre sur place, de pr\u00e9parer la prise de vue et de r\u00e9aliser la photo finale.<\/p><p>\u00c0 ce stade, vous ne vous contentez plus de rassembler des s\u00e9quences accrocheuses. Vous d\u00e9terminez quelles informations le spectateur a besoin de recevoir, \u00e0 quel moment, et en quoi chaque plan fait avancer l'histoire.<\/p><h3>O\u00f9 aller ensuite ?<\/h3><p>Une fois que vous aurez men\u00e9 \u00e0 bien plusieurs petits projets, vos limites r\u00e9elles appara\u00eetront beaucoup plus clairement. Vous vous rendrez peut-\u00eatre compte que vous avez besoin d'une meilleure stabilisation, d'un meilleur son, d'un \u00e9clairage suppl\u00e9mentaire, d'une plage focale diff\u00e9rente ou d'un contr\u00f4le plus avanc\u00e9 de la mise au point et des mouvements de cam\u00e9ra.<\/p><p>\u00c0 partir de l\u00e0, vous pourrez d\u00e9velopper des comp\u00e9tences sp\u00e9cifiques au lieu d'essayer d'apprendre tout en m\u00eame temps. Vous pourriez vous entra\u00eener \u00e0 <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/comment-faire-un-vlog-un-guide-pour-les-debutants\/\"><strong>Comment se lancer dans le vlogging ?<\/strong><\/a>, emm\u00e9nager dans <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/la-maitrise-de-la-videographie-cinematographique-pour-passer-a-la-vitesse-superieure\/\"><strong>Ma\u00eetriser la r\u00e9alisation de vid\u00e9os cin\u00e9matographiques<\/strong><\/a>, ou lancez-vous le d\u00e9fi de cr\u00e9er une \u0153uvre compl\u00e8te en utilisant un <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/conseils-pour-creer-une-video-musicale-en-deux-plans-seulement-avec-charley-voorhis\/\"><strong>Tutoriel vid\u00e9o sur la r\u00e9alisation d'un clip en deux plans<\/strong><\/a>.<\/p><h2 id=\"lens-have\">Commencez par l'objectif que vous poss\u00e9dez, puis choisissez celui dont vous avez besoin<\/h2><figure id=\"attachment_25972\" aria-describedby=\"caption-attachment-25972\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-25972\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/09\/tamron-video-lens-camera-lcd-review.webp\" alt=\"Photographe utilisant un appareil photo sans miroir \u00e9quip\u00e9 d'un objectif Tamron, en train de v\u00e9rifier l'\u00e9cran LCD arri\u00e8re pendant un tournage vid\u00e9o.\" width=\"1200\" height=\"800\" \/><figcaption id=\"caption-attachment-25972\" class=\"wp-caption-text\">Commencez par l'objectif que vous poss\u00e9dez d\u00e9j\u00e0 et inspirez-vous de vos exp\u00e9riences de prise de vue r\u00e9elles pour d\u00e9terminer les caract\u00e9ristiques ou la plage focale dont vous aurez besoin ensuite.<\/figcaption><\/figure><p>Votre meilleur objectif vid\u00e9o pour d\u00e9buter se trouve probablement d\u00e9j\u00e0 dans votre sac. Filmez suffisamment pour identifier une v\u00e9ritable limite avant d\u2019acheter quoi que ce soit. Chaque limite correspond \u00e0 une solution sp\u00e9cifique : un bruit ou une recherche de mise au point trop marqu\u00e9s indiquent que vous avez besoin d\u2019un syst\u00e8me de mise au point plus silencieux ; des images instables film\u00e9es \u00e0 la main indiquent que vous avez besoin d\u2019une stabilisation ; et une \u00ab respiration \u00bb visible lors des changements de mise au point signifie que c\u2019est le comportement de la mise au point qui sera d\u00e9terminant pour votre prochain objectif.<\/p><p>La vid\u00e9o impose \u00e0 un objectif des exigences diff\u00e9rentes de celles de la photographie. Cela ne signifie pas pour autant que vous ayez besoin d'un \u00e9quipement vid\u00e9o distinct. Un objectif polyvalent, performant dans ces deux domaines, est ce qui permet \u00e0 un cr\u00e9ateur hybride de franchir cette transition.<\/p><p>Lorsque vous savez ce que vous devez am\u00e9liorer, utilisez le <a href=\"https:\/\/tamron-americas.com\/fr\/detecteur-de-lentilles\/\"><strong>Outil de recherche d'objectifs Tamron et de comparaison de filtres<\/strong><\/a> pour comparer les distances focales, les montures et les options d'objectifs en fonction du type de vid\u00e9o que vous souhaitez r\u00e9aliser.<\/p><h2 id=\"buy\">O\u00f9 acheter les objectifs Tamron<\/h2><p>D\u00e9couvrez les objectifs Tamron pour la photographie et la vid\u00e9o gr\u00e2ce au guide de s\u00e9lection des objectifs Tamron, puis choisissez la plage focale et les caract\u00e9ristiques adapt\u00e9es \u00e0 votre appareil photo et \u00e0 votre style de prise de vue. Les objectifs Tamron sont disponibles chez un <a href=\"https:\/\/www2.tamron-usa.com\/dealers_fr.aspx\"><strong>revendeur Tamron agr\u00e9\u00e9<\/strong><\/a> pr\u00e8s de chez vous ou directement sur le site officiel <a href=\"https:\/\/tamron-americas.com\/fr\/objectifs-photo\/\"><strong>Magasin TAMRON<\/strong><\/a>.<\/p><h2 id=\"faqs\">Foire aux questions sur la vid\u00e9ographie : conseils pour les photographes et les d\u00e9butants<\/h2><h3>\u00c0 quelle fr\u00e9quence d'images dois-je filmer ?<\/h3><p>Pour les vid\u00e9os classiques, commencez par 24 images par seconde ou 30 images par seconde. Utilisez une vitesse d'obturation d'environ 1\/50e de seconde pour 24 images par seconde et de 1\/60e de seconde pour 30 images par seconde. Optez pour 60 images par seconde ou plus lorsque vous avez besoin d'une capture plus fluide des sc\u00e8nes d'action rapide ou si vous souhaitez obtenir des s\u00e9quences pouvant \u00eatre ralenties lors du montage.<\/p><h3>Qu'est-ce que la r\u00e8gle des 180 degr\u00e9s ?<\/h3><p>La r\u00e8gle des 180 degr\u00e9s recommande une vitesse d'obturation correspondant environ au double de la fr\u00e9quence d'images. \u00c0 24 images par seconde, par exemple, un r\u00e9glage de l'appareil photo d'environ 1\/50e de seconde permet d'obtenir le niveau de flou de mouvement g\u00e9n\u00e9ralement associ\u00e9 \u00e0 un rendu vid\u00e9o naturel.<\/p><h3>Ai-je besoin d'objectifs sp\u00e9ciaux pour la vid\u00e9o ?<\/h3><p>Non. Commencez par les objectifs photo que vous poss\u00e9dez d\u00e9j\u00e0 et d\u00e9terminez s\u2019ils r\u00e9pondent \u00e0 vos besoins. La vid\u00e9o peut mettre davantage en \u00e9vidence certaines caract\u00e9ristiques telles que la silence de l\u2019autofocus, la stabilisation, la constance de l\u2019ouverture, le comportement de la mise au point et la plage focale, mais il n\u2019est pas n\u00e9cessaire, pour la plupart des photographes qui se lancent dans la vid\u00e9o, de disposer d\u2019un ensemble distinct d\u2019objectifs d\u00e9di\u00e9s \u00e0 la vid\u00e9o.<\/p><h3>Qu'est-ce que la respiration de concentration ?<\/h3><p>La mise au point est un changement apparent du cadrage ou de l'angle de vue qui se produit lorsqu'un objectif passe d'une distance de mise au point \u00e0 une autre. Ce ph\u00e9nom\u00e8ne est particuli\u00e8rement perceptible lors des changements de mise au point en vid\u00e9o, car le spectateur voit l'int\u00e9gralit\u00e9 de la transition plut\u00f4t que la seule image finale nette.<\/p><h3>Quelle est la diff\u00e9rence entre un \u00ab A-roll \u00bb et un \u00ab B-roll \u00bb ?<\/h3><p>Le \u00ab A-roll \u00bb d\u00e9signe le contenu vid\u00e9o principal, comme une interview ou une s\u00e9quence d'action principale. Le \u00ab B-roll \u00bb correspond \u00e0 des s\u00e9quences d'appoint qui fournissent du contexte, illustrent le sujet abord\u00e9, apportent de la vari\u00e9t\u00e9 visuelle ou permettent de masquer des coupures dans la s\u00e9quence principale.<\/p><h3>Quel objectif est le mieux adapt\u00e9 aux photographes qui se lancent dans la vid\u00e9o ?<\/h3><p>Un zoom standard polyvalent \u00e0 ouverture constante constitue un excellent point de d\u00e9part, car il permet de r\u00e9aliser des prises de vue en grand angle, \u00e0 distance moyenne, en gros plan et de d\u00e9tail sans avoir \u00e0 changer fr\u00e9quemment d'objectif. Pour de nombreux photographes, un zoom standard \u00e0 F2,8 offre \u00e9galement une combinaison utile entre performances en basse lumi\u00e8re, contr\u00f4le de la profondeur de champ et exposition pr\u00e9visible sur toute la plage de zoom.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>Get practical videography tips for photographers and beginners, including camera settings, lens choices, focus, movement, audio, lighting, and beginner projects for making the transition from stills to 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data-elementor-post-type=\"post\">\n\t\t\t\t<div class=\"elementor-element elementor-element-6c42eab e-flex e-con-boxed e-con e-parent\" data-id=\"6c42eab\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-7b7951d elementor-widget elementor-widget-text-editor\" data-id=\"7b7951d\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Je suis photographe <a href=\"https:\/\/fujimuradaisuke.net\/\" target=\"_blank\" rel=\"noopener\"><strong>Daisuke Fujimura<\/strong><\/a>. Je suis n\u00e9 dans la pr\u00e9fecture de Kagawa, au Japon, et je suis dipl\u00f4m\u00e9 du Nippon Photography Institute. Apr\u00e8s avoir suivi la formation du photographe professionnel Masaharu Uemura, je me suis lanc\u00e9 en tant que photographe ind\u00e9pendant. J\u2019ai parcouru plus de 500 villes \u00e0 l\u2019\u00e9tranger, photographiant des sites class\u00e9s au patrimoine mondial, des paysages urbains, de l\u2019architecture, des paysages nocturnes, la culture, l\u2019histoire, les coutumes et la vie quotidienne. Je suis \u00e9galement un pionnier de la photographie de paysages nocturnes, ayant organis\u00e9 la premi\u00e8re exposition individuelle au Japon enti\u00e8rement consacr\u00e9e aux paysages nocturnes \u00e9trangers. Mon th\u00e8me cr\u00e9atif actuel est \u201c l\u2019esprit humain en lien avec l\u2019univers \u201d, et je cr\u00e9e des photographies qui expriment l\u2019univers qui entoure toute chose ainsi que l\u2019espace entre les personnes.<\/p><p>D\u00e9couvrez d'autres exemples de mon travail sur <a href=\"https:\/\/www.instagram.com\/masegaki\/\" target=\"_blank\" rel=\"noopener\"><strong>Instagram<\/strong><\/a>.<\/p><p>Pour cet essai du Tamron 17-70 mm F2.8 Fujifilm X d\u00e9di\u00e9 \u00e0 la photographie de voyage, j'ai pris le <a href=\"https:\/\/tamron-americas.com\/fr\/produit\/17-70mm-f-2-8-di-iii-a-vc-rxd\/\"><strong>Tamron 17-70mm F\/2.8 <span class=\"no-break\"><span class=\"no-break\">Di III<\/span>-A<\/span> VC RXD (mod\u00e8le B070)<\/strong><\/a> lors d'un voyage \u00e0 Shikoku, au Japon, avec un Fujifilm X-T4. Les images vont des paysages de Shikoku et de l'architecture historique aux d\u00e9tails de voyage en int\u00e9rieur et aux sc\u00e8nes prises en contre-plong\u00e9e au bord de l'eau.<\/p><p>Sur les appareils photo Fujifilm au format APS-C, la plage focale de 17-70 mm correspond \u00e0 un \u00e9quivalent plein format d\u2019environ 25,5-105 mm. Cela en fait une plage polyvalente pour les voyageurs qui souhaitent photographier des paysages, de l\u2019architecture, des d\u00e9tails et des moments du quotidien sans avoir \u00e0 changer constamment d\u2019objectif. Pour les photographes qui comparent <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/meilleurs-objectifs-de-voyage-fujifilm-x-tamron\/\"><strong>Objectifs de voyage Fujifilm \u00e0 monture X<\/strong><\/a>, la combinaison d'une ouverture constante de F2,8, du syst\u00e8me VC (compensation des vibrations) et d'un format APS-C compact rend cet objectif particuli\u00e8rement pratique pour les longues journ\u00e9es d'exploration.<\/p><h2>Compact et l\u00e9ger, id\u00e9al pour la photographie de voyage \u00e0 Shikoku<\/h2><figure id=\"attachment_24685\" aria-describedby=\"caption-attachment-24685\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-24685\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/09\/tamron-17-70mm-f2-8-fujifilm-x-uchiko-historic-street-travel.webp\" alt=\"Rue commer\u00e7ante historique d'Uchiko, dans la pr\u00e9fecture d'Ehime, bord\u00e9e de b\u00e2timents traditionnels japonais sous un ciel bleu, photographi\u00e9e avec l'objectif Tamron 17-70 mm F2,8 pour Fujifilm X.\" width=\"1200\" height=\"800\" \/><figcaption id=\"caption-attachment-24685\" class=\"wp-caption-text\">Une promenade dans les rues pr\u00e9serv\u00e9es d'Uchiko montre pourquoi un zoom standard compact est utile pour la photographie de voyage \u00e0 Shikoku. | Distance focale : 21,9 mm Exposition : f\/10, 1\/100 s, ISO 160<\/figcaption><\/figure><p>Lorsque j\u2019ai pris cet objectif en main pour la premi\u00e8re fois, j\u2019ai \u00e9t\u00e9 fascin\u00e9 par sa taille compacte, qui tient dans la paume de ma main, et par son poids \u00e9tonnamment l\u00e9ger compte tenu de son ouverture maximale rapide de F2,8. Estimant qu\u2019un petit zoom offrant une excellente portabilit\u00e9 serait id\u00e9al pour prendre des clich\u00e9s lors de mes voyages, j\u2019avais d\u00e9j\u00e0 de grands espoirs pour cet objectif avant m\u00eame de commencer \u00e0 photographier.<\/p><p>Prendre des clich\u00e9s de voyage tout en se d\u00e9pla\u00e7ant sans cesse peut \u00eatre \u00e9puisant, surtout lorsqu\u2019on doit porter un objectif classique \u00e0 grande ouverture, plut\u00f4t lourd. Cet objectif ne donne absolument pas cette impression, et j\u2019ai pu prendre des photos en tout confort. Pour un voyage ax\u00e9 sur la marche dans des rues historiques, des sites touristiques et des lieux vari\u00e9s, cette portabilit\u00e9 m'a permis de garder mon appareil photo toujours pr\u00eat \u00e0 l'emploi.<\/p><h2>D\u00e9tails de voyage en gros plan avec une distance minimale de mise au point r\u00e9duite et un bokeh \u00e0 f\/2,8<\/h2><p>Je photographie souvent de petits objets en int\u00e9rieur \u00e0 tr\u00e8s courte distance, et il peut \u00eatre difficile d\u2019ajuster ma position tout en cherchant le bon angle. Cependant, comme le 17-70 mm F2.8 dispose d\u2019une distance minimale de mise au point (MOD) r\u00e9duite, il est possible de r\u00e9aliser des gros plans sans difficult\u00e9. L'objectif permet une mise au point \u00e0 une distance minimale de 7,5 pouces (0,19 m) en position grand angle et de 15,4 pouces (0,39 m) en position t\u00e9l\u00e9objectif.<\/p><h3>Savoir pr\u00eater attention aux petits d\u00e9tails quand on voyage<\/h3><figure id=\"attachment_24688\" aria-describedby=\"caption-attachment-24688\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-24688\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/09\/tamron-17-70mm-f2-8-fujifilm-x-vintage-radio-travel-detail.webp\" alt=\"Gros plan sur une radio vintage en bois dot\u00e9e d'un cadran de r\u00e9glage analogique, photographi\u00e9e avec l'objectif Tamron 17-70 mm F2,8 pour Fujifilm X lors d'un voyage \u00e0 Shikoku, au Japon.\" width=\"1200\" height=\"800\" \/><figcaption id=\"caption-attachment-24688\" class=\"wp-caption-text\">Une composition serr\u00e9e met en valeur le cadran de r\u00e9glage et la texture d'une radio vintage, tandis qu'un flou l\u00e9ger simplifie les d\u00e9tails environnants. | Distance focale : 70 mm. Exposition : f\/2,8, 1\/80 s, ISO 160<\/figcaption><\/figure><p>Avec une ouverture maximale de F2,8, les superbes effets de bokeh obtenus m\u00eame \u00e0 des focales plus larges contribuent \u00e0 la cr\u00e9ation de l'\u0153uvre. La possibilit\u00e9 de passer d'une vue d'ensemble d'un lieu touristique \u00e0 un petit d\u00e9tail sans changer d'objectif facilite la construction d'un r\u00e9cit visuel plus complet de ce lieu.<\/p><h3>Photographie de voyage en gros plan \u00e0 Uchiko<\/h3><figure id=\"attachment_24687\" aria-describedby=\"caption-attachment-24687\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-24687\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/09\/tamron-17-70mm-f2-8-fujifilm-x-uchiko-vintage-medicine-detail.webp\" alt=\"Des emballages de m\u00e9dicaments d'\u00e9poque pr\u00e9sent\u00e9s dans un panier tress\u00e9 \u00e0 Uchiko, dans la pr\u00e9fecture d'Ehime, photographi\u00e9s en gros plan avec le Tamron 17-70 mm F2,8 pour Fujifilm X.\" width=\"1200\" height=\"800\" \/><figcaption id=\"caption-attachment-24687\" class=\"wp-caption-text\">La mise au point rapproch\u00e9e et le bokeh \u00e0 f\/2,8 mettent en valeur ces emballages de m\u00e9dicaments vintage tout en pr\u00e9servant l\u2019atmosph\u00e8re d\u2019un int\u00e9rieur historique d\u2019Uchiko. | Distance focale : 21,9 mm Exposition : f\/2,8, 1\/70 s, ISO 160<\/figcaption><\/figure><p>Ce sont justement ce genre de petits objets qui peuvent \u00eatre difficiles \u00e0 photographier lorsque l'espace est restreint. La courte distance minimale de mise au point m'a permis de travailler au plus pr\u00e8s du sujet sans avoir \u00e0 changer constamment de position ni \u00e0 reculer pour faire la mise au point.<\/p><h2>Une prise en main \u00e9quilibr\u00e9e pour des photos de voyage cr\u00e9atives prises en contre-plong\u00e9e<\/h2><figure id=\"attachment_24684\" aria-describedby=\"caption-attachment-24684\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-24684\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/09\/tamron-17-70mm-f2-8-fujifilm-x-shikoku-sunset-reflection-travel.webp\" alt=\"Silhouette d\u2019un voyageur marchant au bord d\u2019un plan d\u2019eau paisible sous un coucher de soleil dor\u00e9 \u00e0 Shikoku, au Japon, photographi\u00e9e avec l\u2019objectif Tamron 17-70 mm F2,8 pour Fujifilm X\" width=\"1200\" height=\"800\" \/><figcaption id=\"caption-attachment-24684\" class=\"wp-caption-text\">Un angle de prise de vue bas et la lumi\u00e8re intense du coucher de soleil transforment un simple instant de voyage en une silhouette et un reflet graphiques. | Distance focale : 53,2 mm. Exposition : f\/2,8, 1\/3 000 s, ISO 160<\/figcaption><\/figure><p>Lorsque vous prenez une photo depuis un <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/comment-capturer-des-perspectives-uniques\/\"><strong>angle extr\u00eamement faible<\/strong><\/a> D\u00e8s que je me trouve au ras de l'eau, j'ai tendance \u00e0 perdre l'\u00e9quilibre. Cette fois-ci, j'ai trouv\u00e9 que l'association du Fujifilm X-T4 et du 17-70 mm F2.8 offrait un bon \u00e9quilibre, ce qui m'a permis de prendre de belles photos. Cette maniabilit\u00e9 est pr\u00e9cieuse en voyage, car les points de vue int\u00e9ressants ne sont pas toujours les plus confortables.<\/p><h2>Une qualit\u00e9 d'image exceptionnelle pour les paysages et l'architecture de Shikoku<\/h2><p>Outre sa portabilit\u00e9, la qualit\u00e9 d'image est exceptionnelle. Les performances optiques sup\u00e9rieures, obtenues gr\u00e2ce \u00e0 des \u00e9l\u00e9ments d'objectif sp\u00e9ciaux associ\u00e9s \u00e0 un traitement de surface, garantissent un rendu exceptionnel. J'ai ainsi pu me consacrer \u00e0 la photographie de paysage en toute s\u00e9r\u00e9nit\u00e9, gr\u00e2ce \u00e0 l'absence quasi totale de reflets et d'images fant\u00f4mes.<\/p><h3>Photographier le ch\u00e2teau d'Imabari et son reflet<\/h3><figure id=\"attachment_24681\" aria-describedby=\"caption-attachment-24681\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-24681\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/09\/tamron-17-70mm-f2-8-fujifilm-x-shikoku-imabari-castle-travel.webp\" alt=\"Le ch\u00e2teau d'Imabari se refl\u00e9tant dans ses douves \u00e0 Ehime, \u00e0 Shikoku, au Japon, photographi\u00e9 avec le Tamron 17-70 mm F2,8 pour Fujifilm X.\" width=\"1200\" height=\"800\" \/><figcaption id=\"caption-attachment-24681\" class=\"wp-caption-text\">Le ch\u00e2teau d\u2019Imabari et ses douves aux eaux miroitantes r\u00e9v\u00e8lent la finesse des d\u00e9tails, les couleurs et la profondeur qui font de l\u2019architecture et des sites embl\u00e9matiques des \u00e9l\u00e9ments incontournables d\u2019un r\u00e9cit de voyage \u00e0 Shikoku. | Distance focale : 19,2 mm. Exposition : f\/8, 1\/50 s, ISO 160<\/figcaption><\/figure><p>Un lieu comme le ch\u00e2teau d'Imabari allie <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/comment-faire-conseils-de-pro-pour-photographier-larchitecture-en-vacances\/\"><strong>l'architecture<\/strong><\/a>, la texture de la pierre, le ciel et le reflet, le tout dans une seule composition. La plage focale de 17 \u00e0 70 mm me permet de cadrer l'ensemble du d\u00e9cor tout en conservant les d\u00e9tails les plus fins sur l'ensemble de l'image.<\/p><h3>Repr\u00e9sentation d'int\u00e9rieurs traditionnels japonais<\/h3><figure id=\"attachment_24686\" aria-describedby=\"caption-attachment-24686\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-24686\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/09\/tamron-17-70mm-f2-8-fujifilm-x-uchiko-traditional-interior.webp\" alt=\"Int\u00e9rieur japonais traditionnel avec un rouleau de calligraphie, un arrangement floral et des paravents shoji \u00e0 Uchiko, dans la pr\u00e9fecture d'Ehime, photographi\u00e9 avec le Tamron 17-70 mm F2,8 pour Fujifilm X.\" width=\"1200\" height=\"800\" \/><figcaption id=\"caption-attachment-24686\" class=\"wp-caption-text\">La lumi\u00e8re naturelle qui p\u00e9n\u00e8tre par la fen\u00eatre met en valeur les textures et la g\u00e9om\u00e9trie d'un int\u00e9rieur traditionnel d'Uchiko, tout en pr\u00e9servant l'atmosph\u00e8re paisible de l'espace. | Distance focale : 17 mm. Exposition : f\/2,8, 1\/80 s, ISO 160<\/figcaption><\/figure><p>Les sc\u00e8nes de voyage en int\u00e9rieur peuvent r\u00e9unir dans un m\u00eame cadre des ombres profondes, la lumi\u00e8re vive provenant d'une fen\u00eatre, des d\u00e9tails architecturaux fins et de petits objets. Cet objectif m'a offert la souplesse n\u00e9cessaire pour m'adapter \u00e0 ces conditions, tout en conservant un ensemble appareil photo-objectif suffisamment compact pour permettre de prendre des photos en continu pendant mes voyages.<\/p><h2>Contr\u00f4le des reflets, photographie de nuit et conditions m\u00e9t\u00e9orologiques changeantes<\/h2><figure id=\"attachment_24683\" aria-describedby=\"caption-attachment-24683\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-24683\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/09\/tamron-17-70mm-f2-8-fujifilm-x-shikoku-night-lighthouse.webp\" alt=\"Un phare rouge illumin\u00e9 se d\u00e9tachant sur un ciel du soir d'un bleu profond \u00e0 Shikoku, au Japon, photographi\u00e9 avec le Tamron 17-70 mm F2,8 pour Fujifilm X.\" width=\"1200\" height=\"800\" \/><figcaption id=\"caption-attachment-24683\" class=\"wp-caption-text\">Un phare allum\u00e9 et les points lumineux environnants se d\u00e9tachent sur le ciel d'un bleu profond, mettant en valeur le rendu de l'objectif dans une sc\u00e8ne nocturne \u00e0 fort contraste. | Distance focale : 70 mm. Exposition : f\/8,0, 15 s, ISO 160<\/figcaption><\/figure><p>Les performances optiques exceptionnelles et le rev\u00eatement m'ont \u00e9galement donn\u00e9 confiance pour photographier des sc\u00e8nes dans des conditions d'\u00e9clairage difficiles. M\u00eame pendant <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/la-photographie-a-longue-exposition-un-guide-complet-et-les-meilleures-pratiques\/\"><strong>photographie de nuit<\/strong><\/a> Dans les situations impliquant un nombre particuli\u00e8rement \u00e9lev\u00e9 de sources lumineuses ponctuelles et des sc\u00e8nes \u00e0 fort contraste, l'objectif a su d\u00e9montrer pleinement ces capacit\u00e9s.<\/p><p>Il m'est arriv\u00e9 de prendre la pluie pendant mon voyage, mais gr\u00e2ce \u00e0 la conception r\u00e9sistante \u00e0 l'humidit\u00e9 de l'objectif, j'ai pu me concentrer sur la prise de vue sans souci. En mati\u00e8re de photos de voyage, c'est parfois le mauvais temps qui offre les meilleures occasions de prendre des clich\u00e9s. Pour les lieux c\u00e9l\u00e8bres qui sont souvent photographi\u00e9s, le 17-70 mm F2.8 me donne la libert\u00e9 de m'adapter aux conditions que je rencontre et de capturer la sc\u00e8ne \u00e0 ma mani\u00e8re.<\/p><h2>Conclusion : le Tamron 17-70 mm F2.8 pour Fujifilm X, un zoom de voyage incontournable<\/h2><p>J'ai trouv\u00e9 que l'objectif 17-70 mm F2,8 que j'ai test\u00e9 cette fois-ci est le zoom standard par excellence. Malgr\u00e9 son ouverture rapide, il est compact et l\u00e9ger, et offre une excellente qualit\u00e9 d'image. Il peut servir d'objectif de tous les jours tout en m'apportant la polyvalence dont j'ai besoin pour voyager.<\/p><p>Lors de mon voyage \u00e0 Shikoku, j\u2019ai particuli\u00e8rement appr\u00e9ci\u00e9 de pouvoir passer, avec un seul objectif, des rues et de l\u2019architecture historiques \u00e0 de petits d\u00e9tails d\u2019int\u00e9rieur, \u00e0 des compositions en contre-plong\u00e9e et \u00e0 des paysages. Sa plage focale de 17 \u00e0 70 mm, son ouverture constante de F2,8, sa courte distance minimale de mise au point, son stabilisateur d'image (VC) et sa maniabilit\u00e9 id\u00e9ale pour les voyages en font un excellent choix pour les photographes utilisant un appareil Fujifilm X qui souhaitent disposer d'un seul zoom standard pour couvrir l'essentiel d'une journ\u00e9e sur la route.<\/p><h2>O\u00f9 acheter les objectifs Tamron<\/h2><p>En savoir plus sur la <a href=\"https:\/\/tamron-americas.com\/fr\/produit\/17-70mm-f-2-8-di-iii-a-vc-rxd\/\"><strong>Tamron 17-70mm F\/2.8 <span class=\"no-break\"><span class=\"no-break\">Di III<\/span>-A<\/span> VC RXD<\/strong><\/a> pour les appareils photo hybrides APS-C Fujifilm X, Sony E, Canon RF et Nikon Z. Achetez sur le site officiel <strong><a href=\"https:\/\/tamron-americas.com\/fr\/objectifs-photo\/\">Boutique Tamron<\/a><\/strong> lorsqu'il est disponible ou trouver un <strong><a href=\"https:\/\/www2.tamron-usa.com\/dealers_fr.aspx\">revendeur Tamron agr\u00e9\u00e9<\/a><\/strong> pr\u00e8s de chez vous et d\u00e9couvrez-en davantage <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/votre-guide-des-objectifs-pour-fujifilm-x-series\/\"><strong>Objectifs Tamron pour monture X de Fujifilm<\/strong><\/a> pour la photographie de voyage, de rue, de paysage et du quotidien.<\/p><h2>Foire aux questions sur l'objectif Tamron 17-70 mm F2.8 pour Fujifilm X : photographie de voyage<\/h2><h3>L'objectif Tamron 17-70 mm F2,8 est-il adapt\u00e9 \u00e0 la photographie de voyage avec un appareil Fujifilm X ?<\/h3><p>Oui. Dans ce test, Daisuke Fujimura a utilis\u00e9 le Tamron 17-70 mm F2,8 lors d'un voyage \u00e0 Shikoku, au Japon. Il a particuli\u00e8rement appr\u00e9ci\u00e9 son format compact et l\u00e9ger, sa capacit\u00e9 \u00e0 faire la mise au point de tr\u00e8s pr\u00e8s, son ouverture constante de F2,8, sa grande qualit\u00e9 d'image et sa polyvalence, qui lui permet de couvrir aussi bien les paysages et l'architecture que les petits d\u00e9tails en int\u00e9rieur.<\/p><h3>Quel est l'\u00e9quivalent plein format du Tamron 17-70 mm sur les appareils photo Fujifilm X ?<\/h3><p>Sur les appareils photo hybrides Fujifilm au format APS-C, la plage focale de 17-70 mm correspond \u00e0 un \u00e9quivalent plein format d\u2019environ 25,5-105 mm. Cela permet aux voyageurs de passer de vues larges des rues et des sites touristiques \u00e0 des prises de vue plus pr\u00e9cises sans changer d\u2019objectif.<\/p><h3>Le Tamron 17-70 mm F2,8 est-il un bon objectif polyvalent pour voyager au Japon ?<\/h3><p>Oui. Fujimura a notamment soulign\u00e9 que la photographie de voyage implique souvent de marcher sans arr\u00eat et que cet objectif compact et l\u00e9ger lui permettait de prendre des photos en tout confort. Sa large plage de zoom standard r\u00e9duit \u00e9galement la n\u00e9cessit\u00e9 de changer d\u2019objectif au fur et \u00e0 mesure que les sc\u00e8nes \u00e9voluent au cours de la journ\u00e9e.<\/p><h3>\u00c0 quelle distance minimale le Tamron 17-70 mm F2,8 peut-il faire la mise au point ?<\/h3><p>La distance minimale de mise au point est de 7,5 pouces (0,19 m) \u00e0 17 mm et de 15,4 pouces (0,39 m) \u00e0 70 mm. Fujimura a trouv\u00e9 cette courte distance minimale de mise au point particuli\u00e8rement utile pour photographier de petits objets en int\u00e9rieur, \u00e0 courte distance, lors de ses voyages.<\/p><h3>Le Tamron 17-70 mm F2,8 permet-il d'obtenir un effet bokeh aux focales les plus larges ?<\/h3><p>Oui. Fujimura a remarqu\u00e9 que photographier \u00e0 pleine ouverture (F2,8) produisait d'importants effets de bokeh, m\u00eame avec des focales plus larges, ce qui l'a aid\u00e9 \u00e0 mettre en valeur les d\u00e9tails de ses voyages et \u00e0 cr\u00e9er des images plus expressives dans des espaces restreints.<\/p><h3>L'objectif Tamron 17-70 mm F2,8 est-il adapt\u00e9 aux voyages dans des conditions m\u00e9t\u00e9orologiques changeantes ?<\/h3><p>Cet objectif b\u00e9n\u00e9ficie d'une conception r\u00e9sistante \u00e0 l'humidit\u00e9 et d'un rev\u00eatement au fluor. M. Fujimura a \u00e9t\u00e9 confront\u00e9 \u00e0 la pluie pendant son voyage et a d\u00e9clar\u00e9 que cette conception r\u00e9sistante \u00e0 l'humidit\u00e9 lui avait permis de rester concentr\u00e9 sur la photographie malgr\u00e9 les caprices de la m\u00e9t\u00e9o.<\/p><h3>Le Tamron 17-70 mm F2,8 est-il uniquement disponible pour la monture X de Fujifilm ?<\/h3><p>Non. Le Tamron 17-70 mm F2,8 <span class=\"no-break\"><span class=\"no-break\">Di III<\/span>-A<\/span> Le VC RXD (mod\u00e8le B070) est disponible pour les appareils photo hybrides APS-C Fujifilm X, Sony E, Canon RF et Nikon Z. Cet article porte plus pr\u00e9cis\u00e9ment sur la version \u00e0 monture Fujifilm X utilis\u00e9e pour la photographie de voyage \u00e0 Shikoku, au Japon.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>Le photographe sp\u00e9cialis\u00e9 dans les voyages et les paysages nocturnes, Daisuke Fujimura, passe en revue l'objectif Tamron 17-70 mm F2,8 pour Fujifilm X lors d'un voyage \u00e0 Shikoku, au Japon. Il met en avant son design compact, sa mise au point rapproch\u00e9e, son bokeh \u00e0 F2,8, sa qualit\u00e9 d'image et sa conception r\u00e9sistante aux intemp\u00e9ries.<\/p>","protected":false},"author":7,"featured_media":24682,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"site-sidebar-layout":"no-sidebar","site-content-layout":"","ast-site-content-layout":"full-width-container","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[82,123],"tags":[262],"class_list":["post-24680","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articles","category-blog","tag-lens-review"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v28.5 (Yoast SEO v28.5) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Tamron 17-70mm F2.8 Fujifilm X Travel Photography Review | Tamron<\/title>\n<meta name=\"description\" content=\"Daisuke Fujimura reviews the Tamron 17-70mm F2.8 for Fujifilm X while photographing Shikoku, Japan, from historic streets to close-up travel details.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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de l'objectif Tamron 17-70 mm F2,8 pour monture Sony E : la photographie de voyage \u00e0 Paris"},"content":{"rendered":"<div data-elementor-type=\"wp-post\" data-elementor-id=\"24669\" class=\"elementor elementor-24669\" 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data-elementor-post-type=\"post\">\n\t\t\t\t<div class=\"elementor-element elementor-element-6c42eab e-flex e-con-boxed e-con e-parent\" data-id=\"6c42eab\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-7b7951d elementor-widget elementor-widget-text-editor\" data-id=\"7b7951d\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Je suis photographe <a href=\"https:\/\/wonguy.com\/\" target=\"_blank\" rel=\"noopener\"><strong>Olivier Wong<\/strong><\/a>. Je suis n\u00e9 \u00e0 La R\u00e9union et je vis aujourd\u2019hui \u00e0 Paris, o\u00f9 je me consacre \u00e0 la photographie de paysage, urbaine et de voyage. J\u2019ai commenc\u00e9 \u00e0 m\u2019int\u00e9resser s\u00e9rieusement \u00e0 la photographie apr\u00e8s m\u2019\u00eatre install\u00e9 \u00e0 Paris en 2013 pour y travailler comme ing\u00e9nieur, et la ville est rapidement devenue l\u2019une de mes principales sources d\u2019inspiration. Voyager et d\u00e9couvrir de nouveaux lieux, la culture locale et des moments uniques continuent de fa\u00e7onner ma mani\u00e8re de photographier. Mon objectif est de documenter ces exp\u00e9riences, car chaque photo a une histoire \u00e0 raconter.<\/p><p>D\u00e9couvrez d'autres exemples de mon travail sur <a href=\"https:\/\/www.instagram.com\/wonguy974\/\" target=\"_blank\" rel=\"noopener\"><strong>Instagram<\/strong><\/a>.<\/p><p>Dans le cadre de ce test du Tamron 17-70 mm F2,8 Sony E d\u00e9di\u00e9 \u00e0 la photographie de voyage, j'ai eu l'occasion de tester le <a href=\"https:\/\/tamron-americas.com\/fr\/produit\/17-70mm-f-2-8-di-iii-a-vc-rxd\/\"><strong>Tamron 17-70mm F\/2.8 <span class=\"no-break\"><span class=\"no-break\">Di III<\/span>-A<\/span> VC RXD (mod\u00e8le B070)<\/strong><\/a> sur un appareil photo sans miroir Sony au format APS-C lors de mon s\u00e9jour \u00e0 Paris. Je l'ai utilis\u00e9 pour diff\u00e9rents types de prises de vue, allant de <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/mieux-photographier-la-rue\/\"><strong>photographie de rue<\/strong><\/a> et de l'architecture aux portraits. Laissez-moi vous raconter mon exp\u00e9rience avec cet objectif, que j'ai utilis\u00e9 comme zoom de voyage en ville.<\/p><p>Sur les appareils photo Sony \u00e0 monture E au format APS-C, la plage focale de 17-70 mm offre un \u00e9quivalent plein format d'environ 25,5-105 mm. Cela lui conf\u00e8re la flexibilit\u00e9 n\u00e9cessaire pour passer de vues larges des rues et monuments parisiens \u00e0 des compositions plus serr\u00e9es sans changer d\u2019objectif, tandis que l\u2019ouverture constante de f\/2,8 et la compensation de vibrations (VC) int\u00e9gr\u00e9e permettent de s\u2019adapter aux variations de lumi\u00e8re tout au long de la journ\u00e9e. Pour les photographes qui comparent des appareils compacts <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/meilleur-objectif-pour-la-photographie-de-voyage-guide-tamron\/\"><strong>objectifs pour la photographie de voyage<\/strong><\/a>, cette combinaison de port\u00e9e, de vitesse et de stabilisation est particuli\u00e8rement utile pour une configuration de prise de vue en mouvement.<\/p><h2>Voyagez l\u00e9ger \u00e0 Paris avec le Tamron 17-70 mm F2,8 pour Sony E<\/h2><figure id=\"attachment_24661\" aria-describedby=\"caption-attachment-24661\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-24661\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/09\/tamron-17-70mm-f2-8-sony-e-paris-autumn-architecture.webp\" alt=\"Architecture historique parisienne encadr\u00e9e par des arbres d'automne dispos\u00e9s sym\u00e9triquement, photographi\u00e9e avec le Tamron 17-70 mm F2,8 pour Sony E.\" width=\"1200\" height=\"800\" \/><figcaption id=\"caption-attachment-24661\" class=\"wp-caption-text\">Les couleurs chaudes de l'automne et un cadrage sym\u00e9trique mettent en valeur l'architecture parisienne lors d'une promenade dans la ville. | Distance focale : 38 mm. Exposition : f\/3,5, 1\/320 s, ISO 100<\/figcaption><\/figure><p>Quand je sors faire des photos en ville, j\u2019aime voyager l\u00e9ger car j\u2019ai tendance \u00e0 beaucoup marcher. La plupart du temps, je n\u2019emporte qu\u2019un appareil photo et deux objectifs pour que mon sac ne soit pas trop lourd. Lorsque j\u2019ai utilis\u00e9 le Tamron 17-70 mm F2,8 mont\u00e9 sur un bo\u00eetier Sony APS-C pour un usage quotidien, j\u2019ai vraiment pu sentir la diff\u00e9rence. Le mat\u00e9riel restait compact et l\u00e9ger, ce qui le rendait agr\u00e9able \u00e0 transporter en me promenant dans Paris.<\/p><p>Pour autant, cette portabilit\u00e9 ne m\u2019a pas oblig\u00e9 \u00e0 faire de compromis sur la qualit\u00e9 ou les fonctionnalit\u00e9s. La plage focale de 17 \u00e0 70 mm rend cet objectif tr\u00e8s polyvalent, car il permet de couvrir une grande vari\u00e9t\u00e9 de situations. En me promenant dans la ville, j\u2019ai pu photographier aussi bien des vues d\u2019ensemble des b\u00e2timents et monuments parisiens que des d\u00e9tails plus pr\u00e9cis depuis une certaine distance. C\u2019est tr\u00e8s pratique de disposer d\u2019une telle flexibilit\u00e9 et de ne pas avoir \u00e0 changer d\u2019objectif sans cesse.<\/p><h3>De l'architecture parisienne \u00e0 grande \u00e9chelle aux vues urbaines en couches<\/h3><figure id=\"attachment_24666\" aria-describedby=\"caption-attachment-24666\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-24666\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/09\/tamron-17-70mm-f2-8-sony-e-paris-rooftops-eiffel-tower.webp\" alt=\"Les toits de Paris et l'architecture historique, avec la Tour Eiffel au loin sous les nuages du soir, photographi\u00e9s avec le Tamron 17-70 mm F2,8.\" width=\"1200\" height=\"800\" \/><figcaption id=\"caption-attachment-24666\" class=\"wp-caption-text\">Une vue panoramique de la ville m\u00eale les toits de Paris, l'architecture historique et la Tour Eiffel en une seule composition touristique. | Distance focale : 20 mm. Exposition : f\/5,6, 1\/250 s, ISO 200<\/figcaption><\/figure><p>C'est pr\u00e9cis\u00e9ment dans ce genre de situation que la grande plage de zoom s'av\u00e8re utile pour la photographie de voyage. Je pouvais prendre du recul pour obtenir une vue architecturale plus large, puis zoomer lorsque je souhaitais simplifier la composition ou isoler une partie plus \u00e9loign\u00e9e de la ville. Le fait de disposer de ces deux options dans un seul objectif m'a permis de r\u00e9agir rapidement en passant d'un endroit \u00e0 l'autre.<\/p><h2>Photographie de voyage \u00e0 l'heure dor\u00e9e avec une ouverture constante de f\/2,8<\/h2><p>Je prends surtout des photos au lever ou au coucher du soleil parce que j'adore le <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/conseils-pour-la-photographie-a-lheure-doree\/\"><strong>une lumi\u00e8re dor\u00e9e et douce<\/strong><\/a> \u00e0 ces moments-l\u00e0 de la journ\u00e9e. J\u2019ai donc besoin d\u2019un \u00e9quipement capable de produire des r\u00e9sultats de qualit\u00e9 lorsque la lumi\u00e8re commence \u00e0 baisser. L\u2019ouverture fixe de F2,8 m\u2019offre cette flexibilit\u00e9 et me permet de conserver des images lumineuses et nettes lorsque je photographie \u00e0 main lev\u00e9e dans des conditions changeantes.<\/p><h3>Photographier la Tour Eiffel dans la lumi\u00e8re dor\u00e9e<\/h3><figure id=\"attachment_24663\" aria-describedby=\"caption-attachment-24663\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-24663\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/09\/tamron-17-70mm-f2-8-sony-e-paris-eiffel-tower-golden-hour.webp\" alt=\"La Tour Eiffel se dressant entre un immeuble parisien et des arbres aux couleurs d'automne, baign\u00e9e par la lumi\u00e8re chaude de fin de journ\u00e9e, photographi\u00e9e avec l'objectif Tamron 17-70 mm F2,8 pour Sony E.\" width=\"1200\" height=\"1800\" \/><figcaption id=\"caption-attachment-24663\" class=\"wp-caption-text\">Cette prise de vue au grand angle permet d'appr\u00e9cier l'ampleur de la Tour Eiffel et du quartier parisien environnant, baign\u00e9s par la lumi\u00e8re chaleureuse de l'heure dor\u00e9e. | Distance focale : 17 mm. Exposition : f\/7,1, 1\/60 s, ISO 100<\/figcaption><\/figure><p>Le grand angle me permet d\u2019inclure non seulement un monument embl\u00e9matique comme la Tour Eiffel, mais aussi l\u2019architecture, les arbres et les gens qui conf\u00e8rent \u00e0 la sc\u00e8ne une impression plus forte du lieu. C\u2019est important pour moi dans la photographie de voyage, car je souhaite que la photo transmette plus que le simple monument : je veux qu\u2019elle pr\u00e9serve l\u2019atmosph\u00e8re du lieu. Les rev\u00eatements BBAR-G2 de Tamron offrent une excellente r\u00e9duction des reflets lorsque je r\u00e9alise des prises de vue pour cr\u00e9er un effet de rayons de soleil.<\/p><h3>Photographie d'un coucher de soleil \u00e0 Paris avec le Tamron 17-70 mm F2,8<\/h3><figure id=\"attachment_24664\" aria-describedby=\"caption-attachment-24664\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-24664\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/09\/tamron-17-70mm-f2-8-sony-e-paris-eiffel-tower-sunset.webp\" alt=\"La Tour Eiffel au-dessus d'un pont sur la Seine, sous un ciel rose et orange au coucher du soleil \u00e0 Paris, photographi\u00e9e avec le Tamron 17-70 mm F2,8.\" width=\"1200\" height=\"800\" \/><figcaption id=\"caption-attachment-24664\" class=\"wp-caption-text\">La Tour Eiffel domine un coucher de soleil parisien aux nuances multiples, tandis que des couleurs chaudes envahissent le ciel et la Seine. | Distance focale : 50 mm. Exposition : f\/2,8, 1\/500 s, ISO 400<\/figcaption><\/figure><p>Au coucher du soleil, j'ai pu continuer \u00e0 travailler sans changer d'objectif malgr\u00e9 les variations de lumi\u00e8re. L'ouverture F2,8 est particuli\u00e8rement utile pour ce type de photographie de voyage, car elle reste disponible sur toute la plage focale, que je travaille en grand angle ou que j'utilise un cadrage plus serr\u00e9 pour mettre l'accent sur la ligne d'horizon.<\/p><h2>Photographie urbaine \u00e0 faible luminosit\u00e9 \u00e0 main lev\u00e9e avec stabilisation d'image VC<\/h2><figure id=\"attachment_24665\" aria-describedby=\"caption-attachment-24665\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-24665\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/09\/tamron-17-70mm-f2-8-sony-e-paris-pont-alexandre-iii-blue-hour.webp\" alt=\"Le pont Alexandre III illumin\u00e9 \u00e0 l'heure bleue, avec Les Invalides qui brillent en arri\u00e8re-plan \u00e0 Paris, photographi\u00e9 avec le Tamron 17-70 mm F2,8 pour Sony E.\" width=\"1200\" height=\"800\" \/><figcaption id=\"caption-attachment-24665\" class=\"wp-caption-text\">Prise \u00e0 main lev\u00e9e \u00e0 l'heure bleue, cette photo du pont Alexandre III et des Invalides illumin\u00e9s montre que la photographie de voyage peut se poursuivre m\u00eame apr\u00e8s le coucher du soleil. | Distance focale : 62 mm. Exposition : f\/4,0, 1\/13 s, ISO 200<\/figcaption><\/figure><p>Lorsque la luminosit\u00e9 diminue, la fonction int\u00e9gr\u00e9e <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/quest-ce-que-la-stabilisation-optique-de-limage-quest-ce-que-la-stabilisation-dimage\/\"><strong>Stabilisation d'image VC<\/strong><\/a> C'est une autre fonctionnalit\u00e9 que j'appr\u00e9cie particuli\u00e8rement. J'ai r\u00e9ussi \u00e0 obtenir des images lumineuses et nettes en photographiant \u00e0 main lev\u00e9e avec des vitesses d'obturation lentes, de l'ordre de 1\/25 s, et dans la plupart des situations, je n'ai pas eu besoin de tr\u00e9pied car le stabilisateur d'image (VC) a tr\u00e8s bien compens\u00e9 les tremblements de l'appareil. C'est particuli\u00e8rement utile en voyage, lorsque je souhaite rester mobile et \u00e9viter de transporter plus de mat\u00e9riel que n\u00e9cessaire.<\/p><p>Pour tous ceux qui aiment photographier une ville du coucher de soleil jusqu'\u00e0 <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/guide-de-photographie-a-lheure-bleue\/\"><strong>heure bleue<\/strong><\/a>, cette combinaison d'une ouverture constante de F2,8 et d'un syst\u00e8me de stabilisation permet <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/conseils-pour-la-photographie-en-basse-lumiere-avec-les-objectifs-tamron\/\"><strong>photographie en conditions de faible luminosit\u00e9<\/strong><\/a> plus facile \u00e0 man\u0153uvrer lorsqu'on circule dans des rues tr\u00e8s fr\u00e9quent\u00e9es et qu'on change d'endroit.<\/p><h2>Portraits de voyage avec une mise au point automatique rapide et silencieuse et un bokeh harmonieux<\/h2><figure id=\"attachment_24667\" aria-describedby=\"caption-attachment-24667\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-24667\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/09\/tamron-17-70mm-f2-8-sony-e-paris-travel-eiffel-portrait.webp\" alt=\"Femme posant sur un balcon \u00e0 Paris avec la Tour Eiffel en arri\u00e8re-plan, photographi\u00e9e avec l'objectif Tamron 17-70 mm F2,8 pour Sony E.\" width=\"1200\" height=\"800\" \/><figcaption id=\"caption-attachment-24667\" class=\"wp-caption-text\">Ce portrait de voyage met en sc\u00e8ne le sujet dans son cadre de destination gr\u00e2ce au balcon parisien, au reflet et \u00e0 la Tour Eiffel. | Distance focale : 27 mm. Exposition : f\/3,2, 1\/640 s, ISO 320<\/figcaption><\/figure><p>En mati\u00e8re de portraits, j'ai \u00e9t\u00e9 surpris par le silence, la rapidit\u00e9 et la pr\u00e9cision de cet objectif. L'autofocus fonctionne tr\u00e8s bien avec la fonction Eye AF de l'appareil photo Sony, ce qui m'a permis de me concentrer facilement sur le sujet et la composition plut\u00f4t que sur la mise au point.<\/p><p>L'ouverture F2,8 offre \u00e9galement une image fluide <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/comment-creer-de-magnifiques-effets-bokeh\/\"><strong>bokeh<\/strong><\/a> m\u00eame dans le cadre de portraits en situation plus larges. J'ai \u00e9t\u00e9 tr\u00e8s satisfait du rendu esth\u00e9tique des portraits sur toute la plage focale. En voyage, j'appr\u00e9cie de pouvoir photographier une personne tout en montrant suffisamment de l'environnement qui l'entoure pour que l'image soit en lien avec le lieu.<\/p><h2>Ce sont les petits d\u00e9tails qui enrichissent l'histoire d'un voyage<\/h2><figure id=\"attachment_24662\" aria-describedby=\"caption-attachment-24662\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-24662\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/09\/tamron-17-70mm-f2-8-sony-e-paris-autumn-detail.webp\" alt=\"Une feuille d'automne dor\u00e9e se refl\u00e9tant dans une flaque d'eau, avec les b\u00e2timents de Paris l\u00e9g\u00e8rement flous en arri\u00e8re-plan, photographi\u00e9e avec le Tamron 17-70 mm F2,8.\" width=\"1200\" height=\"800\" \/><figcaption id=\"caption-attachment-24662\" class=\"wp-caption-text\">Un angle de prise de vue bas transforme un d\u00e9tail automnal banal en une photo de voyage qui conserve n\u00e9anmoins l'esprit du lieu. | Distance focale : 17 mm Exposition : f\/3,5, 1\/250 s, ISO 250<\/figcaption><\/figure><p>La photographie de voyage ne se limite pas aux monuments et aux vues panoramiques de la ville. Lorsque je me prom\u00e8ne dans Paris, j\u2019aime aussi m\u2019attarder sur les petites sc\u00e8nes et les d\u00e9tails qui refl\u00e8tent la saison et l\u2019ambiance de la ville. La polyvalence de la plage focale 17-70 mm me permet de passer facilement d\u2019un type d\u2019image \u00e0 l\u2019autre sans avoir \u00e0 interrompre ma balade pour changer d\u2019objectif.<\/p><h2>Conclusion : le Tamron 17-70 mm F2,8 Sony E, un objectif polyvalent id\u00e9al pour les voyages<\/h2><p>En r\u00e9sum\u00e9, j\u2019ai vraiment appr\u00e9ci\u00e9 de prendre des photos avec cet objectif. Au quotidien, il couvre la plupart des clich\u00e9s que j\u2019ai l\u2019habitude de prendre et offre des r\u00e9sultats d\u2019une grande nettet\u00e9. Pour la photographie de voyage, il m\u2019offre la plage focale dont j\u2019ai besoin pour l\u2019architecture, les sc\u00e8nes urbaines, les portraits et les d\u00e9tails, tout en conservant un \u00e9quipement suffisamment compact pour les longues promenades.<\/p><p>C'est un objectif incontournable pour les photographes qui accordent de l'importance \u00e0 la qualit\u00e9 d'image, \u00e0 la taille et au poids lorsqu'ils voyagent. Sa plage focale de 17 \u00e0 70 mm, son ouverture constante de F2,8, sa stabilisation VC et son autofocus rapide en font un choix polyvalent et tr\u00e8s performant pour les appareils photo hybrides Sony au capteur APS-C. Les photographes qui constituent un kit de voyage Sony peuvent \u00e9galement explorer d'autres options <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/meilleurs-objectifs-tamron-pour-monture-sony-e\/\"><strong>Objectifs Tamron pour monture E de Sony<\/strong><\/a> pour comparer les plages de mise au point et les styles de prise de vue.<\/p><h2>O\u00f9 acheter les objectifs Tamron<\/h2><p>En savoir plus sur la <a href=\"https:\/\/tamron-americas.com\/fr\/produit\/17-70mm-f-2-8-di-iii-a-vc-rxd\/\"><strong>Tamron 17-70mm F\/2.8 <span class=\"no-break\"><span class=\"no-break\">Di III<\/span>-A<\/span> VC RXD<\/strong><\/a> pour les appareils photo hybrides APS-C Sony E, Fujifilm X, Canon RF et Nikon Z. Achetez sur la boutique officielle Tamron d\u00e8s que le produit sera disponible ou trouvez un <strong><a href=\"https:\/\/www2.tamron-usa.com\/dealers_fr.aspx\">revendeur Tamron agr\u00e9\u00e9<\/a><\/strong> pr\u00e8s de chez vous et d\u00e9couvrez-en davantage <a href=\"https:\/\/tamron-americas.com\/fr\/objectifs-photo\/\"><strong>Objectifs photo Tamron<\/strong><\/a> pour la photographie de voyage, de rue, de paysage et de portrait.<\/p><h2>Foire aux questions sur l'objectif Tamron 17-70 mm F2.8 pour Sony E : photographie de voyage<\/h2><h3>L'objectif Tamron 17-70 mm F2,8 est-il adapt\u00e9 \u00e0 la photographie de voyage ?<\/h3><p>Oui. Dans cette critique, Olivier Wong a trouv\u00e9 que le Tamron 17-70 mm F2.8 s'av\u00e9rait utile dans une grande vari\u00e9t\u00e9 de situations de voyage \u00e0 Paris, notamment pour la photographie d'architecture, les sc\u00e8nes de rue, les vues urbaines, les portraits, les prises de vue \u00e0 l'heure dor\u00e9e et la photographie en basse lumi\u00e8re. Il a particuli\u00e8rement appr\u00e9ci\u00e9 sa large plage de zoom, sa portabilit\u00e9, son ouverture constante de F2,8, la stabilisation d'image VC et son autofocus rapide.<\/p><h3>Quelle est la focale \u00e9quivalente en plein format du Tamron 17-70 mm sur un appareil photo Sony APS-C ?<\/h3><p>Sur les appareils photo sans miroir APS-C de Sony, la plage focale de 17-70 mm correspond \u00e0 un \u00e9quivalent plein format d'environ 25,5-105 mm. Cela permet aux voyageurs de passer des vues larges de la ville et de l'architecture \u00e0 des compositions en t\u00e9l\u00e9objectif court et \u00e0 des portraits sans avoir \u00e0 changer d'objectif.<\/p><h3>Le Tamron 17-70 mm F2,8 est-il un bon objectif polyvalent pour se promener \u00e0 Paris et dans d'autres villes ?<\/h3><p>Oui. Wong pr\u00e9f\u00e8re voyager l\u00e9ger, car il marche beaucoup lorsqu\u2019il photographie les villes. Il a trouv\u00e9 que la plage focale de 17-70 mm \u00e9tait pratique pour passer sans difficult\u00e9 de l\u2019architecture parisienne aux monuments, aux sc\u00e8nes de rue, aux portraits et aux gros plans, tout en conservant un \u00e9quipement compact.<\/p><h3>Peut-on utiliser le Tamron 17-70 mm F2.8 \u00e0 main lev\u00e9e dans des conditions de faible luminosit\u00e9 ?<\/h3><p>Oui. Wong a indiqu\u00e9 avoir obtenu des images nettes et lumineuses en prise de vue \u00e0 main lev\u00e9e avec des vitesses d'obturation lentes, de l'ordre de 1\/25 s, et a pr\u00e9cis\u00e9 que la stabilisation d'image VC de Tamron avait contribu\u00e9 \u00e0 compenser les tremblements de l'appareil, ce qui lui a permis de travailler sans tr\u00e9pied dans la plupart des situations. L'une des photos fournies, prise \u00e0 l'heure bleue, a \u00e9t\u00e9 r\u00e9alis\u00e9e \u00e0 main lev\u00e9e avec une vitesse d'obturation de 1\/13 s.<\/p><h3>L'objectif Tamron 17-70 mm F2,8 est-il compatible avec la fonction Eye AF de Sony ?<\/h3><p>Oui. Wong a trouv\u00e9 que l'autofocus \u00e9tait silencieux, rapide et pr\u00e9cis, et a indiqu\u00e9 qu'il fonctionnait tr\u00e8s bien avec la fonction \u00ab Eye AF \u00bb de l'appareil photo. Tamron mentionne \u00e9galement la compatibilit\u00e9 avec certaines fonctions des appareils photo Sony, notamment le \u00ab Fast Hybrid AF \u00bb et l'\u00ab Eye AF \u00bb, pour la version \u00e0 monture E de Sony.<\/p><h3>Le Tamron 17-70 mm F2.8 est-il adapt\u00e9 aux portraits de voyage ?<\/h3><p>Oui. L'ouverture constante de F2,8 permet d'obtenir un bokeh harmonieux \u00e0 l'arri\u00e8re-plan, tandis que la plage focale de 17 \u00e0 70 mm offre aux photographes le choix entre des portraits en situation qui mettent en valeur le lieu et des compositions plus serr\u00e9es qui accentuent davantage le sujet.<\/p><h3>Le Tamron 17-70 mm F2,8 est-il uniquement disponible pour la monture E de Sony ?<\/h3><p>Non. Le Tamron 17-70 mm F2,8 <span class=\"no-break\"><span class=\"no-break\">Di III<\/span>-A<\/span> Le VC RXD (mod\u00e8le B070) est disponible pour les appareils photo hybrides APS-C Sony E, Fujifilm X, Canon RF et Nikon Z. Ce test porte plus particuli\u00e8rement sur la version \u00e0 monture E de Sony, utilis\u00e9e pour une s\u00e9ance de photographie de voyage \u00e0 Paris.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>Le photographe parisien Olivier Wong passe en revue l'objectif Tamron 17-70 mm F2,8 pour Sony E, en montrant comment sa plage focale polyvalente, son ouverture constante de F2,8, sa stabilisation VC et son autofocus rapide facilitent la photographie de voyage, qu'il s'agisse d'architecture, de sc\u00e8nes de rue, de portraits ou de vues urbaines en conditions de faible luminosit\u00e9.<\/p>","protected":false},"author":7,"featured_media":24668,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"site-sidebar-layout":"no-sidebar","site-content-layout":"","ast-site-content-layout":"full-width-container","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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data-elementor-post-type=\"post\">\n\t\t\t\t<div class=\"elementor-element elementor-element-6c42eab e-flex e-con-boxed e-con e-parent\" data-id=\"6c42eab\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-7b7951d elementor-widget elementor-widget-text-editor\" data-id=\"7b7951d\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Je suis photographe <a href=\"https:\/\/kanakosato.com\/\" target=\"_blank\" rel=\"noopener\"><strong>Kanako<\/strong> <strong>Sato<\/strong><\/a>, bas\u00e9 \u00e0 Kamakura, dans la pr\u00e9fecture de Kanagawa, et \u00e0 Tokyo. Je me sp\u00e9cialise dans la photographie de rue et de voyage. J\u2019ai \u00e9t\u00e9 s\u00e9lectionn\u00e9 pour le \u201c Tokyo Photo Month \u201d ces six derni\u00e8res ann\u00e9es, et j\u2019ai organis\u00e9 des expositions individuelles afin de promouvoir et de d\u00e9velopper la culture photographique. J\u2019ai \u00e9galement organis\u00e9 des expositions individuelles parrain\u00e9es \u00e0 Cuba et en Ouzb\u00e9kistan, et mon travail a \u00e9t\u00e9 pr\u00e9sent\u00e9 dans des magazines internationaux de photographie et des m\u00e9dias num\u00e9riques aux Pays-Bas, en Inde et en Italie.<\/p><p>Outre mon activit\u00e9 de photographe, j\u2019enseigne afin de faire d\u00e9couvrir les joies de la photographie et je collabore \u00e0 de nombreux magazines et ouvrages en tant que photographe et r\u00e9dactrice. Je suis formatrice \u00e0 la Canon EOS School (Tokyo), directrice des cours de photographie Kanako Sato \u00e0 Kamakura et ambassadrice mondiale EIZO ColorEdge.<\/p><p>D\u00e9couvrez d'autres exemples de mon travail sur <a href=\"https:\/\/www.instagram.com\/kanakosato.photo\/\" target=\"_blank\" rel=\"noopener\"><strong>Instagram<\/strong><\/a>.<\/p><p>Pour ce test du Tamron 17-70 mm F2.8 d\u00e9di\u00e9 \u00e0 la photographie de famille, j'ai choisi de braquer mon objectif sur la \u201c distance \u00e9ph\u00e9m\u00e8re \u201d qui s\u00e9pare un p\u00e8re de son enfant qui grandit, en capturant le lien qui les unit \u00e0 travers le regard d'une m\u00e8re. L'objectif que j'ai choisi pour immortaliser ces instants \u00e9tait le <a href=\"https:\/\/tamron-americas.com\/fr\/produit\/17-70mm-f-2-8-di-iii-a-vc-rxd\/\"><strong>Tamron 17-70mm F\/2.8 <span class=\"no-break\"><span class=\"no-break\">Di III<\/span>-A<\/span> VC RXD (mod\u00e8le B070)<\/strong><\/a> pour la monture RF de Canon.<\/p><p>Cet objectif zoom standard \u00e0 grande ouverture, con\u00e7u pour les appareils photo hybrides au format APS-C, couvre une plage focale polyvalente de 17 \u00e0 70 mm <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/quest-ce-que-la-longueur-focale\/\"><strong>longueur focale<\/strong><\/a> plage focale (\u00e9quivalente \u00e0 27,2-112 mm en plein format sur un Canon APS-C). Avec son ouverture constante de F2,8 et le m\u00e9canisme VC (compensation des vibrations) de Tamron, cet objectif est con\u00e7u pour offrir des performances exceptionnelles. Pour ce test, je me suis concentr\u00e9 sur <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/les-meilleurs-objectifs-pour-la-photographie-de-famille-et-denfants\/\"><strong>photographie de famille<\/strong><\/a> \u2013 des portraits, des clich\u00e9s pris sur le vif, des sc\u00e8nes d'int\u00e9rieur et ces petits d\u00e9tails du quotidien qui deviennent des souvenirs.<\/p><h2>Photographie de famille au quotidien avec le Tamron 17-70 mm F2,8<\/h2><figure id=\"attachment_24640\" aria-describedby=\"caption-attachment-24640\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-24640\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/09\/tamron-17-70mm-f2-8-canon-rf-family-portrait-child.webp\" alt=\"Enfant assis pr\u00e8s d'un mur de briques, baign\u00e9 d'une lumi\u00e8re chaude, photographi\u00e9 \u00e0 70 mm avec le Tamron 17-70 mm F2,8 pour Canon RF.\" width=\"1200\" height=\"800\" \/><figcaption id=\"caption-attachment-24640\" class=\"wp-caption-text\">Une lumi\u00e8re chaleureuse et un cadre serein transforment un moment du quotidien en un portrait de famille naturel, pris \u00e0 70 mm. | Distance focale : 70 mm | Exposition : f\/2,8, 1\/400 s, ISO 200<\/figcaption><\/figure><p>Pas besoin de mises en sc\u00e8ne grandioses ni d\u2019\u00e9v\u00e9nements extraordinaires. Dans le quotidien \u2013 une douce lueur, un espace confortable \u2013, il y a toujours ces moments \u201c parfaits \u201d qui se cachent sous nos yeux. Le 17-70 mm F2.8 VC semble s\u2019immiscer tout en douceur dans ces sc\u00e8nes spontan\u00e9es, transformant un simple clic de l\u2019obturateur en une histoire.<\/p><p>M\u00eame sans augmenter la saturation ni le contraste lors du post-traitement, les couleurs paraissent fid\u00e8les et \u00e9clatantes, ce qui permet au sujet de se d\u00e9tacher avec une profondeur discr\u00e8te et naturelle. J\u2019ai trouv\u00e9 que cet objectif permettait de r\u00e9aliser sans effort des photos de famille de grande qualit\u00e9, en cr\u00e9ant des images sobres mais qui laissent une impression durable.<\/p><h2>Portraits de famille au t\u00e9l\u00e9objectif 70 mm : une fa\u00e7on tout en douceur de rester proches les uns des autres<\/h2><h3>Portraits de famille intimes avec un bokeh naturel \u00e0 70 mm<\/h3><figure id=\"attachment_24635\" aria-describedby=\"caption-attachment-24635\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-24635\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/09\/tamron-17-70mm-f2-8-canon-rf-child-portrait-bokeh.webp\" alt=\"Portrait de famille en gros plan d'un enfant regardant vers le haut, avec un effet bokeh circulaire en arri\u00e8re-plan, pris \u00e0 70 mm, F2,8, avec le Tamron 17-70 mm.\" width=\"1200\" height=\"800\" \/><figcaption id=\"caption-attachment-24635\" class=\"wp-caption-text\">Avec une focale de 70 mm et une ouverture de f\/2,8, le bokeh circulaire met en valeur l'expression de l'enfant, tandis que la focale t\u00e9l\u00e9objectif permet de travailler \u00e0 une distance confortable. | Focale : 70 mm Exposition : f\/2,8, 1\/320 s, ISO 200<\/figcaption><\/figure><p>\u00c0 l\u2019extr\u00e9mit\u00e9 t\u00e9l\u00e9objectif de 70 mm (\u00e9quivalent \u00e0 112 mm en plein format), vous pouvez capturer l\u2019expression d\u2019un sujet avec une intimit\u00e9 saisissante tout en conservant une distance physique confortable. J\u2019ai \u00e9t\u00e9 profond\u00e9ment impressionn\u00e9 par le rendu naturel et circulaire <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/comment-creer-de-magnifiques-effets-bokeh\/\"><strong>bokeh<\/strong><\/a> cr\u00e9\u00e9e par le diaphragme \u00e0 9 lamelles, associ\u00e9e \u00e0 une puissance descriptive qui restitue les textures avec un tel r\u00e9alisme que l'on a l'impression de pouvoir les toucher.<\/p><p>Quand nos enfants sont petits, on prend toutes les photos \u00e0 port\u00e9e de main, mais \u00e0 mesure qu\u2019ils grandissent, la distance physique entre les parents et les enfants \u00e9volue in\u00e9vitablement. Pourtant, \u00e0 travers cet objectif, j\u2019ai l\u2019impression de pouvoir encore tendre la main et les serrer contre moi \u00e0 tout moment. J\u2019appr\u00e9cie vraiment cette port\u00e9e du t\u00e9l\u00e9objectif allant jusqu\u2019\u00e0 70 mm : elle permet une prise de vue qui s\u2019apparente \u00e0 une \u00e9treinte discr\u00e8te.<\/p><h3>Portraits de famille \u00e0 contre-jour aux couleurs chaudes et naturelles<\/h3><figure id=\"attachment_24642\" aria-describedby=\"caption-attachment-24642\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-24642\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/09\/tamron-17-70mm-f2-8-canon-rf-father-child-portrait.webp\" alt=\"Un p\u00e8re portant son enfant sur le dos \u00e0 l'ext\u00e9rieur, dans une lumi\u00e8re chaude \u00e0 contre-jour, photographi\u00e9 \u00e0 70 mm avec le Tamron 17-70 mm F2,8.\" width=\"1200\" height=\"1800\" \/><figcaption id=\"caption-attachment-24642\" class=\"wp-caption-text\">La prise de vue \u00e0 70 mm, ouverture f\/2,8, rend avec chaleur ce moment entre un p\u00e8re et son enfant \u00e0 contre-jour, avec un bokeh doux en arri\u00e8re-plan et des tons de peau naturels. | Distance focale : 70 mm. Exposition : f\/2,8, 1\/320 s, ISO 200<\/figcaption><\/figure><p>En mati\u00e8re de portrait, de nombreux photographes pr\u00e9f\u00e8rent travailler \u00e0 contre-jour pour \u00e9viter les ombres trop marqu\u00e9es sur le visage. Dans cette sc\u00e8ne, malgr\u00e9 la forte lumi\u00e8re qui inondait la pi\u00e8ce, l\u2019objectif a su capter cet \u00e9clat, cr\u00e9ant une expression douce et fondante ainsi qu\u2019une palette de couleurs incroyablement apaisante. J'ai \u00e9galement \u00e9t\u00e9 frapp\u00e9 par la fa\u00e7on dont il a rendu les teints de mani\u00e8re naturelle et harmonieuse. Cela s'est mari\u00e9 \u00e0 merveille avec la reproduction des couleurs caract\u00e9ristique de Canon, donnant naissance \u00e0 une image empreinte de chaleur.<\/p><h2>Photographie de famille au grand angle 17 mm \u2013 Capturer l'espace qui entoure l'histoire<\/h2><h3>Portraits de famille en pleine nature \u00e0 17 mm<\/h3><figure id=\"attachment_24636\" aria-describedby=\"caption-attachment-24636\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-24636\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/09\/tamron-17-70mm-f2-8-canon-rf-environmental-family-portrait.webp\" alt=\"Enfant debout sous un grand arbre au feuillage \u00e9tendu, dans un portrait en situation, photographi\u00e9 \u00e0 17 mm avec le Tamron 17-70 mm F2,8.\" width=\"1200\" height=\"1800\" \/><figcaption id=\"caption-attachment-24636\" class=\"wp-caption-text\">Avec une focale de 17 mm, cette prise de vue grand angle utilise les proportions de l'arbre et de l'espace environnant pour cr\u00e9er un portrait de famille en situation. | Focale : 17 mm. Exposition : f\/4,0, 1\/250 s, ISO 200<\/figcaption><\/figure><p>Le 17 mm <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/guide-de-selection-des-meilleurs-objectifs-tamron-pour-la-photographie-grand-angle\/\"><strong>grand angle<\/strong><\/a> Cette focale (\u00e9quivalente \u00e0 27,2 mm en plein format) se caract\u00e9rise par sa capacit\u00e9 \u00e0 exploiter l\u2019espace gr\u00e2ce \u00e0 un cadrage ample et \u00e0 un sens de la perspective tr\u00e8s marqu\u00e9. Combin\u00e9e \u00e0 la capacit\u00e9 de cet objectif \u00e0 offrir une dimension et une texture incroyables, cette caract\u00e9ristique donne lieu \u00e0 une expression puissante et dynamique. Alors que le plan focal est d\u2019une nettet\u00e9 exceptionnelle, le sujet semble \u00e9merger naturellement au sein d\u2019une atmosph\u00e8re douce et a\u00e9rienne. Ce sont le genre de photos que l\u2019on a envie de visionner sur un grand \u00e9cran ou de transformer en tirages papier.<\/p><h3>Instantan\u00e9s de famille spontan\u00e9s pris avec un objectif grand angle<\/h3><figure id=\"attachment_24637\" aria-describedby=\"caption-attachment-24637\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-24637\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/09\/tamron-17-70mm-f2-8-canon-rf-family-basketball-snapshot.webp\" alt=\"Un p\u00e8re et son enfant jouant au basket, en silhouette en noir et blanc, photographi\u00e9s \u00e0 17 mm avec le Tamron 17-70 mm F2,8.\" width=\"1200\" height=\"800\" \/><figcaption id=\"caption-attachment-24637\" class=\"wp-caption-text\">Une composition monochrome prise \u00e0 17 mm avec un angle de prise de vue bas transforme un moment banal de basket-ball en un clich\u00e9 de famille au rendu graphique. | Distance focale : 17 mm. Exposition : f\/7,1, 1\/2 500 s, ISO 200<\/figcaption><\/figure><p>Gr\u00e2ce \u00e0 sa plage de zoom polyvalente et \u00e0 son autofocus rapide, vous ne manquerez jamais la fra\u00eecheur d'un instant fugace, ce qui vous permettra de profiter pleinement de vos moments en famille.<\/p><p>Il arrive parfois que l'on souhaite photographier un vaste espace tout en conservant le <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/guide-de-composition-des-photos-pour-les-debutants\/\"><strong>composition<\/strong><\/a> \u00e9pur\u00e9e et d\u00e9pourvue de distractions. Dans ces moments-l\u00e0, utiliser l'\u00e9cran orientable pour photographier en contre-plong\u00e9e ou passer en mode monochrome peut s'av\u00e9rer incroyablement efficace. C'est un moyen simple de transformer une sc\u00e8ne du quotidien en une v\u00e9ritable \u0153uvre d'art.<\/p><h3>Portraits du quotidien sous un \u00e9clairage tr\u00e8s contrast\u00e9 \u00e0 27 mm<\/h3><figure id=\"attachment_24644\" aria-describedby=\"caption-attachment-24644\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-24644\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/09\/tamron-17-70mm-f2-8-canon-rf-indoor-lifestyle-portrait.webp\" alt=\"Un homme tenant une tasse fumante pr\u00e8s d'une fen\u00eatre baign\u00e9e de soleil, photographi\u00e9 \u00e0 27 mm avec le Tamron 17-70 mm F2,8.\" width=\"1200\" height=\"800\" \/><figcaption id=\"caption-attachment-24644\" class=\"wp-caption-text\">\u00c0 27 mm, la lumi\u00e8re intense provenant de la fen\u00eatre met en valeur la texture du tissu et les nuances subtiles des ombres, tandis qu\u2019un bokeh doux permet de pr\u00e9server la nettet\u00e9 de l\u2019arri\u00e8re-plan. | Distance focale : 27 mm Exposition : f\/3,5, 1\/250 s, ISO 200<\/figcaption><\/figure><p>M\u00eame dans des sc\u00e8nes \u00e0 fort contraste, l'objectif rend \u00e0 merveille les textures du tissu et les nuances subtiles de la silhouette du sujet, en pr\u00e9servant une grande richesse de d\u00e9tails dans les ombres et les tons moyens. Le bokeh doux a \u00e9galement contribu\u00e9 \u00e0 cr\u00e9er un arri\u00e8re-plan \u00e9pur\u00e9 et bien \u00e9quilibr\u00e9. J\u2019ai appuy\u00e9 sur le d\u00e9clencheur simplement parce que la lumi\u00e8re \u00e9tait magnifique, mais le r\u00e9sultat est une image profonde et \u00e9l\u00e9gante \u2013 une image qui ressemble \u00e0 un plan tir\u00e9 d\u2019une publicit\u00e9 haut de gamme, presque trop facilement.<\/p><h2>S\u00e9ance photo en int\u00e9rieur en famille avec la stabilisation d'image VC<\/h2><figure id=\"attachment_24643\" aria-describedby=\"caption-attachment-24643\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-24643\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/09\/tamron-17-70mm-f2-8-canon-rf-indoor-family-card-game.webp\" alt=\"Enfant jouant aux cartes \u00e0 l'int\u00e9rieur, avec ses mains et les cartes au premier plan, photographi\u00e9 \u00e0 70 mm, F2,8, avec le Tamron 17-70 mm.\" width=\"1200\" height=\"800\" \/><figcaption id=\"caption-attachment-24643\" class=\"wp-caption-text\">La stabilisation d'image VC permet de capturer un moment en famille \u00e0 l'int\u00e9rieur, \u00e0 main lev\u00e9e, avec une focale de 70 mm et une vitesse d'obturation de 1\/30 s. | Focale : 70 mm | Exposition : f\/2,8, 1\/30 s, ISO 320<\/figcaption><\/figure><p>\u00c0 mesure que le mode de vie de votre enfant \u00e9volue, vous vous retrouvez naturellement \u00e0 passer davantage de temps \u00e0 l'int\u00e9rieur le soir et la nuit. Disposer d'un <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/quest-ce-que-la-stabilisation-optique-de-limage-quest-ce-que-la-stabilisation-dimage\/\"><strong>Stabilisation d'image VC<\/strong><\/a> Ce m\u00e9canisme est un atout majeur dans ces situations, notamment dans des conditions de faible luminosit\u00e9 ou lors de prises de vue au t\u00e9l\u00e9objectif. De plus, j\u2019ai trouv\u00e9 que la taille et le poids de l\u2019objectif offraient un \u00e9quilibre parfait lorsqu\u2019on le tient en main, ce qui permet une prise en main stable et s\u00fbre qui facilite v\u00e9ritablement la prise de vue.<\/p><h2>Des d\u00e9tails intimes de la vie de famille qui deviennent des souvenirs pr\u00e9cieux<\/h2><figure id=\"attachment_24638\" aria-describedby=\"caption-attachment-24638\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-24638\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/09\/tamron-17-70mm-f2-8-canon-rf-family-detail-child-hand.webp\" alt=\"Gros plan sur la main d'un enfant tenant deux perles color\u00e9es, photographi\u00e9e \u00e0 29 mm avec le Tamron 17-70 mm F2,8.\" width=\"1200\" height=\"800\" \/><figcaption id=\"caption-attachment-24638\" class=\"wp-caption-text\">Les d\u00e9tails subtils de la main d\u2019un enfant et des perles us\u00e9es par l\u2019usage conservent les petites traces de la vie quotidienne en famille. | Distance focale : 29 mm. Exposition : f\/2,8, 1\/640 s, ISO 100<\/figcaption><\/figure><p>Des perles us\u00e9es par des heures de jeu, une minuscule \u00e9gratignure sur une petite paume toute douce\u2026 La pr\u00e9cision descriptive de l\u2019objectif a su saisir chaque d\u00e9tail, aussi infime soit-il, pour les transformer en souvenirs pr\u00e9cieux. Les jours o\u00f9 l\u2019on marche main dans la main avec un enfant finiront bien par prendre fin. Lorsque ce moment viendra, je suis convaincu que ces photographies feront office de machine \u00e0 remonter le temps, me ramenant \u00e0 ces instants irrempla\u00e7ables qui ne se reproduiront jamais.<\/p><h2>Des moments en famille, d'ici et d'ailleurs, au coucher du soleil<\/h2><figure id=\"attachment_24641\" aria-describedby=\"caption-attachment-24641\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-24641\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/09\/tamron-17-70mm-f2-8-canon-rf-family-sunset-snapshot.webp\" alt=\"Silhouette lointaine se dressant dans la mer sous un ciel orange au coucher du soleil, photographi\u00e9e \u00e0 70 mm avec le Tamron 17-70 mm F2,8.\" width=\"1200\" height=\"1800\" \/><figcaption id=\"caption-attachment-24641\" class=\"wp-caption-text\">Avec ses 70 mm, cet objectif permet de capturer aussi bien une paisible promenade en famille que l\u2019horizon lointain, alors que les derni\u00e8res lueurs du coucher de soleil s\u2019estompent. | Distance focale : 70 mm. Exposition : f\/4,0, 1\/125 s, ISO 160<\/figcaption><\/figure><p>\u00c0 la fin de ma promenade, je me suis retrouv\u00e9 \u00e0 mon endroit habituel au bord de la mer. L\u00e0, je suis simplement rest\u00e9 debout \u00e0 regarder les derni\u00e8res lueurs du coucher de soleil s'estomper lentement dans le ciel. Cet objectif a tout captur\u00e9 \u2013 de la pr\u00e9sence intime de ma famille \u00e0 proximit\u00e9 jusqu'\u00e0 l'horizon lointain \u2013 tout en conservant sa luminosit\u00e9 sur toute la plage de zoom. Cela m'a rappel\u00e9 une fois de plus le v\u00e9ritable avantage d'un objectif lumineux <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/quest-ce-que-louverture-en-photographie\/\"><strong>Ouverture F2,8<\/strong><\/a> Objectif zoom : m\u00eame dans cette lueur fugace, le simple fait de pouvoir r\u00e9duire l'ouverture d'un cran fait toute la diff\u00e9rence.<\/p><h2>Conclusion : le Tamron 17-70 mm F2,8 pour la photographie de famille \u2013 Immortaliser les moments du quotidien<\/h2><p>Que je me rapproche pour capturer une expression fugace ou que je prenne du recul pour laisser l\u2019atmosph\u00e8re remplir le cadre, j\u2019ai vraiment appr\u00e9ci\u00e9 la fa\u00e7on dont cet objectif unique a su transformer en toute fluidit\u00e9 des moments pr\u00e9cieux en famille en v\u00e9ritables \u0153uvres d\u2019art. L\u2019ouverture constante de F2,8 offre un bokeh doux, une saturation profonde des couleurs et un contraste riche. Pour moi, le v\u00e9ritable attrait de cet objectif r\u00e9side dans la fa\u00e7on dont il allie une grande simplicit\u00e9 d\u2019utilisation \u00e0 la fiabilit\u00e9 de r\u00e9sultats de qualit\u00e9 professionnelle.<\/p><p>C'est un objectif que je recommanderais \u00e0 tous ceux qui souhaitent immortaliser avec soin ces moments du quotidien qui ne se produisent qu'une seule fois dans une vie.<\/p><h2>O\u00f9 acheter les objectifs Tamron<\/h2><p>En savoir plus sur la <a href=\"https:\/\/tamron-americas.com\/fr\/produit\/17-70mm-f-2-8-di-iii-a-vc-rxd\/\"><strong>Tamron 17-70mm F2.8 <span class=\"no-break\"><span class=\"no-break\">Di III<\/span>-A<\/span> VC RXD<\/strong><\/a> pour <a href=\"https:\/\/tamron-americas.com\/fr\/canon\/\"><strong>Canon RF<\/strong><\/a> ainsi que d'autres montures sans miroir APS-C compatibles (Sony E, Fujifilm X et Nikon Z) et d\u00e9couvrez d'autres objectifs Tamron \u00e0 un <a href=\"https:\/\/www2.tamron-usa.com\/dealers_fr.aspx\"><strong>revendeur Tamron agr\u00e9\u00e9<\/strong><\/a> pr\u00e8s de chez vous ou via le site officiel <a href=\"https:\/\/tamron-americas.com\/fr\/objectifs-photo\/\"><strong>Boutique Tamron<\/strong><\/a>.<\/p><h2>Foire aux questions sur le Tamron 17-70 mm F2.8 pour la photographie de famille<\/h2><h3>L'objectif Tamron 17-70 mm F2,8 est-il adapt\u00e9 \u00e0 la photographie de famille ?<\/h3><p>Oui. Dans ce test, Kanako Sato a utilis\u00e9 la plage focale de 17-70 mm pour r\u00e9aliser des portraits de famille intimistes, des clich\u00e9s sur le vif, des sc\u00e8nes d'int\u00e9rieur et des photos d'ambiance. Elle a constat\u00e9 que la plage de zoom polyvalente de l'objectif, son ouverture constante de F2,8, son bokeh, son autofocus rapide et sa stabilisation d'image VC en faisaient un outil particuli\u00e8rement adapt\u00e9 \u00e0 l'immortalisation des moments familiaux du quotidien.<\/p><h3>Quelle est la focale \u00e9quivalente en plein format du Tamron 17-70 mm sur les appareils photo Canon RF APS-C ?<\/h3><p>Sur les appareils photo hybrides Canon au capteur APS-C, la plage focale de 17-70 mm correspond \u00e0 un \u00e9quivalent plein format d'environ 27,2-112 mm. Cela offre aux photographes une plage utile allant des photos de famille en grand angle aux portraits en t\u00e9l\u00e9objectif plus serr\u00e9s, sans avoir \u00e0 changer d'objectif.<\/p><h3>Le format 70 mm est-il adapt\u00e9 aux portraits de famille ?<\/h3><p>Oui. Sato a constat\u00e9 que la focale maximale de 70 mm lui permettait de capturer des expressions avec intimit\u00e9 tout en conservant une distance physique confortable. \u00c0 F2,8, elle a \u00e9galement remarqu\u00e9 un bokeh circulaire naturel et un rendu des textures tr\u00e8s marqu\u00e9, ce qui permettait au sujet de se d\u00e9tacher de l'arri\u00e8re-plan.<\/p><h3>Peut-on utiliser un objectif de 17 mm pour des portraits de famille et des photos de tous les jours ?<\/h3><p>Oui. Avec une focale de 17 mm, Sato a exploit\u00e9 la perspective grand-angle pour englober davantage l'espace environnant et cr\u00e9er une impression d'\u00e9chelle plus marqu\u00e9e. Cette technique s'est av\u00e9r\u00e9e particuli\u00e8rement efficace pour les portraits de famille en ext\u00e9rieur et les clich\u00e9s de quotidien dynamiques, o\u00f9 le cadre fait partie int\u00e9grante de l'histoire.<\/p><h3>L'objectif Tamron 17-70 mm F2.8 est-il \u00e9quip\u00e9 d'un stabilisateur d'image pour la photographie de famille en int\u00e9rieur ?<\/h3><p>Oui. Cet objectif est \u00e9quip\u00e9 du syst\u00e8me VC (compensation des vibrations) de Tamron. Dans cette critique, Sato a photographi\u00e9 un moment de vie en famille en int\u00e9rieur \u00e0 70 mm et 1\/30 s, et a d\u00e9crit le syst\u00e8me VC comme une fonctionnalit\u00e9 remarquable pour les situations de faible luminosit\u00e9 et les prises de vue en mode t\u00e9l\u00e9objectif.<\/p><h3>L'objectif Tamron 17-70 mm F2,8 permet-il d'obtenir un effet bokeh pour les portraits de famille ?<\/h3><p>Oui. Cet objectif dispose d'une ouverture maximale constante de F2,8 et d'un diaphragme circulaire \u00e0 9 lamelles. Sato a \u00e9t\u00e9 particuli\u00e8rement impressionn\u00e9 par le bokeh naturel et circulaire obtenu \u00e0 70 mm, o\u00f9 l'arri\u00e8re-plan s'est adouci tandis que le sujet conservait des d\u00e9tails et une texture nets.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>La photographe Kanako Sato passe au crible l\u2019objectif Tamron 17-70 mm F2.8 pour Canon RF \u00e0 travers des portraits de famille et des clich\u00e9s du quotidien. Elle explore ainsi la plage focale de 17 \u00e0 70 mm, l\u2019ouverture constante de F2.8, le bokeh, la stabilisation d\u2019image VC et la capacit\u00e9 de l\u2019objectif \u00e0 immortaliser les moments fugaces en famille.<\/p>","protected":false},"author":7,"featured_media":24639,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"site-sidebar-layout":"no-sidebar","site-content-layout":"","ast-site-content-layout":"full-width-container","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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