[{"id":20879,"date":"2026-07-15T10:44:14","date_gmt":"2026-07-15T14:44:14","guid":{"rendered":"https:\/\/tamron-americas.com\/?p=20879"},"modified":"2026-07-15T10:48:57","modified_gmt":"2026-07-15T14:48:57","slug":"tamron-12-20mm-f2-8-review-landscape-photography-ian-plant","status":"publish","type":"post","link":"https:\/\/tamron-americas.com\/fr\/blog\/tamron-12-20mm-f2-8-review-landscape-photography-ian-plant\/","title":{"rendered":"Test du Tamron 12-20 mm F2,8 pour la photographie de paysage"},"content":{"rendered":"<div data-elementor-type=\"wp-post\" data-elementor-id=\"20879\" class=\"elementor elementor-20879\" data-elementor-settings=\"{&quot;element_pack_global_tooltip_width&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;element_pack_global_tooltip_width_tablet_extra&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;element_pack_global_tooltip_width_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;element_pack_global_tooltip_width_mobile_extra&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;element_pack_global_tooltip_width_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;element_pack_global_tooltip_padding&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;top&quot;:&quot;&quot;,&quot;right&quot;:&quot;&quot;,&quot;bottom&quot;:&quot;&quot;,&quot;left&quot;:&quot;&quot;,&quot;isLinked&quot;:true},&quot;element_pack_global_tooltip_padding_tablet_extra&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;top&quot;:&quot;&quot;,&quot;right&quot;:&quot;&quot;,&quot;bottom&quot;:&quot;&quot;,&quot;left&quot;:&quot;&quot;,&quot;isLinked&quot;:true},&quot;element_pack_global_tooltip_padding_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;top&quot;:&quot;&quot;,&quot;right&quot;:&quot;&quot;,&quot;bottom&quot;:&quot;&quot;,&quot;left&quot;:&quot;&quot;,&quot;isLinked&quot;:true},&quot;element_pack_global_tooltip_padding_mobile_extra&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;top&quot;:&quot;&quot;,&quot;right&quot;:&quot;&quot;,&quot;bottom&quot;:&quot;&quot;,&quot;left&quot;:&quot;&quot;,&quot;isLinked&quot;:true},&quot;element_pack_global_tooltip_padding_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;top&quot;:&quot;&quot;,&quot;right&quot;:&quot;&quot;,&quot;bottom&quot;:&quot;&quot;,&quot;left&quot;:&quot;&quot;,&quot;isLinked&quot;:true},&quot;element_pack_global_tooltip_border_radius&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;top&quot;:&quot;&quot;,&quot;right&quot;:&quot;&quot;,&quot;bottom&quot;:&quot;&quot;,&quot;left&quot;:&quot;&quot;,&quot;isLinked&quot;:true},&quot;element_pack_global_tooltip_border_radius_tablet_extra&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;top&quot;:&quot;&quot;,&quot;right&quot;:&quot;&quot;,&quot;bottom&quot;:&quot;&quot;,&quot;left&quot;:&quot;&quot;,&quot;isLinked&quot;:true},&quot;element_pack_global_tooltip_border_radius_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;top&quot;:&quot;&quot;,&quot;right&quot;:&quot;&quot;,&quot;bottom&quot;:&quot;&quot;,&quot;left&quot;:&quot;&quot;,&quot;isLinked&quot;:true},&quot;element_pack_global_tooltip_border_radius_mobile_extra&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;top&quot;:&quot;&quot;,&quot;right&quot;:&quot;&quot;,&quot;bottom&quot;:&quot;&quot;,&quot;left&quot;:&quot;&quot;,&quot;isLinked&quot;:true},&quot;element_pack_global_tooltip_border_radius_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;top&quot;:&quot;&quot;,&quot;right&quot;:&quot;&quot;,&quot;bottom&quot;:&quot;&quot;,&quot;left&quot;:&quot;&quot;,&quot;isLinked&quot;:true}}\" data-elementor-post-type=\"post\">\n\t\t\t\t<div class=\"elementor-element elementor-element-6c42eab e-flex e-con-boxed e-con e-parent\" data-id=\"6c42eab\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-7b7951d elementor-widget elementor-widget-text-editor\" data-id=\"7b7951d\" data-element_type=\"widget\" data-e-type=\"widget\" id=\"bestlight\" great=\"\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>La photographie a toujours consist\u00e9 \u00e0 d\u00e9couvrir de nouvelles fa\u00e7ons d'interpr\u00e9ter le paysage. Que ce soit en photographiant les aurores bor\u00e9ales en Islande, les lacs gel\u00e9s du Minnesota, les canyons en fente de l'Utah ou les grottes de glace des glaciers d'Alaska, je suis toujours \u00e0 la recherche d'outils qui \u00e9largissent les possibilit\u00e9s cr\u00e9atives.<\/p><p>Tamron\u2019s new ultra wide-angle zoom lens <a href=\"https:\/\/tamron-americas.com\/fr\/produit\/12-20mm-f-2-8\/\"><strong>12-20 mm F2,8 (mod\u00e8le A084)<\/strong><\/a> pour les appareils photo hybrides plein format \u00e0 monture E de Sony : c'est un objectif que j'attendais avec impatience. Cet objectif est \u00e9galement disponible pour les utilisateurs d'appareils photo \u00e0 monture Z de Nikon.<\/p><p><em>Par Tamron Ambassador <\/em><a href=\"https:\/\/tamron-americas.com\/fr\/photographe\/plante-asiatique\/\"><em>Ian Plant<\/em><\/a> (le lien vers la page de l'auteur sera bient\u00f4t mis \u00e0 jour)<\/p><p><strong>What You\u2019ll Learn in This Review<\/strong><\/p><ul><li>Comment une distance focale de 12 mm transforme les compositions de paysages<\/li><li>Pourquoi les objectifs ultra grand-angle sont-ils particuli\u00e8rement adapt\u00e9s \u00e0 la photographie de pr\u00e8s et de loin ?<\/li><li>Performances r\u00e9elles pour la photographie d'aurores bor\u00e9ales et de paysages nocturnes<\/li><li>Qualit\u00e9 optique sur toute la plage de zoom<\/li><li>Capacit\u00e9s de mise au point rapproch\u00e9e pour des premiers plans spectaculaires<\/li><li>Le Tamron 12-20 mm F2,8 m\u00e9rite-t-il sa place dans votre \u00e9quipement de photographie de paysage ?<\/li><\/ul><h2>Pourquoi le Tamron 12-20 mm F2,8 se distingue dans la photographie de paysage<\/h2><p>I\u2019m a wide-angle devotee, and I just love the way the world looks from behind an ultra wide lens. But for full-frame mirrorless cameras, the widest Tamron lens has been the <a href=\"https:\/\/tamron-americas.com\/fr\/produit\/16-30mm-f-2-8-di-iii-vxd-g2\/\"><strong>16-30 mm F<\/strong><strong>\/<\/strong><strong>2.8\u00a0<span class=\"no-break\">Di III<\/span><\/strong> <strong>VXD G2<\/strong><\/a> (Mod\u00e8le A064). Mais mon attente touche enfin \u00e0 sa fin, et avec cet objectif 12-20 mm F2,8, Tamron s'aventure enfin pleinement dans le domaine de l'ultra-grand angle. Cela peut sembler anodin, mais la diff\u00e9rence entre 16 mm et 12 mm est consid\u00e9rable, et le fait de pouvoir utiliser une focale ultra-grand-angle peut vous ouvrir toutes sortes de nouvelles possibilit\u00e9s cr\u00e9atives.<\/p><h2>Comment j'ai test\u00e9 le Tamron 12-20 mm F2,8<\/h2><figure id=\"attachment_20881\" aria-describedby=\"caption-attachment-20881\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-20881\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/07\/tamron-12-20mm-f2-8-aurora-iceland-landscape-review.webp\" alt=\"Aurora Borealis reflected in shallow water in Iceland photographed with the Tamron 12-20mm F2.8.\" width=\"1200\" height=\"800\" data-no-translation=\"\" \/><figcaption id=\"caption-attachment-20881\" class=\"wp-caption-text\">Des aurores bor\u00e9ales se refl\u00e9tant dans des eaux peu profondes en Islande, illustrant le champ de vision tr\u00e8s large du Tamron 12-20 mm F2,8. | Distance focale : 12 mm. Exposition : f\/2,8, 8 s, ISO 1 600<\/figcaption><\/figure><p>Pour tester cet objectif dans toutes ses facettes, je l\u2019ai utilis\u00e9 dans des paysages tr\u00e8s vari\u00e9s et sous des conditions d\u2019\u00e9clairage tr\u00e8s diverses, allant de canyons \u00e9troits et de grottes de glace ferm\u00e9es \u00e0 de vastes ciels et des sc\u00e8nes nocturnes. Ces essais en conditions r\u00e9elles m\u2019ont permis de me faire une id\u00e9e pr\u00e9cise des performances de cet objectif lorsque la composition, la lumi\u00e8re et l\u2019espace de travail changent constamment.<\/p><h3>Lieux de prise de vue pour la photographie de paysage<\/h3><p>J'ai photographi\u00e9 divers paysages lors des essais de cet objectif, notamment :<\/p><ul><li>Les aurores bor\u00e9ales en Islande<\/li><li>Les lacs gel\u00e9s du Minnesota<\/li><li>Les canyons en fente de l'Utah<\/li><li>Grottes de glace glaciaires en Alaska<\/li><li>Paysages d\u00e9sertiques au lever et au coucher du soleil<\/li><li>Sc\u00e8nes nocturnes n\u00e9cessitant des ouvertures rapides et de larges champs de vision<\/li><\/ul><p>I took this photo of a stunning aurora at twilight in the Eastern Fjords of Iceland. The ultra wide 12mm angle of view allowed me to include the entire sweeping curve of the aurora as well as its reflection in the shallow water. Ultra-wide lenses such as the Tamron 12-20mm F2.8 are perfect to scenes such as this, as traditional wide angle focal lengths just aren\u2019t wide enough to capture everything all at once.<\/p><h2>Photographie de paysage ultra grand angle avec le Tamron 12-20 mm F2,8<\/h2><figure id=\"attachment_20884\" aria-describedby=\"caption-attachment-20884\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-20884\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/07\/tamron-12-20mm-f2-8-frozen-lake-minnesota-near-far-composition.webp\" alt=\"Frozen lake in Minnesota photographed with the Tamron 12-20mm F2.8 showing dramatic foreground snow formations.\" width=\"1200\" height=\"1800\" data-no-translation=\"\" \/><figcaption id=\"caption-attachment-20884\" class=\"wp-caption-text\">Les formations de neige sur un lac gel\u00e9 du Minnesota cr\u00e9ent une composition dynamique m\u00ealant premier plan et arri\u00e8re-plan gr\u00e2ce \u00e0 la perspective ultra-large du Tamron 12-20 mm F2.8 | Distance focale : 12 mm | Exposition : f\/8, 1\/100 s, ISO 100 (focal stacking)<\/figcaption><\/figure><p>Compositional complexity increases when working with wide angle lenses, and you must figure a way to simplify the design to make it effective. One strategy I use is to incorporate \u201cvisual anchors\u201d into my compositions, which are bold, eye-catching shapes that attract the viewer\u2019s eye. For most landscape compositions, the visual anchor is a foreground object. For example, for this photo taken on a frozen lake near my home in Minnesota, I got low and close to the foreground with the TAMRON 12-20mm F2.8 lens. By getting close with a wide-angle lens, you can exaggerate the size and importance of the foreground, like the snow patterns, giving the composition depth and visual energy.<\/p><h3>Cr\u00e9er de la profondeur gr\u00e2ce \u00e0 des compositions paysag\u00e8res \u00ab proche-lointain \u00bb<\/h3><p>When working with wide-angle lenses, objects close to the lens appear abnormally large relative to more distant objects, and distant objects appear abnormally small. Not only does this exaggerate scale differences and thus enhance the appearance of depth, but it also helps simplify the composition. The viewer focuses their attention on what&#8217;s relatively big, and by making your foreground large by getting close, you draw the viewer&#8217;s eye to the visual anchor, which in turn can lead the eye to the background.<\/p><h2>Comment un champ de vision de 12 mm transforme la photographie de paysage<\/h2><figure id=\"attachment_20889\" aria-describedby=\"caption-attachment-20889\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-20889\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/07\/tamron-12-20mm-f2-8-slot-canyon-utah-ultra-wide-perspective.webp\" alt=\"Utah slot canyon photographed at 12mm with the Tamron 12-20mm F2.8 ultra wide-angle lens.\" width=\"1200\" height=\"1800\" data-no-translation=\"\" \/><figcaption id=\"caption-attachment-20889\" class=\"wp-caption-text\">Un canyon \u00e9troit de l'Utah photographi\u00e9 \u00e0 12 mm, illustrant comment une focale ultra-large permet de capturer des espaces confin\u00e9s tout en mettant en valeur la profondeur et la perspective. | Focale : 12 mm | Exposition : f\/11, 1 s, ISO 100 (focal stacking)<\/figcaption><\/figure><h3>Photographier de vastes paysages \u00e0 12 mm<\/h3><p>The Tamron 12-20mm F2.8 goes deep into ultra wide territory \u2014 12mm on a full frame camera offers a <em>tr\u00e8s<\/em> wide field of view. So wide, in fact, that you need to take extra care to ensure that tripod legs, your feet, or other photographers don\u2019t accidentally intrude into the image frame! Its wide field of view makes it perfect for several photography applications, including near-far landscape composition, interiors, and nightscapes.<\/p><h3>Utilisation d'un objectif de 12 mm dans les canyons en fente et les espaces exigus<\/h3><p>Lorsque je photographie des paysages, j'opte pour un objectif ultra grand-angle d\u00e8s que je suis face \u00e0 un ciel spectaculaire, que ce soit au lever ou au coucher du soleil, ou encore la nuit. C'est \u00e9galement l'objectif que je pr\u00e9f\u00e8re utiliser lorsque je travaille dans des espaces exigus, comme ce canyon \u00e9troit pr\u00e9sent\u00e9 ci-dessus.<\/p><p>J'ai utilis\u00e9 l'objectif Tamron 12-20 mm F2,8 pour photographier l'int\u00e9rieur de ce canyon en fente \u00e9troit situ\u00e9 dans le d\u00e9sert de l'Utah. L'angle de vue ultra-grand-angle d\u00e9forme de mani\u00e8re ludique les stries des parois de gr\u00e8s, les \u00e9tirant en diagonale de sorte qu'elles semblent converger au loin. Cette distorsion de perspective cr\u00e9e un effet visuel dynamique qui contribue \u00e0 plonger le spectateur au c\u0153ur de la composition.<\/p><h2>L'objectif Tamron 12-20 mm F2,8 est-il adapt\u00e9 \u00e0 la photographie de paysages nocturnes et d'aurores bor\u00e9ales ?<\/h2><figure id=\"attachment_20887\" aria-describedby=\"caption-attachment-20887\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-20887\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/07\/tamron-12-20mm-f2-8-northern-lights-iceland-nightscape.webp\" alt=\"Northern Lights over Iceland photographed with the Tamron 12-20mm F2.8.\" width=\"1200\" height=\"800\" data-no-translation=\"\" \/><figcaption id=\"caption-attachment-20887\" class=\"wp-caption-text\">Gr\u00e2ce \u00e0 son ouverture rapide de f\/2,8 et \u00e0 son champ de vision ultra-large, le Tamron 12-20 mm f\/2,8 constitue un excellent choix pour la photographie d'aurores bor\u00e9ales et de paysages nocturnes. | Distance focale : 12 mm | Exposition : f\/2,8, 15 s, ISO 3200<\/figcaption><\/figure><h3>Photographier les aurores bor\u00e9ales avec un objectif de 12 mm<\/h3><p>Although for most landscape compositions I stop down my aperture to extend depth of field to ensure that everything from near to far is sharp in the photo, when photographing at night, wide apertures may be necessary to capture faint light. The Tamron 12-20mm F2.8 lens offers a bright, wide open aperture of F2.8, making it ideal for capturing night images and starry landscape scenes. The lens delivers excellent optical performance throughout its aperture range, so even at F2.8, you\u2019re getting high quality results.<\/p><h3>Performances en basse lumi\u00e8re \u00e0 f\/2,8<\/h3><p>The Tamron 12-20mm lens\u2019 maximum aperture of F2.8 was critical when chasing the Northern Lights in Iceland. Even shooting wide open, I still had to raise my ISO to 3200 and use a 15-second shutter speed to capture the faint light of the aurora. Shooting at 12mm allowed me to include plenty of foreground (icy patterns on a frozen pond reflecting the aurora) along with the dancing aurora in the sky above.<\/p><h2>Dimensions, poids et maniabilit\u00e9 sur le terrain<\/h2><figure id=\"attachment_20890\" aria-describedby=\"caption-attachment-20890\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-20890\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/07\/tamron-12-20mm-f2-8-snow-covered-forest-ultra-wide-perspective.webp\" alt=\"Snow-covered forest canopy photographed from below with the Tamron 12-20mm F2.8 ultra wide-angle lens.\" width=\"1200\" height=\"800\" data-no-translation=\"\" \/><figcaption id=\"caption-attachment-20890\" class=\"wp-caption-text\">En levant les yeux \u00e0 travers une for\u00eat enneig\u00e9e, la perspective offerte par l'objectif de 12 mm met en valeur les arbres qui semblent converger et la vaste canop\u00e9e hivernale. | Distance focale : 12 mm | Exposition : f\/8, 1\/60 s, ISO 200<\/figcaption><\/figure><p>Maintaining high optical quality with an F2.8 ultra wide zoom lens is no easy feat, and it necessitates a \u201cpopeye\u201d lens design with a curved, bulbous front glass element. As a result, lenses in this class tend to be larger and heavier than traditional wide-angle zooms. That said, the Tamron 12-20mm F2.8 is compact and lightweight compared to other lenses in this class, measuring 4.7\u201d (119.3mm) in length and weighing 20.2 oz. (570g).<\/p><h3>Pourquoi la plage de zoom de 12 \u00e0 20 mm permet de conserver un objectif compact<\/h3><p>Part of the reason the Tamron 12-20mm F2.8 is smaller and lighter was the decision to end the zoom range at 20mm, rather than 24mm. This is a tradeoff I fully endorse, since I find myself mostly using the widest end of the focal range when working with this lens. I\u2019m always looking for ways to save space in my camera bag and cut down on gear weight, which means I can focus more energy on being creative. That said, the ability to zoom in to almost 2x factor is useful in certain circumstances, but I don\u2019t really miss the extra 4mm of focal length on the long end.<\/p><h2>Peut-on utiliser des filtres avec le Tamron 12-20 mm F2,8 ?<\/h2><figure id=\"attachment_20882\" aria-describedby=\"caption-attachment-20882\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-20882\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/07\/tamron-12-20mm-f2-8-aurora-reflection-iceland-rear-filter-holder.webp\" alt=\"Aurora reflection in Iceland photographed with the Tamron 12-20mm F2.8.\" width=\"1200\" height=\"1800\" data-no-translation=\"\" \/><figcaption id=\"caption-attachment-20882\" class=\"wp-caption-text\">Reflet d'une aurore bor\u00e9ale sur des surfaces gel\u00e9es en Islande, photographi\u00e9 avec le Tamron 12-20 mm F2,8. | Distance focale : 12 mm | Exposition : f\/4, 30 s, ISO 3200<\/figcaption><\/figure><h3>Support de filtre arri\u00e8re int\u00e9gr\u00e9<\/h3><p>Tamron 12-20mm F2.8 is equipped with a rear-filter holder, providing a practical way to use filters despite the lens\u2019s curved front element. Filters are cut from sheet material and inserted into the holder at the rear of the lens. Many photographers will use this system with neutral density filter sheets for controlling exposure in bright conditions or creating longer exposures.<\/p><p>Tamron propose un lien vers les dimensions des filtres sur le <a href=\"https:\/\/tamron-americas.com\/fr\/produit\/12-20mm-f-2-8\/\"><strong>page du produit<\/strong><\/a> ce qui permet aux photographes de d\u00e9couper les feuilles de filtre \u00e0 la bonne taille. Ce syst\u00e8me mont\u00e9 \u00e0 l'arri\u00e8re est particuli\u00e8rement utile avec un objectif ultra grand angle, car il \u00e9vite d'avoir \u00e0 utiliser un filtre avant volumineux et encombrant.<\/p><h3>Limites de l'\u00e9l\u00e9ment frontal bomb\u00e9<\/h3><p>One thing to keep in mind is that popeye lens designs make filter use difficult. There\u2019s no filter thread on the front of the lens, and although there are specialty oversized filter systems made for these types of lenses, they are expensive and bulky.<\/p><p>If filter use is important to you, then be aware that the 12-20mm F2.8 lens might not be your best choice. Of course, very few ultra wide lenses have a flat front design. If you want a fast wide-angle zoom that can easily accept filters, you\u2019re better off with a traditional wide-angle like the 16-30mm F2.8 G2.<\/p><h2>Tamron 12-20 mm F2,8 : qualit\u00e9 d'image et performances optiques<\/h2><figure id=\"attachment_20886\" aria-describedby=\"caption-attachment-20886\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-20886\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/07\/tamron-12-20mm-f2-8-glacial-ice-cave-alaska-sharpness.webp\" alt=\"Glacial ice cave in Alaska photographed with the Tamron 12-20mm F2.8.\" width=\"1200\" height=\"800\" data-no-translation=\"\" \/><figcaption id=\"caption-attachment-20886\" class=\"wp-caption-text\">Une grotte de glace en Alaska met en \u00e9vidence l'exceptionnelle nettet\u00e9 de bord \u00e0 bord du Tamron 12-20 mm F2.8. | Distance focale : 12 mm | Exposition : f\/11, 1\/8 s, ISO 100 (focalisation par empilement)<\/figcaption><\/figure><p>When using a wide-angle lens, you\u2019re capturing a broad view of the scene in front of you, and all parts of the composition are important. As a result, performance in the corners becomes just as important as sharpness in the center.<\/p><h3>Nettet\u00e9 d'un coin \u00e0 l'autre sur toute la plage de zoom<\/h3><p>The Tamron 12-20mm F2.8 delivers outstanding optical performance, maintaining high resolving power across the image frame and the entire zoom range. Even when shooting wide open at F2.8, the results are satisfying \u2014 and stopping down slightly renders the entire frame razor-sharp.<\/p><h3>Contr\u00f4le des reflets et de l'aberration chromatique<\/h3><p>L'objectif supprime efficacement les diff\u00e9rentes aberrations et contr\u00f4le les images fant\u00f4mes et les reflets, qui peuvent souvent se produire dans des situations de contre-jour. Il s'agit donc d'un objectif tr\u00e8s polyvalent, capable de s'adapter facilement \u00e0 diverses conditions d'\u00e9clairage.<\/p><p>I made this photo inside a glacial ice cave in Alaska. The Tamron 12-20mm F2.8\u2019s impressive optical quality ensures sharp performance across the entire image \u2014 from center to edge, corner to corner. The interior of the cave was fairly dark, and I was aiming the lens towards the bright entrance of the cave, but nonetheless the lens ably suppressed chromatic aberration, ghosting, and flare.<\/p><h2>Comment cr\u00e9er un effet \u00ab starburst \u00bb avec le Tamron 12-20 mm F2,8<\/h2><figure id=\"attachment_20888\" aria-describedby=\"caption-attachment-20888\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-20888\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/07\/tamron-12-20mm-f2-8-sandstone-arch-utah-sunstar-effect.webp\" alt=\"Sunstar effect through a sandstone arch in Utah photographed with the Tamron 12-20mm F2.8.\" width=\"1200\" height=\"800\" data-no-translation=\"\" \/><figcaption id=\"caption-attachment-20888\" class=\"wp-caption-text\">A sandstone arch in Utah showcases the attractive sunstar effect created by the lens\u2019s 12-blade aperture. | Focal Length: 12mm Exposure: f\/16, 1\/160 sec., ISO 100<\/figcaption><\/figure><h3>Pourquoi l'ouverture \u00e0 12 lamelles cr\u00e9e un effet \u00ab \u00e9toile \u00bb \u00e0 12 branches<\/h3><p>I love to shoot into the light whenever I can. When including the sun in the image frame with a wide-angle lens, you can stop down to a small aperture to get a \u201cstarburst\u201d effect (which is caused by lens diffraction). The Tamron 12-20mm F2.8 has 12-aperture blades, creating a pleasing 12-spike starburst.<\/p><p>Because of the lens\u2019 bulbous front element, you must be extra careful about lens flare when pointing at the lens in the direction of the sun. I always make sure to partially block the sun with something, such as a tree limb or distant mountain, to minimize or eliminate lens flare. When the sun is just peeking out from behind the object, you can get an attractive sun star without creating flare.<\/p><p>J'ai r\u00e9gl\u00e9 l'ouverture sur F16 pour photographier le coucher de soleil \u00e0 travers une arche de gr\u00e8s dans le d\u00e9sert de l'Utah. En masquant partiellement le soleil gr\u00e2ce \u00e0 un arbre au loin, j\u2019ai pu \u00e9liminer les reflets tout en obtenant un joli effet de rayonnement. Comme il peut \u00eatre difficile d\u2019aligner parfaitement le soleil pour ce genre de photos, je pr\u00e9f\u00e8re les prendre \u00e0 main lev\u00e9e plut\u00f4t qu\u2019avec un tr\u00e9pied.<\/p><h3>\u00c9tapes rapides pour cr\u00e9er un effet \u00ab starburst \u00bb :<\/h3><ol><li>Utilisez une petite ouverture, par exemple F11 ou F16.<\/li><li>Placez-vous de mani\u00e8re \u00e0 ce que le soleil soit partiellement masqu\u00e9 par un arbre, une montagne, un b\u00e2timent ou tout autre objet.<\/li><li>Ajustez votre position jusqu\u2019\u00e0 ce qu\u2019on ne voie plus qu\u2019un petit point de lumi\u00e8re solaire.<\/li><li>Faites attention aux reflets et modifiez l\u00e9g\u00e8rement votre angle de prise de vue si des reflets g\u00eanants apparaissent.<\/li><li>Faites bien la mise au point et prenez plusieurs clich\u00e9s \u00e0 mesure que la lumi\u00e8re et la position du soleil changent.<\/li><\/ol><h2>Performances de mise au point rapproch\u00e9e pour les paysages de pr\u00e8s et de loin<\/h2><figure id=\"attachment_20883\" aria-describedby=\"caption-attachment-20883\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-20883\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/07\/tamron-12-20mm-f2-8-close-focus-cactus-utah-desert.webp\" alt=\"Close-focus cactus in the Utah desert photographed with the Tamron 12-20mm F2.8.\" width=\"1200\" height=\"1800\" data-no-translation=\"\" \/><figcaption id=\"caption-attachment-20883\" class=\"wp-caption-text\">The lens\u2019s close-focusing capability allows small foreground subjects to become powerful visual anchors within the landscape. | Focal Length: 20mm Exposure: f\/11, 1\/20 sec., ISO 100 (focus stacked)<\/figcaption><\/figure><h3>Distance minimale de mise au point \u00e0 12 mm et 20 mm<\/h3><p>The MOD (Minimum Object Distance) for the Tamron 12-20mm F2.8 is an impressive 7.1\u201d (0.18m) at the wide end and 11.1\u201d (0.28m) at the longer end. Now, you might be wondering, why have such a close focusing distance for a wide-angle lens? It\u2019s not like these lenses are typically used for macro photography. True, but one primary use for an ultra wide lens is creating dramatic near-far compositions. The closer you can get to a small subject, the larger you can make it appear, making the near-far juxtaposition more dramatic. While it is not necessary to get extremely close to large foreground objects, a close focusing distance can allow you to make small foreground objects appear much larger. The result can be striking when done right.<\/p><h3>Le \u00ab focus stacking \u00bb pour des perspectives extr\u00eames \u00ab de pr\u00e8s-de loin \u00bb<\/h3><p>J'\u00e9tais presque \u00e0 la distance minimale de mise au point (MOD) de l'objectif Tamron 12-20 mm F2,8 lorsque j'ai pris cette photo dans le d\u00e9sert de l'Utah. En m'approchant autant, j'ai pu donner aux petits cactus au premier plan une impression de grandeur sur la photo finale. Lorsqu\u2019on travaille avec des perspectives aussi extr\u00eames, il est impossible d\u2019obtenir une mise au point nette \u00e0 la fois sur le premier plan et sur l\u2019arri\u00e8re-plan, m\u00eame en utilisant de petites ouvertures. Le \u00ab focus stacking \u00bb (superposition de mises au point) est n\u00e9cessaire pour garantir que tout soit net dans le cadre de l\u2019image. J\u2019ai utilis\u00e9 un tr\u00e9pied au ras du sol pour placer mon appareil photo suffisamment bas et pr\u00e8s, \u00e0 quelques pouces seulement des cactus les plus proches.<\/p><h2>Verdict : le Tamron 12-20 mm F2,8 est-il adapt\u00e9 \u00e0 la photographie de paysage ?<\/h2><p>Cet objectif zoom ultra grand-angle destin\u00e9 aux appareils photo hybrides plein format regorge de fonctionnalit\u00e9s exceptionnelles. Le Tamron 12-20 mm F2.8 sera mon objectif de pr\u00e9dilection pour les compositions de paysages m\u00ealant plans proches et lointains, pour immortaliser des ciels spectaculaires au lever et au coucher du soleil, ainsi que pour les sc\u00e8nes de paysages nocturnes. Ses performances optiques \u00e9lev\u00e9es sur toute la plage focale le rendent particuli\u00e8rement adapt\u00e9 \u00e0 ce type de travail, ce qui signifie que je pourrai capturer chaque d\u00e9tail du paysage avec une nettet\u00e9 exceptionnelle. Sa grande ouverture maximale de F2,8 en fera un excellent choix pour les photos de paysages \u00e9toil\u00e9s et autres sc\u00e8nes nocturnes.<\/p><p>Je pr\u00e9vois d'associer le 12-20 mm F2,8 au Tamron 25-200 mm F\/2,8-5,6\u00a0<span class=\"no-break\">Di III<\/span> Le VXD G2 (mod\u00e8le A075), qui me permettra de passer facilement d\u2019un angle ultra-large pour capturer de grandes sc\u00e8nes panoramiques \u00e0 des focales de t\u00e9l\u00e9objectif court pour des perspectives de paysage plus intimes. Ces deux objectifs l\u00e9gers et compacts suffiront \u00e0 couvrir la plupart de mes prises de vue, ce qui me permettra d\u2019all\u00e9ger mon \u00e9quipement tout en conservant des performances professionnelles et une qualit\u00e9 optique exceptionnelle.<\/p><h2>Test du Tamron 12-20 mm F2,8 : points cl\u00e9s \u00e0 retenir<\/h2><p>Le Tamron 12-20 mm F2,8 est particuli\u00e8rement adapt\u00e9 aux photographes de paysage qui recherchent un champ de vision extr\u00eamement large de 12 mm, une ouverture constante de F2,8 pour la photographie de nuit, une capacit\u00e9 de mise au point rapproch\u00e9e pour les compositions alliant premier plan et arri\u00e8re-plan, ainsi qu'une excellente qualit\u00e9 d'image d'un bord \u00e0 l'autre. Sa lentille frontale bomb\u00e9e limite l'utilisation de filtres avant classiques, mais l'objectif est \u00e9quip\u00e9 d'un porte-filtre arri\u00e8re.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-ef8621a uael-header-sticky-no uael-border-yes elementor-widget elementor-widget-uael-table\" data-id=\"ef8621a\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"uael-table.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div itemscope class=\"uael-table-wrapper\" itemtype=\"http:\/\/schema.org\/Table\">\n\t\t<table id=\"uael-table-id-ef8621a\" class=\"uael-text-break uael-column-rules uael-table\" data-sort-table=\"no\" data-show-entry=\"no\" data-searchable=\"no\" data-responsive=\"no\">\n\t\t\t\t<tbody>\n\t\t\t<!-- ROWS -->\n\t\t\t\t\t\t\t\t\t\t<tr data-entry=\"1\" class=\"uael-table-row\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-c08477b\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\"><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-12475c4\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/tamron-americas.com\/fr\/zooms-grand-angle\/\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\"><b style=\"color: #F56122\">D\u00c9COUVREZ NOS OBJECTIFS<\/b>  See Tamron's full lineup of wide-angle lenses built for landscape and night photography \u2014 tamron-americas.com<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t<\/tbody>\n\t<\/table>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-73d22ae elementor-widget elementor-widget-text-editor\" data-id=\"73d22ae\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h2>O\u00f9 acheter les objectifs Tamron<\/h2><p>En savoir plus sur la <a href=\"https:\/\/tamron-americas.com\/fr\/produit\/12-20mm-f-2-8\/\"><strong>Objectif Tamron 12-20 mm F2,8<\/strong><\/a> \u00e0 un <a href=\"https:\/\/www2.tamron-usa.com\/dealers.aspx\"><strong>revendeur Tamron agr\u00e9\u00e9<\/strong><\/a> pr\u00e8s de chez vous ou faites vos achats directement sur le site officiel <a href=\"https:\/\/tamron-americas.com\/fr\/objectifs-photo\/\"><strong>Magasin TAMRON<\/strong><\/a>.<\/p><h2>\u00c0 propos de Ian Plant<\/h2><p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-20880 size-medium alignleft\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/07\/Ian-Plant-antarctica-300x300.webp\" alt=\"Landscape and wildlife photographer Ian Plant photographed outdoors in Antarctica.\" width=\"300\" height=\"300\" data-no-translation=\"\" \/><\/p><p>Qu'il soit suspendu au bord d'un volcan en activit\u00e9 ou qu'il brave les \u00e9l\u00e9ments pour photographier des esp\u00e8ces en danger critique d'extinction, Ian Plant a pass\u00e9 les deux derni\u00e8res d\u00e9cennies \u00e0 parcourir le monde dans sa qu\u00eate incessante visant \u00e0 immortaliser la beaut\u00e9 de notre plan\u00e8te \u00e0 travers son objectif. Ian a touch\u00e9 des centaines de milliers de personnes dans le cadre de sa mission visant \u00e0 inspirer et \u00e0 former les autres \u00e0 l'art de la photographie. Il est l'auteur de dizaines de livres et de vid\u00e9os p\u00e9dagogiques, formateur pour Kelby One et d'autres structures de formation \u00e0 la photographie, et fondateur de Photo Masters, un site d\u00e9di\u00e9 \u00e0 l'enseignement et \u00e0 l'inspiration photographiques. <br \/><a href=\"https:\/\/ianplant.com\/\" target=\"_blank\" rel=\"noopener\">https:\/\/ianplant.com\/<\/a>\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<br \/><a href=\"https:\/\/www.photomasters.com\" target=\"_blank\" rel=\"noopener\">https:\/\/www.photomasters.com<\/a>\u00a0<\/p><h2>Foire aux questions sur le Tamron 12-20 mm F2,8 pour la photographie de paysage<\/h2><h3>L'objectif Tamron 12-20 mm F2,8 est-il adapt\u00e9 \u00e0 la photographie de paysage ?<\/h3><p>Oui. Sa plage focale ultra-large de 12 \u00e0 20 mm est particuli\u00e8rement adapt\u00e9e aux vastes paysages, aux ciels spectaculaires, aux espaces confin\u00e9s et aux compositions m\u00ealant premier plan et arri\u00e8re-plan. Cet objectif offre \u00e9galement une excellente nettet\u00e9 d'un coin \u00e0 l'autre de l'image, ce qui est particuli\u00e8rement important lorsque tous les d\u00e9tails du cadre contribuent \u00e0 la composition.<\/p><h3>Quel est l'avantage d'utiliser un objectif de 12 mm pour la photographie de paysage ?<\/h3><p>Une distance focale de 12 mm permet de capturer un champ de vision nettement plus large que celui d'un objectif grand angle traditionnel de 16 mm. Elle permet aux photographes d'englober une partie plus \u00e9tendue d'une sc\u00e8ne, de mettre en valeur les sujets au premier plan et de cr\u00e9er une impression plus marqu\u00e9e de profondeur et d'\u00e9chelle.<\/p><h3>L'objectif Tamron 12-20 mm F2,8 est-il adapt\u00e9 \u00e0 la photographie de paysages nocturnes et d'aurores bor\u00e9ales ?<\/h3><p>Oui. L'ouverture maximale constante de F2,8 permet de capter davantage de lumi\u00e8re lors de la photographie d'aurores bor\u00e9ales, d'\u00e9toiles et d'autres paysages en conditions de faible luminosit\u00e9. Son champ de vision ultra-large facilite \u00e9galement l'int\u00e9gration \u00e0 la fois du ciel nocturne et d'un premier plan int\u00e9ressant dans une m\u00eame composition.<\/p><h3>Le Tamron 12-20 mm F2,8 permet-il de cr\u00e9er des compositions spectaculaires m\u00ealant premier plan et arri\u00e8re-plan ?<\/h3><p>Oui. La perspective ultra-large exag\u00e8re la taille des objets plac\u00e9s pr\u00e8s de l'objectif tout en r\u00e9duisant l'apparence de l'arri\u00e8re-plan lointain. Sa capacit\u00e9 de mise au point rapproch\u00e9e permet \u00e9galement aux petits sujets au premier plan de devenir des points d'ancrage visuels marquants.<\/p><h3>L'objectif Tamron 12-20 mm F2,8 permet-il de monter des filtres \u00e0 l'avant ?<\/h3><p>Cet objectif est dot\u00e9 d'une lentille frontale bomb\u00e9e et n'est pas compatible avec les filtres avant \u00e0 visser classiques. Il int\u00e8gre un porte-filtre arri\u00e8re, mais les photographes qui utilisent fr\u00e9quemment des filtres traditionnels, qu'ils soient circulaires ou rectangulaires, pr\u00e9f\u00e9reront peut-\u00eatre un objectif grand angle dot\u00e9 d'une lentille frontale plate.<\/p><h3>\u00c0 quelle distance minimale le Tamron 12-20 mm F2,8 peut-il faire la mise au point ?<\/h3><p>La distance minimale de mise au point est de 7,1 pouces \u00e0 12 mm et de 11,1 pouces \u00e0 20 mm. Cette capacit\u00e9 de mise au point rapproch\u00e9e est particuli\u00e8rement utile pour mettre en valeur de petits sujets au premier plan dans des compositions de paysages ultra-larges.<\/p><h3>Le \u00ab focus stacking \u00bb est-il n\u00e9cessaire lorsqu'on utilise le Tamron 12-20 mm F2,8 ?<\/h3><p>Cela ne s'applique pas \u00e0 toutes les photos. Cependant, le \u00ab focus stacking \u00bb peut s'av\u00e9rer n\u00e9cessaire lorsque l'appareil photo est plac\u00e9 tr\u00e8s pr\u00e8s d'un sujet au premier plan et que le premier plan ainsi que l'arri\u00e8re-plan lointain doivent rester nets.<\/p><h3>\u00c0 qui s'adresse-t-il le mieux le Tamron 12-20 mm F2,8 ?<\/h3><p>Cet objectif est particuli\u00e8rement adapt\u00e9 aux photographes sp\u00e9cialis\u00e9s dans les paysages, les sc\u00e8nes nocturnes, les aurores bor\u00e9ales, l'architecture, les int\u00e9rieurs et les voyages, qui recherchent un champ de vision \u00e9tendu, une ouverture constante de F2,8 et des performances optiques professionnelles dans un objectif compact.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>Photography has always been about discovering new ways to interpret the landscape. Whether photographing auroras in Iceland, frozen lakes in [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":20885,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"site-sidebar-layout":"no-sidebar","site-content-layout":"","ast-site-content-layout":"full-width-container","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[82,123],"tags":[262],"class_list":["post-20879","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articles","category-blog","tag-lens-review"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v28.0 (Yoast SEO v28.0) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Tamron 12-20mm F2.8 Review for Landscape Photography by Ian Plant<\/title>\n<meta name=\"description\" content=\"Join professional landscape photographer Ian Plant as he reviews the Tamron 12-20mm F2.8 (Model A084) for landscape photography. Discover its performance for ultra wide compositions, aurora photography, nightscapes, and dramatic near-far perspectives.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/tamron-americas.com\/fr\/blog\/tamron-12-20mm-f2-8-review-landscape-photography-ian-plant\/\" \/>\n<meta property=\"og:locale\" content=\"fr_CA\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Tamron 12-20mm F2.8 Review for Landscape Photography\" \/>\n<meta property=\"og:description\" content=\"Join professional landscape photographer Ian Plant as he reviews the Tamron 12-20mm F2.8 (Model A084) for landscape photography. 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annonce un NOUVEAU 12-20 mm F2,8 pour les montures Sony E et Nikon Z"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"20703\" class=\"elementor elementor-20703\" 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data-elementor-post-type=\"post\">\n\t\t\t\t<div class=\"elementor-element elementor-element-2a95b5a3 e-flex e-con-boxed e-con e-parent\" data-id=\"2a95b5a3\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-9d2e461 elementor-widget elementor-widget-text-editor\" data-id=\"9d2e461\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h3 style=\"text-align: center;\"><strong>TAMRON 12-20mm F2.8 (Model A084)<\/strong><\/h3><h3 style=\"text-align: center;\"><strong>12mm Ultra Wide-Angle Zoom, Unbelievably Compact Form for<br \/>Sony E-mount and Nikon Z mount Full-Frame Mirrorless<\/strong><\/h3><p><em>July 15, 2026, Commack, NY<\/em> \u2013 TAMRON announces the launch of the 12-20mm F2.8 (Model A084), a fast-aperture ultra wide-angle zoom lens, compatible with Sony E-mount and Nikon Z mount full-frame mirrorless cameras. The lens will be on sale for Sony E-mount on July 30 at $1699 USD \/ $2,299 CAD and for Nikon Z mount on August 27 at $1,799 USD \/ $2,399 CAD.<\/p><p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-20089\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/06\/a084z-topside.webp\" alt=\"\" width=\"700\" height=\"467\" \/><\/p><p>The defining feature of the 12-20mm F2.8 (Model A084) is its ultra-wide focal range, from 12mm to 20mm. The overwhelming breadth of the 12mm perspective enables dynamic expression that seems to &#8220;capture the entire expanse of a scene.&#8221; With a bright F2.8 aperture maintained throughout the entire zoom range, this lens is poised to become the &#8220;new protagonist&#8221; for astrophotography and interior shooting.<\/p><p>The optical system incorporates an XGM (eXpanded Glass Molded Aspherical) lens element, three GM (Glass Molded Aspherical) lens elements, and multiple special lens elements. This design effectively suppresses peripheral blurring and color fringing while correcting sagittal coma flare \u2014 a common challenge in astrophotography \u2014 ensuring high sharpness from the center to the extreme edges of the frame.<\/p><p>Despite its exceptional imaging performance, the lens achieves a sophisticated balance of size and weight, measuring just 4.7\u201d (119.3mm) in length and weighing only 20.2oz. (570g)<span style=\"font-size: 16px; font-style: normal; font-weight: 400;\"><sup>[1]<\/sup><\/span><span style=\"font-size: 16px;\">. While compact, it remains a professional-grade tool equipped with various switches and rings for superior operability.<\/span><\/p><p>For autofocus, the lens features the VXD (Voice-coil eXtreme-torque Drive), a high-speed, high-precision linear motor focus mechanism. Furthermore, with an MOD (Minimum Object Distance) of 7.1\u201d (0.18m) at the 12mm wide end, the lens offers outstanding close-up performance for creative versatility.<\/p><h3><strong>\u25a0<\/strong><strong> Product Features<\/strong><\/h3><ol><li>Beyond the scope of vision \u2014 the overwhelming perspective only 12mm can capture<\/li><li>Stunning corner-to-corner resolution for astrophotography and nightscapes<\/li><li>Enhanced mobility for landscapes \u2014 a compact and lightweight design<\/li><li>Comprehensive control features to meet professional demands<\/li><li>High-speed, high-precision, and quiet performance \u2014 equipped with VXD linear motor focus mechanism<\/li><li>Stunning close-up performance \u2014 unleashing the dynamism of ultra wide-angles<\/li><li>Compatible with TAMRON Lens Utility<sup>TM<\/sup> \u2014 seamless support for video and stills<\/li><li>Mastery of light \u2014 the artistry of a 12-blade circular diaphragm<\/li><li>Evolution of form \u2014 introducing the &#8220;Toned Profile Next&#8221; lens design<\/li><li>Integrated flower-shaped lens hood and locking front lens cap<\/li><li>Integrated rear filter holder<\/li><li>Included soft wrapping cloth for scratch resistance<\/li><li>Protective features (moisture-resistant construction and fluorine coating)<\/li><\/ol><p><em><small>[1] Length and weight are for Sony E-mount.<\/small><\/em><\/p><p>\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-66344aa uael-header-sticky-no uael-border-yes elementor-widget elementor-widget-uael-table\" data-id=\"66344aa\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"uael-table.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div itemscope class=\"uael-table-wrapper\" itemtype=\"http:\/\/schema.org\/Table\">\n\t\t<table id=\"uael-table-id-66344aa\" class=\"uael-text-break uael-column-rules uael-table\" data-sort-table=\"no\" data-show-entry=\"no\" data-searchable=\"no\" data-responsive=\"no\">\n\t\t\t\t<thead>\n\t\t\t\t\t\t\t\t\t\t<tr class=\"uael-table-row\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<th data-sort=\"0\" class=\"sort-this elementor-repeater-item-5a4b7da uael-table-col uael-table-head-cell-text\" colspan=\"2\" scope=\"col\">\n\t\t\t\t\t\t\t<span class=\"sort-style\">\n\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">SPECIFICATIONS<\/span>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t<\/th>\n\t\t\t\t\t\t\t\t<\/thead>\n\t\t\t\t<tbody>\n\t\t\t<!-- ROWS -->\n\t\t\t\t\t\t\t\t\t\t<tr data-entry=\"1\" class=\"uael-table-row\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-86469d2\" data-title=\"SPECIFICATIONS\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">Model<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-f275952\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">A084<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/tr><tr data-entry=\"2\" class=\"uael-table-row\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-5477cca\" data-title=\"SPECIFICATIONS\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">Focal Length<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-a4fc7b3\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">12-20mm\n<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/tr><tr data-entry=\"3\" class=\"uael-table-row\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-a9c6951\" data-title=\"SPECIFICATIONS\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">Maximum Aperture<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-33b3077\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">F2.8<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/tr><tr data-entry=\"4\" class=\"uael-table-row\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-be8b000\" data-title=\"SPECIFICATIONS\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">Angle of View (diagonal)<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-5edba12\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">121\u00b058\u2032- 94\u00b030\u2032(for full-frame mirrorless format)\n<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/tr><tr data-entry=\"5\" class=\"uael-table-row\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-b1dd169\" data-title=\"SPECIFICATIONS\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">Optical Construction<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-c4bd5a0\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">17 elements in 12 groups<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/tr><tr data-entry=\"6\" class=\"uael-table-row\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-9e1bd34\" data-title=\"SPECIFICATIONS\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">Minimum Object Distance<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-eaf0aac\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">0.18m \/ 7.1\u201d (WIDE), 0.28m \/ 11.1\u201d (TELE)<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/tr><tr data-entry=\"7\" class=\"uael-table-row\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-52a203c\" data-title=\"SPECIFICATIONS\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">Maximum Magnification Ratio<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-3b78798\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">1:5.8 (WIDE) \/ 1:9.1 (TELE)<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/tr><tr data-entry=\"8\" class=\"uael-table-row\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-4f4154d\" data-title=\"SPECIFICATIONS\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">Filter Size<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-5f236e0\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">Integrated rear filter holder<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/tr><tr data-entry=\"9\" class=\"uael-table-row\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-54ac3d1\" data-title=\"SPECIFICATIONS\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">Maximum Diameter<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-a4d4b15\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">\u00d890mm<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/tr><tr data-entry=\"10\" class=\"uael-table-row\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-a4f004c\" data-title=\"SPECIFICATIONS\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">Length*<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-925eb3c\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">119.3mm (4.7\u201d) for Sony E-mount<br>\n121.3mm (4.8\u201d) for Nikon Z mount<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/tr><tr data-entry=\"11\" class=\"uael-table-row\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-775b275\" data-title=\"SPECIFICATIONS\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">Weight<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-1633c93\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">570g (20.2oz) for Sony E-mount<br>\n585g (20.7oz) for Nikon Z mount<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/tr><tr data-entry=\"12\" class=\"uael-table-row\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-b5cfb24\" data-title=\"SPECIFICATIONS\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">Aperture Blades**<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-6dad94c\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">12 (circular diaphragm)<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/tr><tr data-entry=\"13\" class=\"uael-table-row\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-e063049\" data-title=\"SPECIFICATIONS\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">Minimum Aperture<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-f25f0b5\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">F16<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/tr><tr data-entry=\"14\" class=\"uael-table-row\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-5fe2b0c\" data-title=\"SPECIFICATIONS\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">Standard Accessories***<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-ff5118e\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">Front cap, Rear cap, Wrapping cloth<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/tr><tr data-entry=\"15\" class=\"uael-table-row\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-3bf191a\" data-title=\"SPECIFICATIONS\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">Mount<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-b17fd34\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\">Sony E-mount, Nikon Z mount<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t<\/tbody>\n\t<\/table>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-e21c2fe elementor-widget elementor-widget-text-editor\" data-id=\"e21c2fe\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><small>* Length is the distance from the front end of the lens to the lens mount face.<br \/>** The circular diaphragm stays almost perfectly circular up to two stops down from maximum aperture.<br \/>*** Integrated flower-shaped hood (non-removable)<\/small><br \/><small>Specifications, appearance, functionality, etc. are subject to change without prior notice.<\/small><br \/><small>This product is developed, manufactured, and sold based on the specifications of E-mount which was disclosed by Sony Corporation under the license agreement with Sony Corporation.<\/small><br \/><small>This product is developed, manufactured, and sold under the license agreement with Nikon Corporation.<br \/><\/small><\/p><p>\u00a0<\/p><p><strong>About Tamron Co., Ltd.<\/strong><\/p><p>TAMRON provides a wide range of original optical products, from interchangeable lenses for digital cameras to various optical devices for both the general consumer and OEM. We make optical products that contribute to a range of different industries and will continue to devote our rich creativity and leading-edge technical prowess to various industrial fields. Furthermore, TAMRON is fully aware of our responsibility to the environment and aspires to help preserve the natural environment in all our business activities. 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35-100mm F\/2.8 <span class=\"no-break\">Di III<\/span> Avis sur le VXD pour la photographie de voyage en Andalousie"},"content":{"rendered":"<div data-elementor-type=\"wp-post\" data-elementor-id=\"20012\" class=\"elementor elementor-20012\" 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data-elementor-post-type=\"post\">\n\t\t\t\t<div class=\"elementor-element elementor-element-6c42eab e-flex e-con-boxed e-con e-parent\" data-id=\"6c42eab\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-7b7951d elementor-widget elementor-widget-text-editor\" data-id=\"7b7951d\" data-element_type=\"widget\" data-e-type=\"widget\" id=\"bestlight\" great=\"\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><strong>Avis rapide : le Tamron 35-100 mm F2,8 pour la photographie de voyage<\/strong><\/p><p>Le Tamron 35-100mm F\/2.8 <span class=\"no-break\">Di III<\/span> Le VXD est un objectif zoom compact destin\u00e9 \u00e0 la photographie de voyage qui regroupe plusieurs des focales que j'utilise le plus souvent \u2014 35 mm, 50 mm, 85 mm et 100 mm \u2014 dans un seul objectif zoom l\u00e9ger \u00e0 ouverture constante de f\/2,8. Au cours d'un voyage photographique en Andalousie, en Espagne, il est rapidement devenu mon objectif de pr\u00e9dilection pour les portraits, les sc\u00e8nes de rue, les d\u00e9tails architecturaux, la gastronomie, les march\u00e9s et les moments spontan\u00e9s du voyage.<\/p><p><em><strong>Par Jacques Dumont, contributeur invit\u00e9<\/strong><\/em><\/p><p><strong>Meilleur pour :<\/strong> Photographie de voyage, portraits, sc\u00e8nes de rue, gastronomie, d\u00e9tails architecturaux, march\u00e9s et r\u00e9cits du quotidien<br \/><strong>Pas id\u00e9al pour :<\/strong> Faune sauvage ou situations n\u00e9cessitant une grande port\u00e9e de t\u00e9l\u00e9objectif<br \/><strong>Ma fonction pr\u00e9f\u00e9r\u00e9e :<\/strong> Une plage focale pratique de 35 \u00e0 100 mm dans un zoom de voyage compact \u00e0 ouverture constante de F2,8<br \/><strong>Une chose \u00e0 savoir avant d'acheter :<\/strong> Pour les int\u00e9rieurs spacieux, les paysages spectaculaires et les grands espaces architecturaux, il s'associe \u00e0 merveille \u00e0 un zoom ultra-grand-angle comme le Tamron 16-30 mm F2,8.<\/p><p>Pour les photographes qui souhaitent voyager plus l\u00e9ger sans renoncer \u00e0 la qualit\u00e9 d'image, le <a href=\"https:\/\/tamron-americas.com\/fr\/produit\/35-100mm-f-2-8-di-iii-vxd\/\"><strong>Tamron 35-100mm F2.8<\/strong><\/a> Cet objectif de photographie de voyage offre un \u00e9quilibre tr\u00e8s pratique entre portabilit\u00e9, rapidit\u00e9 et libert\u00e9 cr\u00e9ative.<\/p><h2>Points cl\u00e9s : Pourquoi le Tamron 35-100 mm F2,8 est-il si performant en voyage ?<\/h2><ul><li>La plage focale de 35 \u00e0 100 mm permet de photographier des sc\u00e8nes d'environnement, des perspectives naturelles, des portraits, des d\u00e9tails plus pr\u00e9cis et des compositions resserr\u00e9es.<\/li><li>Gr\u00e2ce \u00e0 son design compact, il est facile \u00e0 transporter du matin au soir, tout au long de vos explorations.<\/li><li>L'ouverture fixe de F2,8 est particuli\u00e8rement utile dans les rues ombrag\u00e9es, les int\u00e9rieurs, les march\u00e9s et \u00e0 la lumi\u00e8re de fin de journ\u00e9e.<\/li><li>L'autofocus rapide VXD facilite la photographie de voyage spontan\u00e9e, o\u00f9 les instants se succ\u00e8dent \u00e0 un rythme effr\u00e9n\u00e9.<\/li><li>Associ\u00e9 au Tamron 16-30 mm F2,8, il constitue un kit de photographie de voyage coh\u00e9rent compos\u00e9 de deux objectifs, permettant \u00e0 la fois de capturer des vues panoramiques et de raconter des histoires plus intimes.<\/li><\/ul><h2>Tamron 35-100mm F\/2.8 <span class=\"no-break\">Di III<\/span> VXD Sp\u00e9cifications rapides<\/h2><figure id=\"attachment_20025\" aria-describedby=\"caption-attachment-20025\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-20025\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/06\/tamron-35-100mm-f28-travel-photography-marbella-hanging-flower-pots.webp\" alt=\"Blue hanging flower pots with red flowers line a white wall in Marbella, photographed with the Tamron 35-100mm F2.8 travel photography lens.\" width=\"1200\" height=\"675\" data-no-translation=\"\" \/><figcaption id=\"caption-attachment-20025\" class=\"wp-caption-text\">Dans l'une des charmantes ruelles de Marbella, des jardini\u00e8res suspendues apportaient de la couleur, de la texture et un caract\u00e8re andalou ind\u00e9niable \u00e0 la sc\u00e8ne. Avec une focale de 35 mm, l'objectif m'a permis de capturer suffisamment de contexte pour mettre en valeur le d\u00e9cor, tout en conservant une composition \u00e9pur\u00e9e et directe. Tamron 35-100 mm F2,8 <span class=\"no-break\">Di III<\/span> VXD | Distance focale : 35 mm | Exposition : f\/7,1, 1\/160 s, ISO 100<\/figcaption><\/figure><p><strong>Longueur focale :<\/strong> 35-100mm<br \/><strong>Ouverture :<\/strong> f\/2.8<br \/><strong>Le montage :<\/strong> <a href=\"https:\/\/tamron-americas.com\/fr\/sony\/\"><strong>Sony E<\/strong><\/a> et <a href=\"https:\/\/tamron-americas.com\/fr\/nikon\/\"><strong>Nikon Z<\/strong><\/a><br \/><strong>Taille\/poids :<\/strong> 4,7 pouces \/ 19,9 oz pour la monture E de Sony ; 4,8 pouces \/ 20,3 oz pour la monture Z de Nikon<br \/><strong>Distance minimale de mise au point :<\/strong> 8,7 pouces \u00e0 35 mm<br \/><strong>Rapport de grossissement maximal :<\/strong> 1:3.3<br \/><strong>Taille du filtre :<\/strong> \u00d867mm<\/p><h2>Pourquoi j'ai test\u00e9 le Tamron 35-100 mm F2,8 en Andalousie<\/h2><figure id=\"attachment_20026\" aria-describedby=\"caption-attachment-20026\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-20026\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/06\/tamron-35-100mm-f28-travel-photography-marbella-paella-sign.webp\" alt=\"Paella sign on a Marbella side street with softly blurred restaurant staff in the background, photographed with the Tamron 35-100mm F2.8 travel photography lens\" width=\"1200\" height=\"675\" data-no-translation=\"\" \/><figcaption id=\"caption-attachment-20026\" class=\"wp-caption-text\">Cette enseigne de paella a imm\u00e9diatement attir\u00e9 mon regard dans une ruelle anim\u00e9e. La prise de vue \u00e0 65 mm et F2,8 a donn\u00e9 de la profondeur \u00e0 l'image, permettant \u00e0 l'arri\u00e8re-plan de s'estomper en douceur tout en pr\u00e9servant l'\u00e9nergie de la terrasse. Tamron 35-100 mm F2,8 <span class=\"no-break\">Di III<\/span> VXD | Distance focale : 65 mm | Exposition : f\/2,8, 1\/3 200 s, ISO 400<\/figcaption><\/figure><p>Lorsque j\u2019ai planifi\u00e9 ce voyage dans le sud de l\u2019Espagne, mon objectif \u00e9tait simple : voyager plus l\u00e9ger tout en conservant une qualit\u00e9 d\u2019image et une polyvalence optimales. Pendant des ann\u00e9es, j\u2019ai souvent voyag\u00e9 avec plusieurs focales et un \u00e9quipement plus disparate. Cette fois-ci, je souhaitais adopter une approche photographique plus intuitive et plus fluide.<\/p><p>Le Tamron 35-100 mm F2,8 est rapidement devenu mon objectif de pr\u00e9dilection pour la photographie de voyage en Espagne, car il couvre les focales vers lesquelles je me tourne naturellement le plus souvent.<\/p><p>\u00c0 35 mm, je pouvais photographier des sc\u00e8nes d'ambiance et des moments narratifs plus larges. Vers 50 mm, j'obtenais une perspective naturelle proche de la vision humaine. \u00c0 85 mm, je pouvais r\u00e9aliser des portraits flatteurs avec un beau d\u00e9tachement du sujet. \u00c0 100 mm, je pouvais resserrer le cadrage, jouer sur la compression et isoler les d\u00e9tails gr\u00e2ce \u00e0 un flou d'arri\u00e8re-plan agr\u00e9able.<\/p><p>Cette gamme correspondait parfaitement \u00e0 ma fa\u00e7on de voir, de composer et de raconter des histoires \u00e0 travers les images.<\/p><h2>Photographier l'Andalousie avec un seul objectif zoom standard compact<\/h2><figure id=\"attachment_20027\" aria-describedby=\"caption-attachment-20027\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-20027\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/06\/tamron-35-100mm-f28-travel-photography-puerto-banus-marina.webp\" alt=\"Yachts docked along the Puerto Ban\u00fas waterfront in Andalusia, photographed with the Tamron 35-100mm F2.8 travel photography lens.\" width=\"1200\" height=\"675\" data-no-translation=\"\" \/><figcaption id=\"caption-attachment-20027\" class=\"wp-caption-text\">Le long du front de mer de Puerto Ban\u00fas, les yachts, les reflets et l'ambiance m\u00e9diterran\u00e9enne se mariaient naturellement. Avec un objectif de 35 mm, j'ai pu cadrer suffisamment de la sc\u00e8ne pour rendre toute l'\u00e9l\u00e9gance du port de plaisance sans avoir \u00e0 changer d'objectif. Tamron 35-100 mm F2,8 <span class=\"no-break\">Di III<\/span> VXD | Distance focale : 35 mm | Exposition : f\/4, 1\/250 s, ISO 100<\/figcaption><\/figure><p>Partout en Andalousie, le Tamron 35-100 mm F2.8 m'a permis de parcourir chaque lieu avec un rythme plus simple et plus concentr\u00e9. Je l'ai utilis\u00e9 pour la plupart de mes clich\u00e9s, qu'il s'agisse de sc\u00e8nes c\u00f4ti\u00e8res paisibles, de villages aux maisons blanchies \u00e0 la chaux, de march\u00e9s, d'architecture, de portraits ou encore de petits d\u00e9tails qui ont contribu\u00e9 \u00e0 d\u00e9finir l'atmosph\u00e8re de ce voyage.<\/p><p>Pour mes photos de voyage en Andalousie, cet objectif m'a permis de r\u00e9agir rapidement. Je pouvais cadrer une sc\u00e8ne de rue en grand angle, me rapprocher pour r\u00e9aliser un portrait, isoler un d\u00e9tail culinaire ou compresser un paysage lointain sans avoir \u00e0 changer constamment d'objectif.<\/p><h2>Pourquoi la plage focale de 35 \u00e0 100 mm est-elle si utile pour la photographie de voyage ?<\/h2><figure id=\"attachment_20020\" aria-describedby=\"caption-attachment-20020\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-20020\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/06\/tamron-35-100mm-f28-travel-photography-andalusia-grilled-sardines.webp\" alt=\"Sardines cooking over glowing embers along the Andalusian coast, photographed with the Tamron 35-100mm F2.8 travel photography lens.\" width=\"1200\" height=\"675\" data-no-translation=\"\" \/><figcaption id=\"caption-attachment-20020\" class=\"wp-caption-text\">Cuites lentement sur des braises incandescentes, ces sardines m\u2019ont rappel\u00e9 les plages d\u2019Andalousie, les restaurants en bord de mer et la culture gastronomique c\u00f4ti\u00e8re espagnole. Cet objectif m\u2019a permis d\u2019isoler les d\u00e9tails tout en conservant l\u2019authenticit\u00e9 et le caract\u00e8re imm\u00e9diat de la sc\u00e8ne. Tamron 35-100 mm F2,8 <span class=\"no-break\">Di III<\/span> VXD | Distance focale : 64 mm Exposition : f\/16, 1\/40 s, ISO 200<\/figcaption><\/figure><p>En photographie de voyage, la polyvalence est essentielle. En l'espace de quelques minutes, vous pouvez passer d'une ruelle \u00e9troite \u00e0 une place d\u00e9gag\u00e9e, d'un portrait pris au march\u00e9 \u00e0 un d\u00e9tail architectural lointain, ou d'une sc\u00e8ne culinaire \u00e0 un paysage. Transporter trop de mat\u00e9riel peut ralentir ce processus.<\/p><p>Le Tamron 35-100 mm F2,8 m'a permis de simplifier mes choix. Au lieu de changer sans cesse d'objectif, j'ai pu rester concentr\u00e9 sur la sc\u00e8ne.<\/p><p>\u00c0 35 mm, j\u2019ai utilis\u00e9 cet objectif pour raconter des histoires \u00e0 travers l\u2019environnement et capturer des sc\u00e8nes contextuelles plus larges. \u00c0 50 mm, il m\u2019a offert une perspective \u00e9quilibr\u00e9e pour immortaliser des moments de voyage du quotidien. \u00c0 85 mm, il s\u2019est r\u00e9v\u00e9l\u00e9 id\u00e9al pour les portraits et pour mettre le sujet en valeur. \u00c0 100 mm, il m\u2019a permis de cr\u00e9er des compositions plus serr\u00e9es, de compresser la distance et d\u2019attirer l\u2019attention sur les d\u00e9tails.<\/p><p>Pour un photographe qui souhaite se d\u00e9placer naturellement dans un lieu, cette plage focale est extr\u00eamement pratique. C'est \u00e9galement ce qui fait de cet objectif un zoom de voyage l\u00e9ger et performant pour les photographes qui souhaitent voyager l\u00e9ger tout en restant pr\u00eats \u00e0 immortaliser diff\u00e9rents sujets.<\/p><p>Pour d\u00e9couvrir d'autres exemples concrets de l'utilisation de cet objectif dans un contexte diff\u00e9rent, consultez notre <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/tamron-35-100mm-photographie-de-vacances\/\"><strong>Test de l'objectif Tamron 35-100 mm pour la photographie de vacances<\/strong><\/a><strong>. <\/strong>Pour une approche davantage ax\u00e9e sur le portrait, consultez notre <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/tamron-35-100mm-f2-8-portrait-lens-review\/\"><strong>Test de l'objectif Tamron 35-100 mm pour le portrait<\/strong><\/a>.<\/p><h2>Un objectif zoom de voyage l\u00e9ger, id\u00e9al pour les longues journ\u00e9es<\/h2><figure id=\"attachment_20029\" aria-describedby=\"caption-attachment-20029\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-20029\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/06\/tamron-35-100mm-f28-travel-photography-ronda-sheep-crossing.webp\" alt=\"A flock of sheep crosses a rural road near Ronda in Andalusia, photographed with the Tamron 35-100mm F2.8 travel photography lens.\" width=\"1200\" height=\"675\" data-no-translation=\"\" \/><figcaption id=\"caption-attachment-20029\" class=\"wp-caption-text\">Dans la campagne vallonn\u00e9e pr\u00e8s de Ronda, ce passage inattendu d'un troupeau a transform\u00e9 la sc\u00e8ne en un moment intemporel et profond\u00e9ment authentique. La douce brume de poussi\u00e8re, le rythme des mouvements et la lumi\u00e8re naturelle ont conf\u00e9r\u00e9 \u00e0 cet instant une douce touche de po\u00e9sie. Tamron 35-100 mm F2.8 <span class=\"no-break\">Di III<\/span> VXD | Distance focale : 60 mm | Exposition : f\/2,8, 1\/800 s, ISO 450<\/figcaption><\/figure><p>Ce qui m'a le plus impressionn\u00e9, c'est le rapport taille\/performances. Avec un poids d'environ 575 g pour la monture Nikon Z, le Tamron 35-100 mm F2.8 m'a permis de photographier confortablement du matin au soir sans ressentir de fatigue.<\/p><p>C'est important quand on voyage. En Andalousie, j'ai pass\u00e9 de longues journ\u00e9es \u00e0 arpenter des villes, des villages, des march\u00e9s, des \u00e9glises, le littoral et des paysages de montagne. Un objectif avec lequel on se sent \u00e0 l'aise m\u00eame apr\u00e8s plusieurs heures nous incite \u00e0 continuer \u00e0 observer, \u00e0 explorer et \u00e0 saisir les petits instants au fur et \u00e0 mesure qu'ils se pr\u00e9sentent.<\/p><p>Le meilleur \u00e9quipement de voyage est souvent celui dont on finit par ne plus remarquer la pr\u00e9sence. C'est exactement ce qui s'est pass\u00e9 avec cet objectif.<\/p><h2>Photographies de voyage en Espagne : galerie d'images<\/h2><p>Des sites embl\u00e9matiques spectaculaires aux instants tranquilles sur les march\u00e9s, le Tamron 35-100 mm F2.8 m'a offert la flexibilit\u00e9 n\u00e9cessaire pour parcourir l'Espagne avec un seul objectif compact d\u00e9di\u00e9 \u00e0 la photographie de voyage. Cette galerie montre comment cette plage focale de 35 \u00e0 100 mm a su rendre justice \u00e0 l'architecture, aux sc\u00e8nes de rue, aux d\u00e9tails culturels et aux moments du quotidien \u00e0 travers l'Andalousie.<\/p><figure id=\"attachment_20028\" aria-describedby=\"caption-attachment-20028\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-20028\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/06\/tamron-35-100mm-f28-travel-photography-ronda-puente-nuevo.webp\" alt=\"Puente Nuevo spans the dramatic gorge in Ronda, Spain, photographed with the Tamron 35-100mm F2.8 travel photography lens.\" width=\"1200\" height=\"675\" data-no-translation=\"\" \/><figcaption id=\"caption-attachment-20028\" class=\"wp-caption-text\">Le Puente Nuevo impressionne autant par son architecture que par la gorge spectaculaire qui s'\u00e9tend en contrebas. Avec un objectif de 35 mm, j'ai pu saisir la relation entre le pont et le paysage environnant tout en conservant une composition \u00e9quilibr\u00e9e. Tamron 35-100 mm F\/2,8 <span class=\"no-break\">Di III<\/span> VXD | Distance focale : 35 mm | Exposition : f\/8, 1\/500 s, ISO 500<\/figcaption><\/figure><figure id=\"attachment_20031\" aria-describedby=\"caption-attachment-20031\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-20031\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/06\/tamron-35-100mm-f28-travel-photography-seville-plaza-de-espana-detail.webp\" alt=\"Decorative blue and yellow tilework at Plaza de Espa\u00f1a in Seville with the architecture softly blurred behind it, photographed with the Tamron 35-100mm F2.8 travel photography lens.\" width=\"1200\" height=\"675\" data-no-translation=\"\" \/><figcaption id=\"caption-attachment-20031\" class=\"wp-caption-text\">Sur la Plaza de Espa\u00f1a, j'ai d\u00e9lib\u00e9r\u00e9ment choisi de photographier \u00e0 pleine ouverture (F2,8) afin de mettre en valeur les d\u00e9tails architecturaux au premier plan, tout en laissant le b\u00e2timent situ\u00e9 derri\u00e8re se fondre dans un flou d'arri\u00e8re-plan harmonieux. Tamron 35-100 mm F\/2,8 <span class=\"no-break\">Di III<\/span> VXD | Distance focale : 72 mm | Exposition : f\/2,8, 1\/4 000 s, ISO 100<\/figcaption><\/figure><figure id=\"attachment_20021\" aria-describedby=\"caption-attachment-20021\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-20021\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/06\/tamron-35-100mm-f28-travel-photography-andalusia-sombrero-cordobes.webp\" alt=\"A person wearing a bright red sombrero cordob\u00e9s walks through an Andalusian street, photographed with the Tamron 35-100mm F2.8 travel photography lens.\" width=\"1200\" height=\"675\" data-no-translation=\"\" \/><figcaption id=\"caption-attachment-20021\" class=\"wp-caption-text\">En me promenant dans une rue d'Andalousie, j'ai remarqu\u00e9 deux femmes \u00e9l\u00e9gamment v\u00eatues, coiff\u00e9es de sombreros cordobeses traditionnels. Avec une focale de 100 mm et une ouverture de F2,8, l'objectif m'a permis de capturer cet instant tout en pr\u00e9servant la gr\u00e2ce et le caract\u00e8re culturel de la sc\u00e8ne. Tamron 35-100 mm F\/2,8 <span class=\"no-break\">Di III<\/span> VXD | Distance focale : 100 mm | Exposition : f\/2,8, 1\/125 s, ISO 200<\/figcaption><\/figure><figure id=\"attachment_20030\" aria-describedby=\"caption-attachment-20030\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-20030\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/06\/tamron-35-100mm-f28-travel-photography-seville-bell-tower-sunset.webp\" alt=\"A Seville bell tower rises above the city skyline at sunset, photographed with the Tamron 35-100mm F2.8 travel photography lens.\" width=\"1200\" height=\"675\" data-no-translation=\"\" \/><figcaption id=\"caption-attachment-20030\" class=\"wp-caption-text\">Baign\u00e9 par la douce lumi\u00e8re du fin d'apr\u00e8s-midi, ce clocher semblait flotter dans une atmosph\u00e8re de calme et de douceur. La distance focale de 100 mm a permis de compresser la sc\u00e8ne et de simplifier la composition. Tamron 35-100 mm F\/2,8 <span class=\"no-break\">Di III<\/span> VXD | Distance focale : 100 mm | Exposition : f\/2,8, 1\/250 s, ISO 200<\/figcaption><\/figure><figure id=\"attachment_20023\" aria-describedby=\"caption-attachment-20023\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-20023\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/06\/tamron-35-100mm-f28-travel-photography-malaga-pedestrian-street.webp\" alt=\"People walk along a busy pedestrian street in Malaga, photographed with the Tamron 35-100mm F2.8 travel photography lens.\" width=\"1200\" height=\"675\" data-no-translation=\"\" \/><figcaption id=\"caption-attachment-20023\" class=\"wp-caption-text\">Dans cette rue pi\u00e9tonne anim\u00e9e, le pav\u00e9, l'architecture et l'effervescence urbaine offraient un d\u00e9cor parfaitement adapt\u00e9 au 35 mm. Tamron 35-100 mm F\/2,8 <span class=\"no-break\">Di III<\/span> VXD | Distance focale : 35 mm | Exposition : f\/4,5, 1\/1 250 s, ISO 100<\/figcaption><\/figure><figure id=\"attachment_20032\" aria-describedby=\"caption-attachment-20032\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-20032\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/06\/tamron-35-100mm-f28-travel-photography-spain-fruit-market-vendor.webp\" alt=\"A vendor works behind colorful fruit displays at a market in Spain, photographed with the Tamron 35-100mm F2.8 travel photography lens.\" width=\"1200\" height=\"675\" data-no-translation=\"\" \/><figcaption id=\"caption-attachment-20032\" class=\"wp-caption-text\">De retour au march\u00e9, cette fois-ci au rayon fruits, une vendeuse concentr\u00e9e se fond dans le mur color\u00e9 de produits frais qui se dresse derri\u00e8re elle. Tamron 35-100 mm F\/2,8 <span class=\"no-break\">Di III<\/span> VXD | Distance focale : 35 mm | Exposition : f\/4,5, 1\/800 s, ISO 16 000<\/figcaption><\/figure><h2>Une qualit\u00e9 d'image et une r\u00e9activit\u00e9 impressionnantes<\/h2><p>Malgr\u00e9 sa taille compacte, le Tamron 35-100 mm F2,8 a toujours offert une excellente qualit\u00e9 d'image tout au long du voyage.<\/p><p>Ce qui m'a le plus marqu\u00e9 :<\/p><ul><li>Une nettet\u00e9 exceptionnelle sur toute la plage de zoom<\/li><li>Contr\u00f4le efficace des reflets et des images fant\u00f4mes<\/li><li>Une mise au point automatique rapide, pr\u00e9cise et silencieuse gr\u00e2ce au moteur lin\u00e9aire VXD de Tamron<\/li><li>Un bokeh harmonieux et agr\u00e9able gr\u00e2ce au diaphragme circulaire \u00e0 9 lamelles<\/li><li>Une mise au point rapproch\u00e9e tr\u00e8s pratique pour les d\u00e9tails, les plats et les sc\u00e8nes de march\u00e9<\/li><\/ul><p>Sa courte distance minimale de mise au point m'a \u00e9galement permis de me rapprocher des sujets, ce qui m'a permis de cr\u00e9er des compositions plus serr\u00e9es et de raconter des histoires visuelles plus intimes.<\/p><p>Pour un zoom compact destin\u00e9 \u00e0 la photographie de voyage, cet \u00e9quilibre entre nettet\u00e9, rapidit\u00e9, mise au point rapproch\u00e9e et portabilit\u00e9 a rendu la plage focale de 35 \u00e0 100 mm particuli\u00e8rement utile dans des conditions r\u00e9elles.<\/p><h2>Les avantages d'un zoom de voyage \u00e0 ouverture constante de f\/2,8<\/h2><figure id=\"attachment_20019\" aria-describedby=\"caption-attachment-20019\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-20019\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/06\/tamron-35-100mm-f28-travel-photography-alhambra-sierra-nevada.webp\" alt=\"The Alhambra in Granada with the snow-capped Sierra Nevada mountains in the background, photographed with the Tamron 35-100mm F2.8 travel photography lens.\" width=\"1200\" height=\"675\" data-no-translation=\"\" \/><figcaption id=\"caption-attachment-20019\" class=\"wp-caption-text\">Au loin, l'Alhambra se dressait avec \u00e9l\u00e9gance, tandis que la Sierra Nevada apportait de l'ampleur et de la profondeur au paysage. Avec sa focale de 84 mm, cet objectif m'a permis de compresser le paysage et de r\u00e9unir dans un m\u00eame cadre l'histoire, la nature et la lumi\u00e8re andalouse. Tamron 35-100 mm F2,8 <span class=\"no-break\">Di III<\/span> VXD | Distance focale : 84 mm | Exposition : f\/9, 1\/640 s, ISO 220<\/figcaption><\/figure><p>Une ouverture constante de F2,8 s'est av\u00e9r\u00e9e inestimable tout au long du voyage.<\/p><p>Cela m'a permis de travailler en toute confiance dans des conditions de faible luminosit\u00e9, de conserver un style de rendu coh\u00e9rent d'une sc\u00e8ne \u00e0 l'autre et de cr\u00e9er une faible profondeur de champ lorsque je souhaitais isoler un sujet de l'arri\u00e8re-plan.<\/p><p>Que ce soit pour photographier des int\u00e9rieurs, des levers de soleil, la lumi\u00e8re de fin d'apr\u00e8s-midi, des ruelles ombrag\u00e9es ou des portraits au march\u00e9, je pouvais continuer \u00e0 prendre des photos en toute libert\u00e9, sans me sentir limit\u00e9 par l'objectif.<\/p><h2>Le Tamron 16-30 mm F2.8 G2 : un objectif indispensable<\/h2><figure id=\"attachment_20016\" aria-describedby=\"caption-attachment-20016\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-20016\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/06\/tamron-16-30mm-f28-g2-travel-photography-seville-las-setas-night.webp\" alt=\"Illuminated curves of Las Setas in Seville at night, photographed with the Tamron 16-30mm F2.8 G2 travel lens.\" width=\"1200\" height=\"675\" data-no-translation=\"\" \/><figcaption id=\"caption-attachment-20016\" class=\"wp-caption-text\">Sous cet angle, le Metropol Parasol d\u00e9voile toute la force de son identit\u00e9 visuelle : une for\u00eat sculpturale de bois, \u00e0 la fois a\u00e9rienne et monumentale, o\u00f9 les lignes qui s\u2019entrecroisent cr\u00e9ent une puissante sensation de mouvement et de fluidit\u00e9. C\u2019est une architecture qui fascine autant par son design audacieux que par sa pr\u00e9sence imposante. Tamron 16-30 mm F\/2,8 <span class=\"no-break\">Di III<\/span> VXD G2 | Distance focale : 16 mm | Exposition : f\/2,8, 1\/80 s, ISO 2000<\/figcaption><\/figure><p>M\u00eame si le 35-100 mm est devenu mon objectif principal, j'ai toujours gard\u00e9 le Tamron 16-30 mm F2,8 \u00e0 port\u00e9e de main.<\/p><p>Il y avait certains endroits o\u00f9 une perspective ultra-large s'imposait tout simplement comme le choix cr\u00e9atif le plus judicieux : le Caminito del Rey, le parcours des fresques de Fuengirola, la grotte de Nerja, le Metropol Parasol \u00e0 S\u00e9ville, la cath\u00e9drale de Grenade et les vastes paysages andalous.<\/p><h3>Galerie d'images du Tamron 16-30 mm F2,8 G2<\/h3><p>Associ\u00e9 au 35-100 mm, le 16-30 mm constituait un kit de photographie de voyage \u00e0 deux objectifs tr\u00e8s pratique : un objectif pour rendre l'\u00e9chelle et cr\u00e9er une impression d'immersion, l'autre pour la pr\u00e9cision, la compression, les portraits et les d\u00e9tails.<\/p><figure id=\"attachment_20017\" aria-describedby=\"caption-attachment-20017\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-20017\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/06\/tamron-16-30mm-f28-g2-travel-photography-seville-las-setas-viewpoint.webp\" alt=\"Visitors walk along the illuminated Las Setas viewpoint in Seville at twilight, photographed with the Tamron 16-30mm F2.8 G2 travel lens.\" width=\"1200\" height=\"675\" data-no-translation=\"\" \/><figcaption id=\"caption-attachment-20017\" class=\"wp-caption-text\">Le Metropol Parasol impressionne d'embl\u00e9e par son envergure et ses courbes fluides. \u00c0 la tomb\u00e9e de la nuit, la prise de vue au grand angle a permis de pr\u00e9server le rythme et les formes de l'architecture. Tamron 16-30 mm F\/2,8 <span class=\"no-break\">Di III<\/span> VXD G2 | Distance focale : 18 mm | Exposition : f\/5,6, 1\/8 s, ISO 2000<\/figcaption><\/figure><figure id=\"attachment_20014\" aria-describedby=\"caption-attachment-20014\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-20014\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/06\/tamron-16-30mm-f28-g2-travel-photography-caminito-del-rey-cliff-walk.webp\" alt=\"The Caminito del Rey walkway curves along steep rock cliffs in Andalusia, photographed with the Tamron 16-30mm F2.8 G2 travel lens.\" width=\"1200\" height=\"675\" data-no-translation=\"\" \/><figcaption id=\"caption-attachment-20014\" class=\"wp-caption-text\">Accroch\u00e9es \u00e0 des falaises vertigineuses, les passerelles du Caminito del Rey m\u00e9ritaient une vue plus large. Le Tamron 16-30 mm F2,8 m'a permis de mettre en valeur l'ampleur, la hauteur et la perspective spectaculaire de la sc\u00e8ne. Tamron 16-30 mm F\/2,8 <span class=\"no-break\">Di III<\/span> VXD G2 | Distance focale : 16 mm | Exposition : f\/7,1, 1\/800 s, ISO 720<\/figcaption><\/figure><figure id=\"attachment_20015\" aria-describedby=\"caption-attachment-20015\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-20015\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/06\/tamron-16-30mm-f28-g2-travel-photography-fuengirola-mural-walk.webp\" alt=\"Colorful murals cover apartment buildings along a street in Fuengirola, photographed with the Tamron 16-30mm F2.8 G2 travel lens.\" width=\"1200\" height=\"675\" data-no-translation=\"\" \/><figcaption id=\"caption-attachment-20015\" class=\"wp-caption-text\">Pour mettre pleinement en valeur l'ampleur de l'\u0153uvre d'art et saisir l'architecture environnante, la perspective et la vie du quartier, un objectif grand angle \u00e9tait indispensable. Tamron 16-30 mm F\/2,8 <span class=\"no-break\">Di III<\/span> VXD G2 | Distance focale : 20 mm | Exposition : f\/8, 1\/640 s, ISO 280<\/figcaption><\/figure><h2>Kit de voyage Tamron 35-100 mm et 16-30 mm<\/h2><figure id=\"attachment_20018\" aria-describedby=\"caption-attachment-20018\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-20018\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/06\/tamron-35-100mm-16-30mm-f28-travel-photography-kit.webp\" alt=\"Tamron 16-30mm F2.8 and Tamron 35-100mm F2.8 lenses shown together as a compact two-lens travel photography kit.\" width=\"1200\" height=\"675\" data-no-translation=\"\" \/><figcaption id=\"caption-attachment-20018\" class=\"wp-caption-text\">Le Tamron 16-30 mm F2.8 et le Tamron 35-100 mm F2.8 constituent un kit compact de deux objectifs pour la photographie de voyage, permettant de couvrir les perspectives ultra-larges, les portraits, les sc\u00e8nes de rue, les d\u00e9tails, l'architecture et les paysages compress\u00e9s, tout en conservant un \u00e9quipement l\u00e9ger et facile \u00e0 transporter.<\/figcaption><\/figure><p>L'association du Tamron 35-100 mm F2,8 et du Tamron 16-30 mm F2,8 s'est av\u00e9r\u00e9e particuli\u00e8rement judicieuse pour la photographie de voyage.<\/p><p>L'objectif 16-30 mm a permis de capturer des int\u00e9rieurs spacieux, une architecture grandiose, des espaces \u00e9troits, des paysages spectaculaires et des perspectives immersives. L'objectif 35-100 mm a \u00e9t\u00e9 utilis\u00e9 pour la majeure partie du voyage : portraits, sc\u00e8nes de march\u00e9, plats, d\u00e9tails de rue, instants en bord de mer et paysages condens\u00e9s.<\/p><p>Ensemble, ces deux objectifs formaient un kit de photographie de voyage compact qui donnait une impression d'harmonie plut\u00f4t que de surcharge. J'ai ainsi pu couvrir un large \u00e9ventail de situations visuelles tout en conservant un \u00e9quipement l\u00e9ger, bien organis\u00e9 et facile \u00e0 utiliser tout au long de la journ\u00e9e.<\/p><h2>D\u00e9tails de voyage, march\u00e9s et sc\u00e8nes de rue<\/h2><figure id=\"attachment_20033\" aria-describedby=\"caption-attachment-20033\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-20033\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/06\/tamron-35-100mm-f28-travel-photography-spain-olive-vendor-market.webp\" alt=\"An olive vendor serves olives at a busy market in Spain, photographed with the Tamron 35-100mm F2.8 travel photography lens.\" width=\"1200\" height=\"675\" data-no-translation=\"\" \/><figcaption id=\"caption-attachment-20033\" class=\"wp-caption-text\">Les olives font partie int\u00e9grante de l'\u00e2me de l'Espagne, et cette vendeuse \u00e9tait visiblement fi\u00e8re de son \u00e9tal. Avec une focale de 79 mm, l'objectif a permis de mettre en valeur \u00e0 la fois le sujet et l'ambiance color\u00e9e du march\u00e9. Tamron 35-100 mm F2,8 <span class=\"no-break\">Di III<\/span> VXD | Distance focale : 79 mm | Exposition : f\/4,5, 1\/800 s, ISO 11 400<\/figcaption><\/figure><p>Certaines de mes photos de voyage pr\u00e9f\u00e9r\u00e9es sont prises entre deux sites touristiques majeurs. Les march\u00e9s, les stands de nourriture, les musiciens de rue, les petits gestes et les expressions discr\u00e8tes en disent souvent autant sur un lieu que les panoramas grandioses.<\/p><p>C'est l\u00e0 que le Tamron 35-100 mm F2,8 est devenu bien plus qu'un simple objectif de voyage. Il s'est r\u00e9v\u00e9l\u00e9 \u00eatre un objectif id\u00e9al pour les portraits et la photographie de rue, me permettant de me d\u00e9placer rapidement, de r\u00e9agir naturellement et de mettre en valeur les d\u00e9tails humains qui donnent vie \u00e0 un lieu.<\/p><h2>Un \u00e9quipement de photographie de voyage plus simple et plus efficace<\/h2><p>Ce voyage m'a permis de retenir une le\u00e7on importante : simplifier son \u00e9quipement change la fa\u00e7on dont on photographie.<\/p><p>Ma configuration \u00e9tait tr\u00e8s simple :<\/p><ul><li>Le Tamron 35-100 mm F2,8 pour la grande majorit\u00e9 de mes photos<\/li><li>Tamron 16-30 mm F2,8 pour les sc\u00e8nes n\u00e9cessitant une plus grande ampleur et une perspective spectaculaire<\/li><\/ul><p>Cette simplicit\u00e9 m'a permis de me concentrer sur l'essentiel : la lumi\u00e8re, la composition, le moment opportun et l'histoire qui se d\u00e9roulait sous mes yeux.<\/p><h2>\u00c0 qui s'adresse l'objectif Tamron 35-100 mm F2.8 pour la photographie de voyage ?<\/h2><figure id=\"attachment_20022\" aria-describedby=\"caption-attachment-20022\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-20022\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/06\/tamron-35-100mm-f28-travel-photography-gibralfaro-castle-harpist.webp\" alt=\"A harpist plays near Gibralfaro Castle in Spain, photographed with the Tamron 35-100mm F2.8 travel photography lens.\" width=\"1200\" height=\"675\" data-no-translation=\"\" \/><figcaption id=\"caption-attachment-20022\" class=\"wp-caption-text\">\u00c0 l'entr\u00e9e du ch\u00e2teau de Gibralfaro, cette harpiste a captiv\u00e9 les passants. Avec une focale de 80 mm, l'\u00e9motion de l'instant a \u00e9t\u00e9 magnifiquement mise en valeur. Tamron 35-100 mm F2,8 <span class=\"no-break\">Di III<\/span> VXD | Distance focale : 80 mm | Exposition : f\/2,8, 1\/2 000 s, ISO 1 800<\/figcaption><\/figure><p>Cet objectif est id\u00e9al pour :<\/p><ul><li>Photographie de voyage<\/li><li>Portraits en voyage<\/li><li>Sc\u00e8nes de rue et march\u00e9s<\/li><li>Photographie culinaire et de d\u00e9tails<\/li><li>R\u00e9cits du quotidien<\/li><li>Les photographes qui souhaitent voyager plus l\u00e9ger sans renoncer \u00e0 une grande ouverture<\/li><li>Les utilisateurs d'appareils photo hybrides Nikon Z et Sony E \u00e0 la recherche d'un zoom compact \u00e0 ouverture F2,8<\/li><\/ul><p>Cet objectif n'est peut-\u00eatre pas le meilleur pour :<\/p><ul><li>Photographie de la faune et de la flore<\/li><li>Sports n\u00e9cessitant une plus grande port\u00e9e du t\u00e9l\u00e9objectif<\/li><li>Paysages ultra-larges ou grands int\u00e9rieurs lorsqu'il est utilis\u00e9 comme seul objectif<\/li><\/ul><h2>Plus de fa\u00e7ons d'utiliser le Tamron 35-100mm<\/h2><p>Le Tamron 35-100mm F\/2.8 <span class=\"no-break\">Di III<\/span> Le VXD est un objectif zoom compact qui s'adapte parfaitement \u00e0 de nombreux styles de photographie dans la pratique.<\/p><ul><li><a href=\"https:\/\/tamron-americas.com\/fr\/blog\/tamron-35-100mm-f2-8-portrait-lens-review\/\"><strong>Test de l'objectif Tamron 35-100 mm pour le portrait<\/strong><\/a><\/li><li><a href=\"https:\/\/tamron-americas.com\/fr\/blog\/tamron-35-100mm-photographie-de-vacances\/\"><strong>Test de l'objectif Tamron 35-100 mm pour la photographie de vacances<\/strong><\/a><\/li><li>Test de l'objectif Tamron 35-100 mm pour la photographie de voyage : cet article<\/li><\/ul><h2>Conclusion : voyager l\u00e9ger sans faire de compromis<\/h2><p>Au cours de ce voyage en Andalousie, le Tamron 35-100 mm F2,8 s'est impos\u00e9 comme mon objectif de pr\u00e9dilection pour la photographie de voyage.<\/p><p>Il m'a offert une plage focale parfaitement adapt\u00e9e \u00e0 ma fa\u00e7on de photographier, une qualit\u00e9 d'image toujours excellente, une prise en main compacte id\u00e9ale pour les longues journ\u00e9es de voyage, ainsi qu'une v\u00e9ritable libert\u00e9 cr\u00e9ative sur le terrain.<\/p><p>Associ\u00e9 au Tamron 16-30 mm F2,8, il formait un kit de voyage \u00e0 la fois logique, coh\u00e9rent et remarquablement performant.<\/p><p>Ce voyage m'a confirm\u00e9 ce que je pensais depuis longtemps : on peut voyager l\u00e9ger sans faire de compromis.<\/p><p>Et, ce qui est peut-\u00eatre encore plus important, le meilleur mat\u00e9riel, c'est celui dont on ne remarque plus la pr\u00e9sence, car il s'efface pour ne laisser place qu'\u00e0 l'image.<\/p><h2>Mat\u00e9riel utilis\u00e9 pour ce travail<\/h2><ul><li>Nikon Z6III<\/li><li><a href=\"https:\/\/tamron-americas.com\/fr\/produit\/35-100mm-f-2-8-di-iii-vxd\/\"><strong>Tamron 35-100mm F\/2.8 <span class=\"no-break\">Di III<\/span> VXD<\/strong><\/a><\/li><li><a href=\"https:\/\/tamron-americas.com\/fr\/produit\/16-30mm-f-2-8-di-iii-vxd-g2\/\"><strong>Tamron 16-30mm F\/2.8 <span class=\"no-break\">Di III<\/span> VXD G2<\/strong><\/a><\/li><li><a href=\"https:\/\/www.thinktankphoto.com\/products\/walker-pro-16l\" target=\"_blank\" rel=\"noopener\"><strong>Sac \u00e0 dos Think Tank Walker Pro 16 L<\/strong><\/a><\/li><li><a href=\"https:\/\/www.vanguardworld.com\/products\/vesta-go-204cb-carbon-fiber-travel-tripod-w-ball-head\" target=\"_blank\" rel=\"noopener\"><strong>Tr\u00e9pied de voyage ultral\u00e9ger en fibre de carbone Vanguard Vesta TB 204CB<\/strong><\/a><\/li><\/ul><h2>O\u00f9 acheter les objectifs Tamron<\/h2><p>Pour en savoir plus sur les objectifs Tamron <a href=\"https:\/\/www2.tamron-usa.com\/dealers.aspx\"><strong>revendeur Tamron agr\u00e9\u00e9<\/strong><\/a> pr\u00e8s de chez vous ou faites vos achats directement sur le site officiel <a href=\"https:\/\/tamron-americas.com\/fr\/objectifs-photo\/\"><strong>Magasin TAMRON<\/strong><\/a>.<\/p><h2>Questions fr\u00e9quentes sur le Tamron 35-100 mm F2,8 pour la photographie de voyage<\/h2><h3>Est-ce que le Tamron 35-100mm F\/2.8 <span class=\"no-break\">Di III<\/span> Le format VXD est-il adapt\u00e9 \u00e0 la photographie de voyage ?<\/h3><p>Oui. Le Tamron 35-100 mm F2,8 est particuli\u00e8rement adapt\u00e9 \u00e0 la photographie de voyage, car il permet de couvrir aussi bien les sc\u00e8nes d'ambiance, les portraits, la gastronomie, les march\u00e9s et les d\u00e9tails architecturaux que les compositions plus serr\u00e9es, le tout avec un seul objectif zoom compact.<\/p><h3>Le Tamron 35-100 mm F2,8 peut-il remplacer plusieurs objectifs \u00e0 focale fixe en voyage ?<\/h3><p>Pour de nombreux photographes de voyage, oui. La plage focale de 35 \u00e0 100 mm comprend plusieurs focales tr\u00e8s utiles, notamment 35 mm, 50 mm, 85 mm et 100 mm, ce qui permet d'\u00e9viter d'avoir \u00e0 emporter plusieurs objectifs \u00e0 focale fixe.<\/p><h3>Un objectif de 35 mm est-il suffisamment large pour la photographie de voyage ?<\/h3><p>Pour de nombreuses situations de voyage, le format 35 mm offre un angle de champ suffisamment large pour la photographie de rue, les portraits en situation, la photographie culinaire, les march\u00e9s et les r\u00e9cits du quotidien. Pour les grands int\u00e9rieurs, les paysages spectaculaires ou les espaces architecturaux exigus, l\u2019associer \u00e0 un objectif ultra-grand-angle tel que le Tamron 16-30 mm F2.8 constitue une excellente option.<\/p><h3>Quelles sont les performances du Tamron 35-100 mm F2,8 en conditions de faible luminosit\u00e9 ?<\/h3><p>L'ouverture fixe de F2,8 est particuli\u00e8rement utile dans les rues ombrag\u00e9es, les int\u00e9rieurs, les restaurants, les march\u00e9s et pour les sc\u00e8nes en soir\u00e9e. Elle permet \u00e9galement aux photographes de cr\u00e9er un flou d'arri\u00e8re-plan harmonieux tout en conservant un \u00e9quipement compact.<\/p><h3>Quel est un bon kit Tamron \u00e0 deux objectifs pour la photographie de voyage ?<\/h3><p>Le kit Tamron pour la photographie de voyage, compos\u00e9 de deux objectifs performants, comprend le Tamron 16-30 mm F2.8 associ\u00e9 au Tamron 35-100 mm F2.8. Le 16-30 mm est id\u00e9al pour les vues panoramiques, les int\u00e9rieurs et les perspectives spectaculaires, tandis que le 35-100 mm convient aux portraits, aux sc\u00e8nes de rue, aux d\u00e9tails, \u00e0 la photographie culinaire et aux compositions resserr\u00e9es.<\/p><h3>\u00c0 propos de Jacques Dumont<\/h3><p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-20013 size-medium alignleft\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/06\/jacques-dumont-photographer-headshot-300x218.webp\" alt=\"Black-and-white headshot of photographer Jacques Dumont smiling for his author bio.\" width=\"300\" height=\"218\" data-no-translation=\"\" \/><\/p><p>Jacques Dumont est l'une des personnalit\u00e9s les plus connues de l'industrie photographique canadienne, avec plus de 40 ans d'exp\u00e9rience.<\/p><p>En 1980, il lance le magazine PHOTO S\u00c9LECTION, qui deviendra plus tard PHOTO SOLUTION. Il a \u00e9galement contribu\u00e9 au domaine en lan\u00e7ant le magazine PHOTO DIGEST en 1990, qui a \u00e9t\u00e9 rebaptis\u00e9 PHOTO LIFE apr\u00e8s son acquisition. Apr\u00e8s avoir vendu ses magazines de photographie en 1994, Jacques a continu\u00e9 \u00e0 s'impliquer dans la communaut\u00e9 des photographes au Canada et aux \u00c9tats-Unis. Il a occup\u00e9 diverses fonctions, dont celle de r\u00e9dacteur en chef de PHOTONews, le magazine de photographie le plus largement distribu\u00e9 au Canada jusqu'en 2022.<\/p><p>En tant que photographe professionnel et voyageur passionn\u00e9, Jacques poss\u00e8de une expertise dans une vari\u00e9t\u00e9 de genres photographiques. Il apporte \u00e0 de nombreux projets un ensemble complet de comp\u00e9tences en mati\u00e8re de gestion et de cr\u00e9ativit\u00e9. En 2022, il s'est joint \u00e0 la World Photographic Cup (WPC) \u00e0 titre de conservateur pour l'\u00e9quipe canadienne. \u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>Quick Verdict: Tamron 35-100mm F2.8 for Travel Photography The Tamron 35-100mm F\/2.8 Di III VXD is a compact zoom lens [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":20024,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"site-sidebar-layout":"no-sidebar","site-content-layout":"","ast-site-content-layout":"full-width-container","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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data-elementor-post-type=\"post\">\n\t\t\t\t<div class=\"elementor-element elementor-element-6c42eab e-flex e-con-boxed e-con e-parent\" data-id=\"6c42eab\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-7b7951d elementor-widget elementor-widget-text-editor\" data-id=\"7b7951d\" data-element_type=\"widget\" data-e-type=\"widget\" id=\"whatis\" great=\"\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Les r\u00e9glages de l'appareil photo pour la photographie sportive commencent par une vitesse d'obturation rapide, une grande ouverture, l'autofocus continu, le mode rafale et l'ISO automatique. En r\u00e8gle g\u00e9n\u00e9rale, utilisez une vitesse d'obturation de 1\/1000 s ou plus rapide, une ouverture comprise entre f\/2,8 et f\/4, le mode AF-C ou AI Servo, des rafales courtes et contr\u00f4l\u00e9es, ainsi que l'ISO automatique avec une limite minimale de vitesse d'obturation afin que votre appareil photo puisse s'adapter aux variations de luminosit\u00e9.<\/p><p>Ces r\u00e9glages constituent un point de d\u00e9part fiable pour la plupart des photos de sport et d\u2019action, mais chaque discipline a ses propres exigences. Les sports de plein air peuvent n\u00e9cessiter une plus grande port\u00e9e. Les sports en salle exigent des sensibilit\u00e9s ISO plus \u00e9lev\u00e9es et des ouvertures rapides. Les sports m\u00e9caniques peuvent n\u00e9cessiter soit des vitesses d\u2019obturation ultra-rapides, soit des techniques de panoramique cr\u00e9atives. Les sports pour jeunes n\u00e9cessitent souvent des r\u00e9glages tol\u00e9rants, car l\u2019action est impr\u00e9visible.<\/p><p>Pour acqu\u00e9rir des bases solides en mati\u00e8re de technique sportive, commencez par notre programme complet <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/sports-photography-guide\/\"><strong>Guide de la photographie sportive<\/strong><\/a>, puis utilisez les configurations sp\u00e9cifiques \u00e0 chaque sport ci-dessous pour r\u00e9gler votre appareil photo avant le d\u00e9but du match.<\/p><h2>R\u00e9glages de base de l'appareil photo pour la photographie sportive<\/h2><figure id=\"attachment_20296\" aria-describedby=\"caption-attachment-20296\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-20296\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/06\/tamron-150-500-sports-photography-camera-settings.png\" alt=\"A photographer uses a Tamron 150-500mm telephoto zoom lens to track field sports action.\" width=\"1200\" height=\"900\" data-no-translation=\"\" \/><figcaption id=\"caption-attachment-20296\" class=\"wp-caption-text\">Les r\u00e9glages de base pour la photographie sportive permettent aux photographes de se pr\u00e9parer \u00e0 immortaliser des actions rapides avant m\u00eame le d\u00e9but de l'action. Illustration : Tamron Americas<\/figcaption><\/figure><p>Les meilleurs r\u00e9glages de base pour la photographie sportive sont les suivants : vitesse d'obturation de 1\/1000 s ou plus rapide, ouverture comprise entre f\/2,8 et f\/4, ISO automatique, autofocus continu et mode rafale. Ces r\u00e9glages agissent de concert : la vitesse d'obturation fige le mouvement, l'ouverture capte la lumi\u00e8re, l'ISO \u00e9quilibre l'exposition, l'autofocus suit le mouvement et le mode rafale permet de capturer l'instant d\u00e9cisif.<\/p><p>Utilisez ceci comme configuration de d\u00e9part :<\/p><ul><li><strong>Vitesse d'obturation :<\/strong> 1\/1 000e de seconde pour la plupart des sports, 1\/2 000e de seconde ou plus rapide pour les actions tr\u00e8s rapides<\/li><li><strong>Ouverture :<\/strong> f\/2,8 \u00e0 f\/4 pour une meilleure capture de la lumi\u00e8re et une meilleure s\u00e9paration de l'arri\u00e8re-plan<\/li><li><strong>ISO :<\/strong> ISO automatique, souvent compris entre 1 600 et 3 200 ISO, voire plus, en conditions de faible luminosit\u00e9<\/li><li><strong>Autofocus :<\/strong> AF-C sur Nikon et Sony, AI Servo sur Canon<\/li><li><strong>Mode de conduite :<\/strong> Mode rafale \u00e0 grande vitesse, par rafales courtes et contr\u00f4l\u00e9es<\/li><li><strong>Format de fichier :<\/strong> RAW lorsque les conditions d'\u00e9clairage sont difficiles ou changeantes<\/li><\/ul><p>La vitesse d'obturation est le param\u00e8tre qu'il faut privil\u00e9gier. Si l'appareil photo tente de r\u00e9duire la vitesse d'obturation pour \u00e9claircir l'image, augmentez plut\u00f4t la sensibilit\u00e9 ISO. Selon Cambridge in Colour, <a href=\"https:\/\/www.cambridgeincolour.com\/tutorials\/image-noise.htm\" target=\"_blank\" rel=\"noopener\"><strong>tutoriel sur le bruit des images des appareils photo num\u00e9riques<\/strong><\/a>, les sensibilit\u00e9s ISO \u00e9lev\u00e9es amplifient le signal de l'image mais augmentent \u00e9galement le bruit, produisant des taches al\u00e9atoires qui nuisent aux d\u00e9tails fins. En photographie sportive, ce compromis joue presque toujours en faveur d'une sensibilit\u00e9 ISO \u00e9lev\u00e9e : une photo nette pr\u00e9sentant un peu de grain est plus utile qu'une image impeccable g\u00e2ch\u00e9e par un flou de mouvement.<\/p><p>Pour plus de d\u00e9tails, voir <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/quest-ce-que-la-vitesse-dobturation\/\"><strong>Qu'est-ce que la vitesse d'obturation ?<\/strong><\/a>, <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/quest-ce-que-louverture-en-photographie\/\"><strong>Qu'est-ce que l'ouverture en photographie ?<\/strong><\/a>et <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/quest-ce-que-liso-en-photographie\/\"><strong>Qu'est-ce que l'ISO en photographie ?<\/strong><\/a>.<\/p><h2>R\u00e9glages de l'appareil photo pour les sports de plein air<\/h2><figure id=\"attachment_20295\" aria-describedby=\"caption-attachment-20295\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-20295\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/06\/outdoor-field-sports-camera-settings-high-jump.webp\" alt=\"A high jumper clears the bar during an outdoor track and field event.\" width=\"1200\" height=\"800\" data-no-translation=\"\" \/><figcaption id=\"caption-attachment-20295\" class=\"wp-caption-text\">La photographie sportive en ext\u00e9rieur n\u00e9cessite souvent des vitesses d'obturation \u00e9lev\u00e9es, un autofocus continu et une port\u00e9e suffisante du t\u00e9l\u00e9objectif pour capturer des athl\u00e8tes nets depuis les lignes de touche. Tamron 150-500 mm F\/5-6,7 <span class=\"no-break\">Di III<\/span> VC VXD | Distance focale : 150 mm. Exposition : f\/6,3, 1\/1 600 s, ISO 500. Photo : Oliver Guth<\/figcaption><\/figure><p>Pour les sports de plein air tels que le football, le football am\u00e9ricain, le lacrosse, le baseball et le hockey sur gazon, commencez par une vitesse d'obturation comprise entre 1\/1 000 s et 1\/2 000 s, une ouverture comprise entre f\/2,8 et f\/4, la mise au point automatique continue et la fonction ISO automatique. En plein soleil, la sensibilit\u00e9 ISO peut rester faible. Par temps couvert, l'ISO automatique permet de maintenir la vitesse d'obturation malgr\u00e9 les variations de luminosit\u00e9.<\/p><p>Les sports de plein air n\u00e9cessitent g\u00e9n\u00e9ralement des focales plus longues, car les photographes sont souvent contraints de rester en bordure du terrain. Un t\u00e9l\u00e9objectif zoom de 70-180 mm, 100-400 mm, 50-400 mm ou 150-500 mm vous offre la port\u00e9e n\u00e9cessaire pour remplir le cadre \u00e0 distance. Sur les grands terrains, une plus grande port\u00e9e est souvent plus importante qu'un angle de champ plus large.<\/p><p>Utilisez l'autofocus continu avec suivi du sujet ou l'autofocus par zone, en particulier lorsque les athl\u00e8tes courent vers vous ou s'\u00e9loignent de vous. Pr\u00e9parez le mode rafale, mais d\u00e9clenchez par courtes s\u00e9ries aux moments pr\u00e9visibles : un tir au but, un tacle, une r\u00e9ception de passe, un glissement ou un sprint final vers la ligne d'arriv\u00e9e.<\/p><p>Pour obtenir des conseils sur le choix d'un objectif, consultez notre guide consacr\u00e9 au choix de l' <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/meilleur-objectif-pour-la-photographie-de-sport\/\"><strong>le meilleur objectif pour la photographie sportive<\/strong><\/a>.<\/p><h2>R\u00e9glages de l'appareil photo pour les sports en salle<\/h2><figure id=\"attachment_20293\" aria-describedby=\"caption-attachment-20293\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-20293\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/06\/indoor-wrestling-camera-settings-sports-photography.webp\" alt=\"Two wrestlers compete during an indoor sports match under artificial lighting.\" width=\"1200\" height=\"1500\" data-no-translation=\"\" \/><figcaption id=\"caption-attachment-20293\" class=\"wp-caption-text\">Les sports en salle n\u00e9cessitent souvent une grande ouverture, une sensibilit\u00e9 ISO \u00e9lev\u00e9e et une vitesse d'obturation rapide pour figer avec nettet\u00e9 l'action dans des conditions d'\u00e9clairage difficiles. Tamron 35-150 mm F\/2-2,8 <span class=\"no-break\">Di III<\/span> VXD | Distance focale : 35 mm. Exposition : f\/2,8, 1\/1 600 s, ISO 10 000. Photo : Noah Bullock<\/figcaption><\/figure><p>Pour les sports en salle tels que le basket-ball, le volley-ball, la gymnastique, la lutte, la natation et l'athl\u00e9tisme en salle, commencez avec une ouverture de f\/2,8 ou l'ouverture maximale de votre objectif, une vitesse d'obturation comprise entre 1\/800 s et 1\/1 000 s, et une sensibilit\u00e9 ISO de 3 200 ou plus. L'\u00e9clairage en salle est souvent faible, in\u00e9gal ou de couleurs m\u00e9lang\u00e9es ; veillez donc \u00e0 prendre vos photos au format RAW et \u00e0 v\u00e9rifier votre exposition d\u00e8s le d\u00e9but.<\/p><p>C'est dans les sports en salle que la rapidit\u00e9 de l'ouverture est la plus importante. Un objectif tel que le Tamron 35-150 mm F\/2-2,8 <span class=\"no-break\">Di III<\/span> Le VXD peut s'av\u00e9rer particuli\u00e8rement utile au bord d'un terrain ou d'une piscine, car il offre une grande souplesse de cadrage et une ouverture maximale lumineuse. La focale de 35 mm permet de capturer des plans d'ensemble plus larges, tandis que la focale de 150 mm offre des plans plus serr\u00e9s, centr\u00e9s sur les athl\u00e8tes, sans avoir \u00e0 changer d'objectif.<\/p><p>Utilisez la balance des blancs automatique si l'\u00e9clairage varie, ou d\u00e9finissez une balance des blancs personnalis\u00e9e si l'\u00e9clairage du lieu reste constant. Si vos photos pr\u00e9sentent un flou de mouvement au niveau des mains, des pieds ou du mat\u00e9riel, augmentez la vitesse d'obturation et compensez en augmentant la sensibilit\u00e9 ISO. Ne laissez pas l'appareil photo choisir une vitesse d'obturation lente dans le seul but de maintenir une sensibilit\u00e9 ISO faible.<\/p><h2>R\u00e9glages de la cam\u00e9ra pour les sports m\u00e9caniques et la course automobile<\/h2><figure id=\"attachment_20294\" aria-describedby=\"caption-attachment-20294\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-20294\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/06\/motorsports-racing-camera-settings-panning-technique.webp\" alt=\"A motorcycle racer leans into a turn on a racetrack during a motorsports photography shoot.\" width=\"1200\" height=\"800\" data-no-translation=\"\" \/><figcaption id=\"caption-attachment-20294\" class=\"wp-caption-text\">Les r\u00e9glages pour les sports m\u00e9caniques d\u00e9pendent du rendu que vous souhaitez obtenir : les vitesses d'obturation \u00e9lev\u00e9es permettent de figer les d\u00e9tails de la course, tandis que les vitesses d'obturation plus lentes cr\u00e9ent un flou de mouvement qui met en valeur la vitesse. Tamron 150-500 mm F\/5-6,7 <span class=\"no-break\">Di III<\/span> VC VXD | Distance focale : 500 mm. Exposition : f\/6,7, 1\/250 s, ISO 200. Photo : Takahito Mizutani<\/figcaption><\/figure><p>Pour les sports m\u00e9caniques et la course automobile, choisissez vos r\u00e9glages en fonction du rendu souhait\u00e9. Pour figer compl\u00e8tement le v\u00e9hicule, utilisez une vitesse d'obturation de 1\/4000 s ou plus rapide, l'autofocus continu, le mode rafale et un t\u00e9l\u00e9objectif offrant une port\u00e9e suffisante pour la piste. Pour mettre en valeur la vitesse de mani\u00e8re cr\u00e9ative, utilisez le panoramique \u00e0 une vitesse comprise entre 1\/60 s et 1\/250 s et suivez le v\u00e9hicule en douceur \u00e0 travers le cadre.<\/p><p>Une photo de course \u00ab fig\u00e9e \u00bb met l'accent sur les d\u00e9tails : le v\u00e9hicule, le pilote, la poussi\u00e8re, les gerbes d'eau ou la surface de la piste. Une photo de course prise en panoramique met l'accent sur la vitesse en conservant la nettet\u00e9 du sujet tout en rendant l'arri\u00e8re-plan flou sous forme de tra\u00een\u00e9es directionnelles. Ces deux approches sont utiles, mais elles n\u00e9cessitent des vitesses d'obturation diff\u00e9rentes.<\/p><p>La stabilisation d'image peut s'av\u00e9rer utile lors de prises de vue en panoramique ou lorsque vous utilisez des objectifs \u00e0 longue focale \u00e0 main lev\u00e9e, surtout si votre objectif ou votre appareil photo dispose d'un mode panoramique d\u00e9di\u00e9. Selon l'article de Wikip\u00e9dia consacr\u00e9 \u00e0 <a href=\"https:\/\/en.wikipedia.org\/wiki\/Image_stabilization\" target=\"_blank\" rel=\"noopener\"><strong>stabilisation de l'image<\/strong><\/a>, la stabilisation d'image (IS) permet d'utiliser des vitesses d'obturation de 2 \u00e0 5,5 stops plus lentes que ce qui serait possible sans elle, ce qui signifie qu'elle est particuli\u00e8rement utile lorsque la lumi\u00e8re est faible et qu'il faut pousser la vitesse d'obturation \u2014 et non lorsque vous photographiez d\u00e9j\u00e0 \u00e0 1\/4000 s ou plus. \u00c0 des vitesses d\u2019obturation tr\u00e8s \u00e9lev\u00e9es, la stabilisation a moins d\u2019impact sur la nettet\u00e9, car la vitesse d\u2019obturation fait d\u00e9j\u00e0 l\u2019essentiel du travail. Pour en savoir plus sur ce sujet, lisez <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/comment-utiliser-la-stabilisation-de-limage\/\"><strong>comment utiliser la stabilisation de l'image<\/strong><\/a>.<\/p><h2>R\u00e9glages de l'appareil photo pour les comp\u00e9titions sportives juniors<\/h2><figure id=\"attachment_20297\" aria-describedby=\"caption-attachment-20297\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-20297\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/06\/youth-baseball-sports-photography-camera-settings.webp\" alt=\"A young baseball player fields a ground ball during a youth sports game.\" width=\"1200\" height=\"800\" data-no-translation=\"\" \/><figcaption id=\"caption-attachment-20297\" class=\"wp-caption-text\">La photographie sportive chez les jeunes n\u00e9cessite des r\u00e9glages d'appareil photo rapides et tol\u00e9rants, afin de pouvoir r\u00e9agir rapidement lorsque les jeunes athl\u00e8tes courent, se placent sur le terrain, frappent la balle ou plongent pour l'attraper. Tamron 70-300 mm 4,5-6,3 <span class=\"no-break\">Di III<\/span> RXD | Distance focale : 117 mm. Exposition : f\/5,0, 1\/320 s, ISO 1 000. Photo : Marcie Reif<\/figcaption><\/figure><p>Pour photographier les sports chez les jeunes, utilisez des r\u00e9glages souples qui vous permettent de r\u00e9agir rapidement : vitesse d'obturation de 1\/1000e de seconde, ouverture comprise entre f\/2,8 et f\/4, ISO automatique, mise au point automatique continue et mode rafale \u00e0 haute vitesse. Les sports chez les jeunes sont impr\u00e9visibles ; votre appareil photo doit donc \u00eatre pr\u00eat avant m\u00eame que l'action ne se d\u00e9roule.<\/p><p>Les parents et les photographes sportifs d\u00e9butants doivent se concentrer sur trois priorit\u00e9s : utiliser une vitesse d'obturation rapide, activer l'autofocus continu et se placer de mani\u00e8re \u00e0 ce que l'action vienne vers eux. Il n'est pas n\u00e9cessaire de photographier chaque seconde du match. Rep\u00e9rez les moments o\u00f9 l'athl\u00e8te est susceptible de tirer, de frapper, de sauter, de faire une passe ou de sprinter, puis d\u00e9clenchez une courte rafale.<\/p><p>Un t\u00e9l\u00e9objectif d'au moins 200 mm est utile pour les sports de plein air, mais les sports pratiqu\u00e9s \u00e0 plus courte distance ne n\u00e9cessitent pas forc\u00e9ment une telle port\u00e9e. Pour le basket-ball junior, le volley-ball, la natation et la gymnastique, un zoom t\u00e9l\u00e9objectif de moyenne port\u00e9e \u00e0 grande ouverture peut s'av\u00e9rer plus facile \u00e0 utiliser qu'un tr\u00e8s long objectif.<\/p><h2>R\u00e9glages de la cam\u00e9ra pour les sports nocturnes et sous projecteurs<\/h2><figure id=\"attachment_20292\" aria-describedby=\"caption-attachment-20292\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-20292\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/06\/indoor-skateboarding-night-sports-camera-settings.webp\" alt=\"A skateboarder performs an aerial trick in a dim indoor skatepark.\" width=\"1200\" height=\"800\" data-no-translation=\"\" \/><figcaption id=\"caption-attachment-20292\" class=\"wp-caption-text\">Les r\u00e9glages pour la photographie sportive de nuit et en conditions de faible luminosit\u00e9 permettent de figer les actions rapides tout en g\u00e9rant l'exposition, le contraste et les \u00e9clairages mixtes artificiels. Tamron 35-100 mm F\/2,8 <span class=\"no-break\">Di III<\/span> VXD | Distance focale : 35 mm. Exposition : f\/2,8, 1\/3 200 s, ISO 250. Photo : Kazuya Seki<\/figcaption><\/figure><p>Pour les sports de nuit ou sous projecteurs, privil\u00e9giez une vitesse d'obturation rapide, une grande ouverture, l'autofocus continu et la prise de vue au format RAW. La sensibilit\u00e9 ISO variera consid\u00e9rablement en fonction du lieu : certains lieux int\u00e9rieurs tr\u00e8s lumineux ou \u00e9clair\u00e9s par des projecteurs peuvent permettre d\u2019utiliser une sensibilit\u00e9 ISO faible, tandis que les terrains et stades plus sombres peuvent n\u00e9cessiter une sensibilit\u00e9 comprise entre 1 600 et 6 400 ISO pour conserver une vitesse d\u2019obturation de 1\/1 000 s ou plus rapide. Ajustez la sensibilit\u00e9 ISO pour pr\u00e9server la vitesse d\u2019obturation plut\u00f4t que de la consid\u00e9rer comme un r\u00e9glage fixe.<\/p><p>Les projecteurs peuvent \u00e9galement cr\u00e9er des temp\u00e9ratures de couleur mixtes et un fort contraste entre le sportif et l'arri\u00e8re-plan. Utilisez la mesure ponctuelle ou la mesure pond\u00e9r\u00e9e centrale sur le sujet si l'appareil photo surexpose les joueurs en raison d'un arri\u00e8re-plan sombre. V\u00e9rifiez votre histogramme et passez en revue quelques premi\u00e8res images pour vous assurer que les maillots, les visages et les zones claires ne sont pas surexpos\u00e9s.<\/p><p>La balance des blancs est particuli\u00e8rement importante la nuit. Si les projecteurs du terrain provoquent des dominantes jaunes, vertes ou magenta, corrigez-les en post-production. Prendre des photos au format RAW vous offre davantage de flexibilit\u00e9 pour ajuster les couleurs et l'exposition apr\u00e8s le match.<\/p><h2>Liste de contr\u00f4le finale des r\u00e9glages pour la photographie sportive<\/h2><p>Avant le d\u00e9but de la partie, v\u00e9rifiez les param\u00e8tres suivants :<\/p><ul><li>Vitesse d'obturation de 1\/1000 s ou plus rapide<\/li><li>Ouverture comprise entre f\/2,8 et f\/4, le cas \u00e9ch\u00e9ant<\/li><li>Fonction ISO automatique activ\u00e9e avec une limite de vitesse d'obturation minimale<\/li><li>Mise au point automatique continue activ\u00e9e<\/li><li>Mode AF par zone, AF \u00e9tendu ou suivi du sujet s\u00e9lectionn\u00e9<\/li><li>Mode rafale activ\u00e9<\/li><li>RAW, le format id\u00e9al pour les conditions d'\u00e9clairage difficiles<\/li><li>Une carte m\u00e9moire suffisamment rapide pour la prise de vue en rafale<\/li><li>V\u00e9rification de la balance des blancs pour les sports en salle ou de nuit<\/li><\/ul><p>Les meilleurs r\u00e9glages pour la photographie sportive sont ceux qui vous permettent de ne plus avoir \u00e0 vous soucier de l'exposition une fois que l'action commence. R\u00e9glez votre appareil photo avant le coup d'envoi, choisissez l'objectif adapt\u00e9 \u00e0 la distance et \u00e0 la luminosit\u00e9, puis concentrez-vous sur le timing, le positionnement et le moment d\u00e9cisif.<\/p><p>Pour plus de conseils sur la technique et le choix des objectifs, poursuivez votre lecture avec <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/photographie-sportive-dynamique-conseils-tamron\/\"><strong>Conseils pour r\u00e9aliser des photos de sport dynamiques \u00e0 l'aide de t\u00e9l\u00e9objectifs<\/strong><\/a> et notre guide complet sur le <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/meilleur-objectif-pour-la-photographie-de-sport\/\"><strong>le meilleur objectif pour la photographie sportive<\/strong><\/a>.<\/p><figure id=\"attachment_20299\" aria-describedby=\"caption-attachment-20299\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-20299\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/06\/tamron-150-500-trackside-sports-photography-lens.webp\" alt=\"A photographer holds a Tamron 150-500mm lens beside a running track.\" width=\"1200\" height=\"800\" data-no-translation=\"\" \/><figcaption id=\"caption-attachment-20299\" class=\"wp-caption-text\">Un objectif Tamron 150-500 mm offre aux photographes sportifs la port\u00e9e et la souplesse n\u00e9cessaires pour immortaliser l'action depuis la ligne de touche ou les tribunes.<\/figcaption><\/figure><h2>D\u00e9couvrez les objectifs Tamron d\u00e9di\u00e9s au sport<\/h2><p>Les bons r\u00e9glages vous aident \u00e0 figer l'action, mais c'est le bon objectif qui vous permet d'y parvenir. D\u00e9couvrez la gamme Tamron de t\u00e9l\u00e9objectifs lumineux destin\u00e9s \u00e0 la photographie sportive et d'action afin de trouver la distance focale, l'ouverture et la portabilit\u00e9 qui correspondent \u00e0 votre style de prise de vue.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-f6baa8b uael-header-sticky-no uael-border-yes elementor-widget elementor-widget-uael-table\" data-id=\"f6baa8b\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"uael-table.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div itemscope class=\"uael-table-wrapper\" itemtype=\"http:\/\/schema.org\/Table\">\n\t\t<table id=\"uael-table-id-f6baa8b\" class=\"uael-text-break uael-column-rules uael-table\" data-sort-table=\"no\" data-show-entry=\"no\" data-searchable=\"no\" data-responsive=\"no\">\n\t\t\t\t<tbody>\n\t\t\t<!-- ROWS -->\n\t\t\t\t\t\t\t\t\t\t<tr data-entry=\"1\" class=\"uael-table-row\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-c08477b\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\"><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-12475c4\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/tamron-americas.com\/fr\/objectifs-photo\/\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\"><b style=\"color: #F56122\">D\u00c9COUVREZ NOS OBJECTIFS<\/b>  D\u00e9couvrez la gamme compl\u00e8te de t\u00e9l\u00e9objectifs lumineux de Tamron, sp\u00e9cialement con\u00e7us pour la photographie sportive et d'action \u2014 tamron-americas.com<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t<\/tbody>\n\t<\/table>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-f3e66bf elementor-widget elementor-widget-text-editor\" data-id=\"f3e66bf\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h2>O\u00f9 acheter les objectifs Tamron<\/h2><p>Pour en savoir plus sur les objectifs Tamron <a href=\"https:\/\/www2.tamron-usa.com\/dealers.aspx\"><strong>revendeur Tamron agr\u00e9\u00e9<\/strong><\/a> pr\u00e8s de chez vous ou faites vos achats directement sur le site officiel <a href=\"https:\/\/tamron-americas.com\/fr\/objectifs-photo\/\"><strong>Magasin TAMRON<\/strong><\/a>.<\/p><p>\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>Camera settings for sports photography start with a fast shutter speed, wide aperture, continuous autofocus, burst mode, and Auto ISO. [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":20291,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":true,"site-sidebar-layout":"no-sidebar","site-content-layout":"","ast-site-content-layout":"full-width-container","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[82,123],"tags":[173],"class_list":["post-20298","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articles","category-blog","tag-action"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v28.0 (Yoast SEO v28.0) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Camera Settings for Sports Photography: Sport-by-Sport Guide | Tamron<\/title>\n<meta name=\"description\" content=\"Learn the best camera settings for sports photography, including shutter speed, aperture, ISO, autofocus, burst mode, and sport-specific tips.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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sportive : guide pour r\u00e9aliser des photos de sport et d'action"},"content":{"rendered":"<div data-elementor-type=\"wp-post\" data-elementor-id=\"20267\" class=\"elementor elementor-20267\" data-elementor-settings=\"{&quot;element_pack_global_tooltip_width&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;element_pack_global_tooltip_width_tablet_extra&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;element_pack_global_tooltip_width_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;element_pack_global_tooltip_width_mobile_extra&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;element_pack_global_tooltip_width_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;element_pack_global_tooltip_padding&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;top&quot;:&quot;&quot;,&quot;right&quot;:&quot;&quot;,&quot;bottom&quot;:&quot;&quot;,&quot;left&quot;:&quot;&quot;,&quot;isLinked&quot;:true},&quot;element_pack_global_tooltip_padding_tablet_extra&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;top&quot;:&quot;&quot;,&quot;right&quot;:&quot;&quot;,&quot;bottom&quot;:&quot;&quot;,&quot;left&quot;:&quot;&quot;,&quot;isLinked&quot;:true},&quot;element_pack_global_tooltip_padding_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;top&quot;:&quot;&quot;,&quot;right&quot;:&quot;&quot;,&quot;bottom&quot;:&quot;&quot;,&quot;left&quot;:&quot;&quot;,&quot;isLinked&quot;:true},&quot;element_pack_global_tooltip_padding_mobile_extra&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;top&quot;:&quot;&quot;,&quot;right&quot;:&quot;&quot;,&quot;bottom&quot;:&quot;&quot;,&quot;left&quot;:&quot;&quot;,&quot;isLinked&quot;:true},&quot;element_pack_global_tooltip_padding_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;top&quot;:&quot;&quot;,&quot;right&quot;:&quot;&quot;,&quot;bottom&quot;:&quot;&quot;,&quot;left&quot;:&quot;&quot;,&quot;isLinked&quot;:true},&quot;element_pack_global_tooltip_border_radius&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;top&quot;:&quot;&quot;,&quot;right&quot;:&quot;&quot;,&quot;bottom&quot;:&quot;&quot;,&quot;left&quot;:&quot;&quot;,&quot;isLinked&quot;:true},&quot;element_pack_global_tooltip_border_radius_tablet_extra&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;top&quot;:&quot;&quot;,&quot;right&quot;:&quot;&quot;,&quot;bottom&quot;:&quot;&quot;,&quot;left&quot;:&quot;&quot;,&quot;isLinked&quot;:true},&quot;element_pack_global_tooltip_border_radius_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;top&quot;:&quot;&quot;,&quot;right&quot;:&quot;&quot;,&quot;bottom&quot;:&quot;&quot;,&quot;left&quot;:&quot;&quot;,&quot;isLinked&quot;:true},&quot;element_pack_global_tooltip_border_radius_mobile_extra&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;top&quot;:&quot;&quot;,&quot;right&quot;:&quot;&quot;,&quot;bottom&quot;:&quot;&quot;,&quot;left&quot;:&quot;&quot;,&quot;isLinked&quot;:true},&quot;element_pack_global_tooltip_border_radius_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;top&quot;:&quot;&quot;,&quot;right&quot;:&quot;&quot;,&quot;bottom&quot;:&quot;&quot;,&quot;left&quot;:&quot;&quot;,&quot;isLinked&quot;:true}}\" data-elementor-post-type=\"post\">\n\t\t\t\t<div class=\"elementor-element elementor-element-6c42eab e-flex e-con-boxed e-con e-parent\" data-id=\"6c42eab\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-7b7951d elementor-widget elementor-widget-text-editor\" data-id=\"7b7951d\" data-element_type=\"widget\" data-e-type=\"widget\" id=\"whatis\" great=\"\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>La photographie sportive consiste \u00e0 immortaliser les athl\u00e8tes, les comp\u00e9titions et les actions rapides. Quatre r\u00e9glages permettent d'y parvenir : l'autofocus continu pour suivre les sujets, des vitesses d'obturation de 1\/1 000 s ou plus pour figer le mouvement, le mode rafale pour capturer l'instant d\u00e9cisif, et un t\u00e9l\u00e9objectif pour suivre l'action depuis les lignes de touche.<\/p><p><em>Par Stacie Errera, photos r\u00e9alis\u00e9es par des photographes Tamron mentionn\u00e9s dans les cr\u00e9dits<\/em><\/p><p>Que vous soyez un parent photographiant un match de foot junior, un amateur couvrant des \u00e9v\u00e9nements locaux ou un passionn\u00e9 d\u00e9sireux d\u2019aller au-del\u00e0 de la photographie g\u00e9n\u00e9rale, la photographie sportive commence par la pr\u00e9paration de votre appareil photo avant le d\u00e9but de l\u2019action. Une fois vos r\u00e9glages effectu\u00e9s, la qualit\u00e9 de vos images d\u00e9pendra de votre positionnement, de votre capacit\u00e9 d\u2019anticipation, de votre sens du timing et du choix de l\u2019objectif adapt\u00e9 \u00e0 la discipline.<\/p><p><strong>Table des mati\u00e8res<\/strong><\/p><ul><li><a href=\"#whatis\">Qu'est-ce que la photographie sportive ?<\/a><\/li><li><a href=\"#essential\">Les r\u00e9glages indispensables de l'appareil photo pour la photographie sportive<\/a><\/li><li><a href=\"#autofocus\">La mise au point automatique : le r\u00e9glage le plus important pour les photos d'action<\/a><\/li><li><a href=\"#burst\">Comment utiliser efficacement le mode rafale<\/a><\/li><li><a href=\"#whatlens\">Quel objectif choisir pour la photographie sportive ?<\/a><\/li><li><a href=\"#position\">Comment se placer pour prendre de meilleures photos de sport<\/a><\/li><li><a href=\"#lowlight\">La photographie sportive en conditions de faible luminosit\u00e9<\/a><\/li><li><a href=\"#common\">Les erreurs courantes en photographie sportive et comment les corriger<\/a><\/li><li><a href=\"#specific\">Guides de photographie consacr\u00e9s \u00e0 des sports sp\u00e9cifiques<\/a><\/li><\/ul><h2>Qu'est-ce que la photographie sportive ?<\/h2><figure id=\"attachment_20287\" aria-describedby=\"caption-attachment-20287\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-20287\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/06\/youth-soccer-sports-photography-action-kick.webp\" alt=\"A young soccer player kicks the ball during an outdoor youth sports game.\" width=\"1200\" height=\"800\" data-no-translation=\"\" \/><figcaption id=\"caption-attachment-20287\" class=\"wp-caption-text\">La photographie sportive peut se pratiquer sur n'importe quel terrain, court ou sur la ligne de touche, l\u00e0 o\u00f9 l'action rapide, les variations de lumi\u00e8re et les moments d\u00e9cisifs se rencontrent. Tamron 70-300 mm F\/4,5-6,3 <span class=\"no-break\">Di III<\/span> RXD | Distance focale : 70 mm. Exposition : f\/4,5, 1\/1 250 s, ISO 500. Photo : Marcie Reif<\/figcaption><\/figure><p>La photographie sportive consiste \u00e0 immortaliser les athl\u00e8tes, les comp\u00e9titions et le mouvement en temps r\u00e9el, en figant ces instants d\u00e9cisifs qui se d\u00e9roulent plus vite que l\u2019\u0153il ne peut les suivre. Elle couvre aussi bien les stades professionnels que les sports m\u00e9caniques, les matchs des ligues juniors, les sports extr\u00eames et l\u2019athl\u00e9tisme scolaire. Le d\u00e9fi technique reste le m\u00eame : des sujets rapides, une lumi\u00e8re changeante et aucune seconde chance.<\/p><p>On utilise souvent le terme de \u00ab photographie d'action \u00bb car il d\u00e9signe le m\u00eame d\u00e9fi fondamental : photographier le mouvement au moment m\u00eame o\u00f9 il se produit. Dans le domaine sportif, ce mouvement peut \u00eatre celui d'un joueur qui sprinte sur le terrain, d'un gymnaste au sommet de son encha\u00eenement, d'un cycliste qui file \u00e0 toute allure ou d'un joueur de baseball au moment o\u00f9 il frappe la balle.<\/p><p>Pas besoin de mat\u00e9riel professionnel pour se lancer. Un appareil photo dot\u00e9 d'un autofocus continu, un t\u00e9l\u00e9objectif d'au moins 200 mm et les bons r\u00e9glages suffisent pour r\u00e9aliser de superbes clich\u00e9s d'action depuis les tribunes, quel que soit le sport.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-12d4479 elementor-widget elementor-widget-text-editor\" data-id=\"12d4479\" data-element_type=\"widget\" data-e-type=\"widget\" id=\"essential\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h2>Les r\u00e9glages indispensables de l'appareil photo pour la photographie sportive<\/h2><figure id=\"attachment_20282\" aria-describedby=\"caption-attachment-20282\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-20282\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/06\/sports-photography-camera-settings-telephoto-lens.webp\" alt=\"A photographer uses a mirrorless camera with a telephoto lens while preparing to capture indoor sports action.\" width=\"1200\" height=\"800\" data-no-translation=\"\" \/><figcaption id=\"caption-attachment-20282\" class=\"wp-caption-text\">R\u00e9gler la vitesse d'obturation, l'ouverture, la sensibilit\u00e9 ISO et la mise au point automatique continue avant le d\u00e9but de l'action permet aux photographes de r\u00e9agir rapidement lorsque des moments sportifs fulgurants se produisent.<\/figcaption><\/figure><p>Les r\u00e9glages de base pour la photographie sportive sont les suivants : une vitesse d'obturation de 1\/1 000 s ou plus rapide pour figer le mouvement, une ouverture comprise entre f\/2,8 et f\/4 pour capter la lumi\u00e8re et isoler les sujets, une sensibilit\u00e9 ISO ajust\u00e9e pour maintenir cette vitesse d'obturation en fonction de la lumi\u00e8re disponible, et le mode autofocus continu activ\u00e9 en permanence. Ces quatre r\u00e9glages fonctionnent comme un tout : configurez-les tous les quatre avant que l'action ne commence.<\/p><p>R\u00e9fl\u00e9chissez aux r\u00e9glages de la photographie sportive par ordre de priorit\u00e9. Commencez par r\u00e9gler une vitesse d'obturation suffisamment rapide pour figer le mouvement. Ensuite, ouvrez suffisamment le diaphragme pour capter la lumi\u00e8re et flouter les arri\u00e8re-plans g\u00eanants. Augmentez ensuite la sensibilit\u00e9 ISO si n\u00e9cessaire pour maintenir l'exposition. Enfin, assurez-vous que l'autofocus continu est activ\u00e9 afin que votre appareil photo puisse suivre les athl\u00e8tes dans leurs mouvements.<\/p><h3>Quelle vitesse d'obturation faut-il utiliser pour la photographie sportive ?<\/h3><figure id=\"attachment_20280\" aria-describedby=\"caption-attachment-20280\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-20280\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/06\/soccer-shutter-speed-sports-photography-action.webp\" alt=\"Two soccer players sprint toward the ball during a fast-moving match.\" width=\"1200\" height=\"1500\" data-no-translation=\"\" \/><figcaption id=\"caption-attachment-20280\" class=\"wp-caption-text\">Une vitesse d'obturation \u00e9lev\u00e9e permet de figer les athl\u00e8tes et le ballon lors d'actions sportives rapides, garantissant ainsi une image nette au moment d\u00e9cisif. Tamron 50-400 mm F\/4,5-6,3 <span class=\"no-break\">Di III<\/span> VC VXD | Distance focale : 245 mm. Exposition : f\/6,3, 1\/400 s, ISO 4 000. Photo : Ricky Shoebio<\/figcaption><\/figure><p>La vitesse d'obturation d\u00e9termine la fa\u00e7on dont le mouvement est rendu sur une photo de sport : si elle est suffisamment rapide, le sportif appara\u00eet fig\u00e9 ; si elle est trop lente, l'image est floue. Utilisez au moins 1\/1000 s pour la plupart des sports de course et de balle. Guide pratique des vitesses par discipline : jogging : 1\/500 s \u2014 course \u00e0 pied : 1\/1 000 s \u2014 sports rapides : 1\/2 000 s \u2014 sports m\u00e9caniques et courses : 1\/4 000 s ou plus.<\/p><p>Ce guide constitue un point de d\u00e9part, et non une r\u00e8gle immuable. Un jeune joueur de baseball courant vers la premi\u00e8re base peut \u00eatre net \u00e0 1\/1 000e de seconde, tandis qu'une batte de baseball, une raquette de tennis, un b\u00e2ton de lacrosse ou une voiture de course peuvent n\u00e9cessiter des vitesses bien plus \u00e9lev\u00e9es. Plus le sujet est rapide et plus il est proche de l'appareil photo, plus la vitesse d'obturation est importante.<\/p><p>Des vitesses d'obturation plus courtes n\u00e9cessitent davantage de lumi\u00e8re ou une sensibilit\u00e9 ISO plus \u00e9lev\u00e9e. En ext\u00e9rieur, lorsque la luminosit\u00e9 est bonne, c'est facile. Dans les salles de sport ou lors de matchs en nocturne, augmentez la sensibilit\u00e9 ISO pour conserver la vitesse d'obturation souhait\u00e9e. Privil\u00e9giez la vitesse d'obturation au d\u00e9triment du bruit : une image nette avec du grain vaut toujours mieux qu'une image nette mais floue.<\/p><p>Pour une explication plus d\u00e9taill\u00e9e de l'exposition et du mouvement, consultez <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/quest-ce-que-la-vitesse-dobturation\/\"><strong>Qu'est-ce que la vitesse d'obturation ?<\/strong><\/a>.<\/p><h3>Quelle est la meilleure ouverture pour la photographie sportive ?<\/h3><figure id=\"attachment_20274\" aria-describedby=\"caption-attachment-20274\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-20274\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/06\/football-aperture-sports-photography-subject-isolation.webp\" alt=\"A football player runs with the ball while the crowd behind him is softly blurred.\" width=\"1200\" height=\"907\" data-no-translation=\"\" \/><figcaption id=\"caption-attachment-20274\" class=\"wp-caption-text\">Une grande ouverture permet d'isoler les athl\u00e8tes de l'agitation des abords du terrain et de la foule, tout en concentrant l'attention sur l'action. Tamron 35-150 mm F\/2-2,8 <span class=\"no-break\">Di III<\/span> VXD | Distance focale : 150 mm. Exposition : f\/2,8, 1\/5 000 s, ISO 200. Photo : Taylor Sims<\/figcaption><\/figure><p>Pour la photographie sportive, utilisez une grande ouverture (f\/2,8 \u00e0 f\/4). Une grande ouverture remplit deux fonctions : elle laisse entrer davantage de lumi\u00e8re, ce qui vous permet de conserver des vitesses d'obturation \u00e9lev\u00e9es dans des conditions de faible luminosit\u00e9 ; et elle cr\u00e9e une faible profondeur de champ qui floute l'arri\u00e8re-plan et isole le sportif de la foule ou du terrain derri\u00e8re lui.<\/p><p>Une grande ouverture est particuli\u00e8rement utile lorsque l'arri\u00e8re-plan est charg\u00e9. En bord de terrain, on trouve souvent des cl\u00f4tures, des bancs, des spectateurs, des voitures gar\u00e9es, des panneaux et d'autres \u00e9l\u00e9ments susceptibles de d\u00e9tourner l'attention. Prendre des photos \u00e0 f\/2,8 ou f\/4 permet de d\u00e9tacher le sportif de tout cet encombrement, surtout lorsque vous utilisez un t\u00e9l\u00e9objectif et que l'arri\u00e8re-plan se trouve plus loin derri\u00e8re le sujet.<\/p><p>M\u00eame si une ouverture de f\/2,8 est id\u00e9ale si votre objectif la propose, une ouverture de f\/4 convient tout \u00e0 fait dans de bonnes conditions de lumi\u00e8re. \u00c9vitez autant que possible de r\u00e9duire l'ouverture en dessous de f\/5,6 pour les photos d'action : vous perdrez la s\u00e9paration de l'arri\u00e8re-plan et devrez souvent augmenter davantage la sensibilit\u00e9 ISO pour compenser.<\/p><p>Pour en savoir plus sur l'influence de l'ouverture sur l'exposition et la profondeur de champ, consultez <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/quest-ce-que-louverture-en-photographie\/\"><strong>Qu'est-ce que l'ouverture en photographie ?<\/strong><\/a>.<\/p><h3>Quelle sensibilit\u00e9 ISO faut-il utiliser pour la photographie sportive ?<\/h3><figure id=\"attachment_20272\" aria-describedby=\"caption-attachment-20272\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-20272\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/06\/boxing-iso-sports-photography-low-light.webp\" alt=\"Two boxers compete in a ring during a low-light indoor sports event.\" width=\"1200\" height=\"800\" data-no-translation=\"\" \/><figcaption id=\"caption-attachment-20272\" class=\"wp-caption-text\">Des sensibilit\u00e9s ISO plus \u00e9lev\u00e9es permettent de conserver des vitesses d'obturation rapides en conditions de faible luminosit\u00e9, ce qui permet de figer l'action lors de sports en salle tout en ma\u00eetrisant le bruit de l'image. Tamron 20-40 mm F\/2,8 <span class=\"no-break\">Di III<\/span> VXD | Distance focale : 32 mm. Exposition : f\/2,8, 1\/1 250 s, ISO 4 000. Photo : Taylor Sims<\/figcaption><\/figure><p>L'ISO n'est pas un param\u00e8tre \u00e0 r\u00e9duire au minimum en photographie sportive : c'est un levier sur lequel il faut agir d\u00e8s que la vitesse d'obturation et l'ouverture ne permettent pas d'obtenir l'exposition souhait\u00e9e. Les sports en salle, les matchs en nocturne et les conditions de temps couvert n\u00e9cessitent r\u00e9guli\u00e8rement des valeurs ISO de 1 600, 3 200 ou plus. Les appareils photo hybrides modernes g\u00e8rent parfaitement une sensibilit\u00e9 ISO de 3 200 ; testez le seuil de bruit de votre appareil avant un \u00e9v\u00e9nement majeur.<\/p><p>L'erreur que commettent de nombreux d\u00e9butants est d'essayer de maintenir une sensibilit\u00e9 ISO trop faible. Cela oblige l'appareil photo \u00e0 utiliser une vitesse d'obturation plus lente, ce qui provoque un flou de mouvement. Selon Cambridge in Colour, <a href=\"https:\/\/www.cambridgeincolour.com\/tutorials\/image-noise.htm\" target=\"_blank\" rel=\"noopener\"><strong>tutoriel sur le bruit des images des appareils photo num\u00e9riques<\/strong><\/a>, les sensibilit\u00e9s ISO \u00e9lev\u00e9es amplifient le signal de l'image mais augmentent \u00e9galement le bruit, produisant des taches al\u00e9atoires qui alt\u00e8rent les d\u00e9tails fins. En photographie sportive, ce compromis joue presque toujours en faveur d'une sensibilit\u00e9 ISO \u00e9lev\u00e9e : une image l\u00e9g\u00e8rement granuleuse qui immortalise l'instant d\u00e9cisif est plus r\u00e9ussie qu'une image nette o\u00f9 le sujet est flou.<\/p><p>R\u00e9glez l'ISO automatique en fixant une limite minimale pour la vitesse d'obturation, par exemple en ne descendant jamais en dessous de 1\/1000 s, afin que l'appareil g\u00e8re automatiquement l'exposition tout en pr\u00e9servant la nettet\u00e9. Il s'agit d'un mode de travail courant chez les photographes sportifs dans des conditions d'\u00e9clairage variables.<\/p><p>Pour plus d'aide, consultez <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/quest-ce-que-liso-en-photographie\/\"><strong>Qu'est-ce que l'ISO en photographie ?<\/strong><\/a> et <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/conseils-pour-la-photographie-en-basse-lumiere-avec-les-objectifs-tamron\/\"><strong>Conseils pour la photographie en basse lumi\u00e8re<\/strong><\/a>.<\/p><p>\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-967d13c elementor-widget elementor-widget-text-editor\" data-id=\"967d13c\" data-element_type=\"widget\" data-e-type=\"widget\" id=\"autofocus\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h2>La mise au point automatique : le r\u00e9glage le plus important pour les photos d'action<\/h2><figure id=\"attachment_20285\" aria-describedby=\"caption-attachment-20285\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-20285\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/06\/track-hurdles-continuous-autofocus-sports-photography.webp\" alt=\"A hurdler clears a hurdle while running toward the camera in a track and field event.\" width=\"1200\" height=\"836\" data-no-translation=\"\" \/><figcaption id=\"caption-attachment-20285\" class=\"wp-caption-text\">L'autofocus continu permet de garder les athl\u00e8tes bien nets lorsqu'ils se rapprochent ou s'\u00e9loignent de l'appareil photo lors d'actions sportives rapides. Tamron 150-500 mm F\/5-6,7 <span class=\"no-break\">Di III<\/span> VC VXD | Distance focale : 440 mm. Exposition : f\/7,1, 1\/2 000 s, ISO 800. Photo : Oliver Guth<\/figcaption><\/figure><p>L'autofocus continu \u2014 appel\u00e9 \u00ab AF-C \u00bb chez Nikon et Sony, et \u00ab AI Servo \u00bb chez Canon \u2014 recalcule en permanence la mise au point lorsque votre sujet se rapproche ou s'\u00e9loigne de l'appareil photo, ce qui permet de le garder net tout au long d'une rafale. L'autofocus ponctuel verrouille la mise au point une seule fois et ne peut pas suivre les mouvements. Pour tout sujet en mouvement, l'autofocus continu doit \u00eatre activ\u00e9.<\/p><p>Les sujets sportifs restent rarement au m\u00eame plan de mise au point. Un footballeur fonce vers le but, un coureur avance tout droit sur la piste, un basketteur s'\u00e9lance vers le panier et un joueur de baseball court de la plaque de but \u00e0 la premi\u00e8re base. Votre mode de mise au point automatique doit s'adapter en permanence \u00e0 mesure que la distance change.<\/p><h3>Mise au point automatique continue vs mise au point automatique ponctuelle<\/h3><p>L'autofocus continu, \u00e9galement appel\u00e9 AF-C ou AI Servo, suit un sujet en mouvement et ajuste la mise au point \u00e0 chaque image d'une rafale. L'autofocus ponctuel, \u00e9galement appel\u00e9 AF-S ou One-Shot, verrouille la mise au point au moment o\u00f9 vous appuyez sur le d\u00e9clencheur ; il ne permet pas de suivre les mouvements. L'AF continu est le mode adapt\u00e9 \u00e0 toutes les photographies de sport et d'action. L'AF ponctuel est r\u00e9serv\u00e9 aux sujets immobiles.<\/p><p>Associez l'autofocus continu \u00e0 une zone de mise au point flexible, telle que l'autofocus par zone, la mise au point par point \u00e9tendu ou le suivi du sujet, plut\u00f4t qu'\u00e0 un seul petit point. Une zone couvrant le centre du cadre offre au syst\u00e8me davantage de points de r\u00e9f\u00e9rence et permet de conserver la nettet\u00e9 des sujets m\u00eame lorsqu'ils se d\u00e9placent de mani\u00e8re impr\u00e9visible.<\/p><h3>Mise au point via le bouton \u00ab Retour \u00bb pour la photographie sportive<\/h3><figure id=\"attachment_20269\" aria-describedby=\"caption-attachment-20269\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-20269\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/06\/back-button-focus-sports-photography-camera-handling-copy.webp\" alt=\"A photographer uses back-button focus while tracking a youth soccer game with a telephoto lens.\" width=\"1200\" height=\"895\" data-no-translation=\"\" \/><figcaption id=\"caption-attachment-20269\" class=\"wp-caption-text\">La mise au point via le bouton arri\u00e8re s\u00e9pare la mise au point automatique du d\u00e9clencheur, offrant ainsi aux photographes un meilleur contr\u00f4le lors du suivi d'actions sportives rapides.<\/figcaption><\/figure><p>La mise au point via le bouton arri\u00e8re permet de dissocier l'activation de l'autofocus du d\u00e9clenchement. Attribuez la fonction AF au bouton AF-ON situ\u00e9 \u00e0 l'arri\u00e8re de l'appareil photo. Maintenez-le enfonc\u00e9 pour suivre votre sujet en continu gr\u00e2ce \u00e0 l'autofocus. D\u00e9clenchez l'obturateur ind\u00e9pendamment au moment d\u00e9cisif. Cela \u00e9vite \u00e0 l'appareil photo de r\u00e9\u00e9valuer la mise au point \u00e0 chaque pression sur le d\u00e9clencheur et am\u00e9liore consid\u00e9rablement le taux de r\u00e9ussite.<\/p><p>La mise au point \u00e0 l'aide du bouton arri\u00e8re demande un peu d'entra\u00eenement, car elle modifie la fa\u00e7on dont votre main interagit avec l'appareil photo. La plupart des photographes s'y habituent apr\u00e8s une seule s\u00e9ance. Une fois que cela devient naturel, cela vous offre davantage de contr\u00f4le sur le moment o\u00f9 la mise au point commence, o\u00f9 elle s'arr\u00eate et o\u00f9 l'obturateur se d\u00e9clenche.<\/p><h3>Pr\u00e9-focalisation pour une action pr\u00e9visible<\/h3><figure id=\"attachment_20270\" aria-describedby=\"caption-attachment-20270\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-20270\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/06\/baseball-prefocusing-sports-photography-action.webp\" alt=\"A baseball player dives toward base during a predictable sports action moment.\" width=\"1200\" height=\"800\" data-no-translation=\"\" \/><figcaption id=\"caption-attachment-20270\" class=\"wp-caption-text\">La pr\u00e9-mise au point est particuli\u00e8rement efficace lorsque l'action culmine \u00e0 un endroit pr\u00e9cis, comme une base, une haie, une ligne d'arriv\u00e9e ou un point de saut. Tamron 18-300 mm F\/3,5-6,3 <span class=\"no-break\"><span class=\"no-break\">Di III<\/span>-A<\/span> VC VXD | Distance focale : 106 mm. Exposition : f\/5,6, 1\/2 000 s, ISO 400. Photo : Marcie Reif<\/figcaption><\/figure><p>Pour les sports o\u00f9 le moment culminant de l'action se produit \u00e0 un point pr\u00e9cis \u2014 une ligne d'arriv\u00e9e, le marbre, une haie, le point culminant d'un saut \u2014, effectuez une mise au point pr\u00e9alable sur cet endroit, passez en mise au point manuelle pour la verrouiller, puis prenez des photos en rafale au moment o\u00f9 l'athl\u00e8te arrive. Cette technique est plus fiable que le suivi pour l'athl\u00e9tisme, la gymnastique et le skateboard, o\u00f9 le moment d\u00e9cisif est spatialement pr\u00e9visible.<\/p><p>La pr\u00e9-mise au point est particuli\u00e8rement efficace lorsque vous savez exactement o\u00f9 l'action va se d\u00e9rouler. Au lieu de demander au syst\u00e8me de mise au point automatique de suivre un sujet en mouvement, vous pr\u00e9parez le point de mise au point \u00e0 l'avance et attendez que l'athl\u00e8te p\u00e9n\u00e8tre dans cette zone.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-cace619 elementor-widget elementor-widget-text-editor\" data-id=\"cace619\" data-element_type=\"widget\" data-e-type=\"widget\" id=\"burst\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h2>Comment utiliser efficacement le mode rafale<\/h2><figure id=\"attachment_20275\" aria-describedby=\"caption-attachment-20275\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-20275\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/06\/football-burst-mode-peak-action-sports-photography.webp\" alt=\"A football player reaches up for the ball during a peak-action moment in the game.\" width=\"1200\" height=\"1500\" data-no-translation=\"\" \/><figcaption id=\"caption-attachment-20275\" class=\"wp-caption-text\">Le mode rafale permet aux photographes de saisir la fraction de seconde exacte o\u00f9 se produit le moment d\u00e9cisif d'un \u00e9v\u00e9nement sportif. Tamron 150-500 mm F\/5-6,7 <span class=\"no-break\">Di III<\/span> VC VXD | Distance focale : 500 mm. Exposition : f\/6,7, 1\/1 600 s, ISO 1 250. Photo : Noah Bullock<\/figcaption><\/figure><p>Le mode rafale permet de prendre plusieurs photos par seconde tant que vous maintenez le d\u00e9clencheur enfonc\u00e9, ce qui vous offre davantage d\u2019occasions de saisir le moment pr\u00e9cis o\u00f9 l\u2019action atteint son apog\u00e9e : cette fraction de seconde o\u00f9 un ballon de basket atteint le sommet de sa trajectoire ou o\u00f9 un sprinter franchit la ligne d\u2019arriv\u00e9e. La plupart des appareils photo prennent entre 8 et plus de 20 images par seconde en mode rafale. L'objectif n'est pas de maintenir le d\u00e9clencheur enfonc\u00e9 en continu, mais de synchroniser les rafales avec les moments culminants pr\u00e9visibles.<\/p><p>Le mode rafale ne remplace pas l'anticipation. Il vous offre davantage de chances de capturer la meilleure image d\u00e8s lors que vous savez quand celle-ci va se produire. Servez-vous de votre connaissance du sport pour anticiper le moment, puis d\u00e9clenchez une courte rafale pendant cette action.<\/p><h3>Comment utiliser le mode rafale sans saturer la m\u00e9moire tampon<\/h3><p>Observez l'action, identifiez le moment qui s'annonce \u2014 un tir en suspension, un tacle, un service \u2014, lancez la rafale 1 \u00e0 2 secondes avant ce moment, puis d\u00e9clenchez imm\u00e9diatement apr\u00e8s. Ne maintenez pas le mode rafale activ\u00e9 pendant toute la dur\u00e9e de l'action. Des rafales cibl\u00e9es aux moments cl\u00e9s de l'action permettent d'obtenir une s\u00e9quence de clich\u00e9s g\u00e9rable, plut\u00f4t qu'un flot intraitable de milliers d'images similaires.<\/p><p>Chaque appareil photo dispose d'une m\u00e9moire tampon, c'est-\u00e0-dire une m\u00e9moire haute vitesse de capacit\u00e9 limit\u00e9e qui se remplit lors d'une longue rafale. Renseignez-vous sur la capacit\u00e9 de la m\u00e9moire tampon de votre appareil photo, c'est-\u00e0-dire le nombre d'images RAW qu'il peut capturer avant de ralentir. En privil\u00e9giant des rafales plus courtes et cibl\u00e9es, vous pr\u00e9serverez la m\u00e9moire tampon pour les moments o\u00f9 vous en aurez le plus besoin.<\/p><h3>Cartes m\u00e9moire et prise de vue en rafale<\/h3><p>Utilisez une carte m\u00e9moire certifi\u00e9e UHS-II, ou CFexpress pour les appareils photo plus r\u00e9cents, offrant une vitesse d'\u00e9criture d'au moins 90 Mo\/s pour les prises de vue en rafale. Selon Fstoppers\u2019 <a href=\"https:\/\/fstoppers.com\/gear\/complete-photographers-guide-memory-cards-specs-speeds-and-what-actually-matters-721610\" target=\"_blank\" rel=\"noopener\"><strong>Guide sur les caract\u00e9ristiques techniques et les vitesses des cartes m\u00e9moire<\/strong><\/a>, la classe de vitesse vid\u00e9o V90 garantit une vitesse d'\u00e9criture soutenue minimale de 90 Mo\/s, ce qui correspond au seuil permettant aux tampons de l'appareil photo de se vider rapidement lors de s\u00e9quences de prises de vue en rafale intenses. Une carte lente remplit plus rapidement la m\u00e9moire tampon, ralentit l\u2019appareil photo plus t\u00f4t et fait manquer des moments d\u00e9cisifs. C\u2019est l\u2019un des goulots d\u2019\u00e9tranglement les plus n\u00e9glig\u00e9s en photographie sportive \u2014 et l\u2019un des plus faciles \u00e0 r\u00e9soudre.<\/p><p>On a tendance \u00e0 n\u00e9gliger les cartes m\u00e9moire jusqu'\u00e0 ce qu'elles vous fassent rater une image. Si votre appareil photo ralentit lors de longues rafales, v\u00e9rifiez la vitesse de votre carte avant de conclure que le probl\u00e8me vient de l'appareil lui-m\u00eame.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-e2c0569 elementor-widget elementor-widget-text-editor\" data-id=\"e2c0569\" data-element_type=\"widget\" data-e-type=\"widget\" id=\"whatlens\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h2>Quel objectif choisir pour la photographie sportive ?<\/h2><figure id=\"attachment_20273\" aria-describedby=\"caption-attachment-20273\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-20273\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/06\/equestrian-sports-photography-telephoto-lens.webp\" alt=\"An equestrian rider and horse clear a jump during an outdoor sports photography session.\" width=\"1200\" height=\"800\" data-no-translation=\"\" \/><figcaption id=\"caption-attachment-20273\" class=\"wp-caption-text\">Les t\u00e9l\u00e9objectifs permettent aux photographes de remplir le cadre \u00e0 distance tout en isolant les sportifs et l'action de l'arri\u00e8re-plan. Tamron 70-180 mm F\/2,8 <span class=\"no-break\">Di III<\/span> VC VXD G2 | Distance focale : 180 mm. Exposition : f\/2,8, 1\/1 600 s, ISO 200. Photo : Kazuyuki Ogawa<\/figcaption><\/figure><p>Un t\u00e9l\u00e9objectif de 70-200 mm ou 100-400 mm constitue le point de d\u00e9part classique pour la photographie sportive. La port\u00e9e du t\u00e9l\u00e9objectif vous permet de remplir le cadre avec des athl\u00e8tes depuis la ligne de touche, de compresser la perspective pour ajouter du dramatisme et d\u2019isoler les sujets sur un arri\u00e8re-plan flou. Une ouverture maximale de f\/2,8 ou f\/4 est fortement recommand\u00e9e : elle permet de conserver des vitesses d\u2019obturation adapt\u00e9es, quelle que soit la luminosit\u00e9.<\/p><p>Le choix de l'objectif d\u00e9pend du sport pratiqu\u00e9, du lieu et de la distance \u00e0 laquelle vous pouvez vous placer par rapport \u00e0 l'action. Sur les terrains couverts, dans les gymnases et les salles de sport, il est souvent pr\u00e9f\u00e9rable d'utiliser un t\u00e9l\u00e9objectif rapide dot\u00e9 d'une grande ouverture, tel que le Tamron 35-150 mm F\/2-2,8. <span class=\"no-break\">Di III<\/span> Le VXD, car il offre une grande souplesse de cadrage, qu\u2019il s\u2019agisse de sc\u00e8nes \u00e0 moyenne distance ou d\u2019actions plus intenses, tout en conservant la capacit\u00e9 de captation de lumi\u00e8re n\u00e9cessaire pour utiliser des vitesses d\u2019obturation \u00e9lev\u00e9es. Le football, le football am\u00e9ricain, le baseball, les sports m\u00e9caniques et les sports pratiqu\u00e9s sur de grands terrains tirent souvent parti d\u2019une plus grande port\u00e9e. Si vous souhaitez approfondir le sujet, consultez ce guide pour choisir le <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/meilleur-objectif-pour-la-photographie-de-sport\/\"><strong>le meilleur objectif pour la photographie sportive<\/strong><\/a>.<\/p><h3>Zoom t\u00e9l\u00e9objectif ou objectif \u00e0 focale fixe pour la photographie sportive ?<\/h3><p>Les t\u00e9l\u00e9objectifs \u00e0 zoom, tels que le 35-150 mm f\/2-2,8, 70-180 mm f\/2,8, 50-400 mm et 150-500 mm, offrent une flexibilit\u00e9 de focale permettant de recadrer l\u2019image sans changer de position \u2014 ce qui est essentiel lorsque l\u2019action \u00e9volue de mani\u00e8re impr\u00e9visible. Les t\u00e9l\u00e9objectifs \u00e0 focale fixe offrent la plus grande ouverture maximale pour une focale donn\u00e9e, mais vous limitent \u00e0 une seule distance de cadrage. Pour la plupart des sports, la flexibilit\u00e9 du zoom l'emporte sur l'avantage de l'ouverture offert par l'objectif \u00e0 focale fixe.<\/p><p>Le zoom vous permet de vous adapter \u00e0 mesure que l'action se rapproche ou s'\u00e9loigne. Cette flexibilit\u00e9 est particuli\u00e8rement utile pour les sports jeunes, les \u00e9v\u00e9nements scolaires et les matchs locaux, o\u00f9 vous n'avez pas toujours la possibilit\u00e9 de vous d\u00e9placer pendant le match. Un objectif \u00e0 focale fixe peut \u00eatre excellent, mais il n\u00e9cessite un positionnement plus pr\u00e9cis et une id\u00e9e plus claire de l'endroit o\u00f9 l'action va se d\u00e9rouler.<\/p><p>Pour d\u00e9couvrir d'autres exemples concrets, consultez <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/la-photographie-de-sport-avec-les-objectifs-tamron\/\"><strong>la photographie sportive avec des t\u00e9l\u00e9objectifs Tamron<\/strong><\/a>, <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/photographie-sportive-dynamique-conseils-tamron\/\"><strong>Conseils pour r\u00e9aliser des photos de sport dynamiques \u00e0 l'aide de t\u00e9l\u00e9objectifs<\/strong><\/a>, et ceci <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/tamron-70-180mm-f2-8-g2-avis-photographie-daction-sportive\/\"><strong>Test du Tamron 70-180 mm F2.8 G2 pour la photographie sportive d'action<\/strong><\/a>.<\/p><h3>Stabilisation d'image pour les sports<\/h3><p>La stabilisation d'image compense les tremblements de l'appareil photo lorsque l'on tient \u00e0 la main un t\u00e9l\u00e9objectif lourd. \u00c0 des vitesses d'obturation de 1\/1 000 s ou plus, la stabilisation n'a qu'un impact minime sur la nettet\u00e9, car la vitesse d'obturation est d\u00e9j\u00e0 suffisamment rapide pour \u00e9liminer le flou de mouvement d\u00fb aux secousses de l'appareil. Selon l'article de Wikip\u00e9dia consacr\u00e9 \u00e0 <a href=\"https:\/\/en.wikipedia.org\/wiki\/Image_stabilization\" target=\"_blank\" rel=\"noopener\"><strong>stabilisation de l'image<\/strong><\/a>, la stabilisation d'image (IS) permet d'utiliser des vitesses d'obturation de 2 \u00e0 5,5 stops plus lentes que ce qui serait possible sans elle ; cela signifie qu'elle est particuli\u00e8rement utile lorsque vous repoussez les limites de la vitesse d'obturation en conditions de faible luminosit\u00e9, et non lorsque vous photographiez d\u00e9j\u00e0 \u00e0 1\/1000 s ou plus. Son autre v\u00e9ritable avantage dans le domaine du sport r\u00e9side dans la capture vid\u00e9o.<\/p><p>La stabilisation am\u00e9liore \u00e9galement l'exp\u00e9rience de prise de vue. Lorsque l'on utilise des focales plus longues, un viseur stabilis\u00e9 permet de suivre plus facilement un sujet en mouvement, de composer avec pr\u00e9cision et de garder l'athl\u00e8te dans le cadre au fur et \u00e0 mesure que l'action se d\u00e9roule.<\/p><p>Pour plus d'informations, consultez <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/comment-utiliser-la-stabilisation-de-limage\/\"><strong>comment utiliser la stabilisation de l'image<\/strong><\/a>.<\/p><p>\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-9f50dc2 elementor-widget elementor-widget-text-editor\" data-id=\"9f50dc2\" data-element_type=\"widget\" data-e-type=\"widget\" id=\"position\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h2>Comment se placer pour prendre de meilleures photos de sport<\/h2><figure id=\"attachment_20286\" aria-describedby=\"caption-attachment-20286\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-20286\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/06\/wrestling-sports-photography-positioning.webp\" alt=\"A referee watches two wrestlers compete from close range during an indoor sports match.\" width=\"1200\" height=\"800\" data-no-translation=\"\" \/><figcaption id=\"caption-attachment-20286\" class=\"wp-caption-text\">Un bon positionnement permet aux photographes de capturer les visages, les \u00e9motions et les moments d'action les plus intenses sous le meilleur angle. Tamron 35-150 mm F\/2-2,8 <span class=\"no-break\">Di III<\/span> VXD | Distance focale : 51 mm. Exposition : f\/2,2, 1\/640 s, ISO 2500. Photo : Noah Bullock<\/figcaption><\/figure><p>Ce qui distingue g\u00e9n\u00e9ralement une photo sportive techniquement correcte d\u2019une photo exceptionnelle, c\u2019est le choix de l\u2019emplacement et le sens du timing \u2014 aucun des deux ne n\u00e9cessite un meilleur \u00e9quipement. Savoir o\u00f9 se placer, anticiper le moment d\u00e9cisif et comprendre le rythme d\u2019un sport permet de distinguer les photographes qui ont parfois de la chance de ceux qui parviennent syst\u00e9matiquement \u00e0 capturer des images captivantes. Arrivez t\u00f4t, \u00e9tudiez les lieux et rep\u00e9rez o\u00f9 se concentre l\u2019action.<\/p><p>Un bon cadrage vous aide \u00e0 photographier les visages, les \u00e9motions, l'impact et la direction. Si tous les athl\u00e8tes s'\u00e9loignent de vous, m\u00eame des images nettes peuvent para\u00eetre plates. Si l'action se dirige vers vous, le cadrage donne g\u00e9n\u00e9ralement une impression plus dynamique.<\/p><h3>O\u00f9 faut-il se placer pour faire de la photographie sportive ?<\/h3><p>Placez-vous l\u00e0 o\u00f9 l'action a le plus de chances de se d\u00e9rouler devant vous. Au football : devant les buts et dans la surface de r\u00e9paration. Au basket-ball : la ligne de fond de chaque c\u00f4t\u00e9 permet de capturer les perc\u00e9es et les rebonds. En athl\u00e9tisme : la ligne d'arriv\u00e9e et les entr\u00e9es de virage. Lors des comp\u00e9titions sportives pour les jeunes : les zones d'en-but et les points de transition cl\u00e9s offrent davantage de moments d\u00e9cisifs que les positions au milieu du terrain.<\/p><p>Un t\u00e9l\u00e9objectif utilis\u00e9 depuis un bon emplacement vaut mieux qu'un emplacement m\u00e9diocre, quel que soit l'objectif utilis\u00e9. Avant l'\u00e9v\u00e9nement, prenez le temps de parcourir les lieux, d'identifier les \u00e9l\u00e9ments g\u00eanants \u00e0 l'arri\u00e8re-plan, de v\u00e9rifier la direction de la lumi\u00e8re et de rep\u00e9rer les deux ou trois endroits o\u00f9 l'action se concentre.<\/p><p>Pour plus d'id\u00e9es de composition, lisez <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/comment-capturer-des-perspectives-uniques\/\"><strong>ma\u00eetriser des angles de prise de vue originaux<\/strong><\/a>.<\/p><h3>Comment anticiper l'action en photographie sportive<\/h3><figure id=\"attachment_20281\" aria-describedby=\"caption-attachment-20281\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-20281\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/06\/sports-photography-basketball-decisive-moment-jump-shot.webp\" alt=\"Basketball player reaching for the hoop during a decisive sports photography action moment.\" width=\"1200\" height=\"1800\" data-no-translation=\"\" \/><figcaption id=\"caption-attachment-20281\" class=\"wp-caption-text\">Anticiper les moments forts permet aux photographes sportifs de saisir les instants d\u00e9cisifs, comme celui o\u00f9 un basketteur tend le bras vers le panier au plus fort de l'action. Tamron 50-400 mm F\/4,5-6,3 <span class=\"no-break\">Di III<\/span> VC VXD | Distance focale : 72 mm. Exposition : f\/5,0, 1\/4 000 s, ISO 640. Photo : Takahito Mizutani<\/figcaption><\/figure><p>L'anticipation \u2014 savoir ce qui va se passer avant que cela n'arrive \u2014 est la comp\u00e9tence non technique la plus importante en photographie sportive. \u00c9tudiez le sport avant de le photographier : sachez o\u00f9 va le ballon apr\u00e8s un plaquage, ce que signifie le mouvement d'\u00e9lan d'un lanceur, \u00e0 quel moment un sprinteur quitte ses starting-blocks. Observez l\u2019action pendant quelques minutes avant de lever votre appareil photo. Les photographes qui parviennent syst\u00e9matiquement \u00e0 capturer des clich\u00e9s au c\u0153ur de l\u2019action ne sont pas plus rapides que celle-ci : ils ont simplement d\u00e9j\u00e0 anticip\u00e9 o\u00f9 elle va se d\u00e9rouler.<\/p><p>Identifiez le moment culminant de votre discipline et adaptez le timing de votre acc\u00e9l\u00e9ration en fonction de celui-ci. Au basket-ball, il peut s'agir du point culminant du tir en suspension. Au football am\u00e9ricain, il peut s'agir du moment du contact lors d'un plaquage. En athl\u00e9tisme, il peut s'agir de la fente vers la ligne d'arriv\u00e9e. Pr\u00e9parez-vous mentalement, lancez votre acc\u00e9l\u00e9ration 0,5 \u00e0 1 seconde avant ce moment, et rel\u00e2chez imm\u00e9diatement apr\u00e8s.<\/p><h3>Panoramique : flou de mouvement cr\u00e9atif<\/h3><figure id=\"attachment_20284\" aria-describedby=\"caption-attachment-20284\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-20284\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/06\/sports-photography-panning-motorsports-motion-blur.webp\" alt=\"Motorsports panning photo with a sharp race car and motion-blurred background.\" width=\"1200\" height=\"800\" data-no-translation=\"\" \/><figcaption id=\"caption-attachment-20284\" class=\"wp-caption-text\">Le panoramique consiste \u00e0 utiliser une vitesse d'obturation plus lente et un mouvement fluide de l'appareil photo afin de conserver la nettet\u00e9 du sujet tout en rendant l'arri\u00e8re-plan flou sous forme de tra\u00een\u00e9es directionnelles qui sugg\u00e8rent la vitesse. Tamron 150-500 mm F\/5-6,7 <span class=\"no-break\">Di III<\/span> VC VXD | Distance focale : 500 mm. Param\u00e8tres d'exposition : f\/9,5, 1\/60 s, ISO 100. Photo : Wataru Tamura<\/figcaption><\/figure><p>Le panoramique consiste \u00e0 suivre un sujet en mouvement avec l'appareil photo lors d'une exposition plus longue, ce qui permet de conserver la nettet\u00e9 du sujet tout en floutant l'arri\u00e8re-plan en tra\u00een\u00e9es directionnelles qui traduisent la vitesse et le mouvement. R\u00e9duisez la vitesse d'obturation \u00e0 une valeur comprise entre 1\/60 s et 1\/250 s, en fonction de la vitesse du sujet, suivez l'athl\u00e8te en douceur avec l'objectif et d\u00e9clenchez pendant le panoramique. Le r\u00e9sultat traduit le mouvement d'une mani\u00e8re qu'une photo fig\u00e9e ne peut pas rendre.<\/p><p>Commencez par r\u00e9gler la vitesse d'obturation sur 1\/125 s, puis ajustez-la au fur et \u00e0 mesure. Pr\u00e9parez-vous \u00e0 \u00e9carter la plupart des clich\u00e9s jusqu'\u00e0 ce que vous parveniez \u00e0 effectuer un mouvement de suivi fluide qui permette de garder le sujet net. Le suivi est particuli\u00e8rement efficace pour le cyclisme, les sports m\u00e9caniques, les \u00e9preuves de sprint, le patinage et le ski.<\/p><p>Consultez notre guide pour en savoir plus <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/quest-ce-que-le-panoramique-en-photographie\/\"><strong>les techniques de panoramique<\/strong><\/a>.<\/p><p>\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-4106fcc elementor-widget elementor-widget-text-editor\" data-id=\"4106fcc\" data-element_type=\"widget\" data-e-type=\"widget\" id=\"lowlight\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h2>La photographie sportive en conditions de faible luminosit\u00e9<\/h2><figure id=\"attachment_20283\" aria-describedby=\"caption-attachment-20283\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-20283\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/06\/sports-photography-low-light-indoor-mma-action.webp\" alt=\"Low-light sports photography image of two MMA fighters grappling in an indoor arena.\" width=\"1200\" height=\"887\" data-no-translation=\"\" \/><figcaption id=\"caption-attachment-20283\" class=\"wp-caption-text\">La photographie sportive en conditions de faible luminosit\u00e9 n\u00e9cessite des vitesses d'obturation \u00e9lev\u00e9es, des ouvertures larges et des sensibilit\u00e9s ISO \u00e9lev\u00e9es afin de garantir la nettet\u00e9 des actions rapides dans des conditions difficiles, en int\u00e9rieur ou de nuit. Tamron 35-150 mm F\/2-2,8 <span class=\"no-break\">Di III<\/span> VXD | Distance focale : 66 mm. Exposition : f\/2,8, 1\/1 000 s, ISO 2 000. Photo : Taylor Sims<\/figcaption><\/figure><p>Les sports en salle et les \u00e9v\u00e9nements nocturnes en ext\u00e9rieur constituent les conditions les plus difficiles en photographie sportive. La combinaison de sujets en mouvement rapide et d\u2019une lumi\u00e8re limit\u00e9e oblige \u00e0 trouver un compromis entre la vitesse d\u2019obturation, qui doit \u00eatre rapide, et la sensibilit\u00e9 ISO, qui doit \u00eatre \u00e9lev\u00e9e. La solution consiste \u00e0 utiliser un objectif \u00e0 grande ouverture (f\/2,8 ou plus si possible), \u00e0 r\u00e9gler la sensibilit\u00e9 ISO au maximum que votre appareil photo peut g\u00e9rer sans perte de qualit\u00e9, et \u00e0 accepter que le grain soit pr\u00e9f\u00e9rable au flou de mouvement.<\/p><p>Une faible luminosit\u00e9 rend \u00e9galement la mise au point automatique plus difficile. Donnez \u00e0 votre appareil photo toutes les chances de r\u00e9ussir en utilisant une grande ouverture, un mode de zone AF performant et des sujets pr\u00e9sentant un contraste suffisant pour que le syst\u00e8me de mise au point automatique puisse les suivre.<\/p><h3>Installations sportives en salle<\/h3><figure id=\"attachment_20276\" aria-describedby=\"caption-attachment-20276\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-20276\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/06\/indoor-sports-photography-cheerleading-action-settings.webp\" alt=\"Indoor sports photography image of a cheerleader jumping under arena lighting.\" width=\"1200\" height=\"1800\" data-no-translation=\"\" \/><figcaption id=\"caption-attachment-20276\" class=\"wp-caption-text\">Les sports en salle n\u00e9cessitent souvent de grandes ouvertures, des vitesses d'obturation \u00e9lev\u00e9es et des sensibilit\u00e9s ISO plus \u00e9lev\u00e9es pour figer l'action dans des conditions d'\u00e9clairage artificiel difficiles. Tamron 35-150 mm F\/2-2,8 <span class=\"no-break\">Di III<\/span> VXD | Distance focale : 90 mm. Exposition : f\/2,8, 1\/800 s, ISO 2000. Photo : Marcie Reif<\/figcaption><\/figure><p>Pour les sports en salle, commencez avec une ouverture de f\/2,8, ou l\u2019ouverture maximale de votre objectif, une vitesse d\u2019obturation comprise entre 1\/800 s et 1\/1 000 s, et une sensibilit\u00e9 ISO de 3 200. Ajustez la sensibilit\u00e9 ISO \u00e0 la hausse ou \u00e0 la baisse en fonction de l\u2019\u00e9clairage sp\u00e9cifique du lieu. De nombreux gymnases scolaires sont \u00e9quip\u00e9s d\u2019un \u00e9clairage artificiel irr\u00e9gulier ou de couleurs m\u00e9lang\u00e9es : d\u00e9finissez une balance des blancs personnalis\u00e9e ou utilisez la balance des blancs automatique, puis effectuez les corrections en post-production. Photographiez en format RAW pour optimiser la latitude d\u2019exposition et de balance des blancs.<\/p><p>Les sports en salle n\u00e9cessitent souvent de faire des compromis. Si vos photos sont trop sombres, augmentez la sensibilit\u00e9 ISO avant de r\u00e9duire trop la vitesse d'obturation. Si un flou de mouvement appara\u00eet au niveau des mains, des pieds, des visages ou du mat\u00e9riel, cela signifie que votre vitesse d'obturation est trop lente pour l'action.<\/p><p>Pour obtenir davantage d'aide face \u00e0 des situations difficiles, consultez <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/conseils-pour-la-photographie-en-basse-lumiere-avec-les-objectifs-tamron\/\"><strong>Conseils pour la photographie en basse lumi\u00e8re<\/strong><\/a>.<\/p><h3>R\u00e9glages de l'appareil photo pour la photographie sportive de nuit<\/h3><figure id=\"attachment_20278\" aria-describedby=\"caption-attachment-20278\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-20278\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/06\/night-baseball-sports-photography-settings.webp\" alt=\"A youth baseball player bats during a night game under bright field lights.\" width=\"1200\" height=\"800\" data-no-translation=\"\" \/><figcaption id=\"caption-attachment-20278\" class=\"wp-caption-text\">La photographie sportive de nuit n\u00e9cessite souvent des sensibilit\u00e9s ISO \u00e9lev\u00e9es, un r\u00e9glage minutieux de la balance des blancs et un contr\u00f4le pr\u00e9cis de l'exposition afin de garantir une image nette des athl\u00e8tes sous les projecteurs. Tamron 50-400 mm F\/4,5-6,3 <span class=\"no-break\">Di III<\/span> VC VXD | Distance focale : 106 mm. Exposition : f\/6,3, 1\/1 250 s, ISO 1 250. Photo : Marcie Reif<\/figcaption><\/figure><p>Les sports nocturnes sous projecteurs \u2014 terrains de football, \u00e9v\u00e9nements dans les stades et matchs en ext\u00e9rieur le soir \u2014 sont g\u00e9n\u00e9ralement mieux \u00e9clair\u00e9s que les salles omnisports, mais n\u00e9cessitent tout de m\u00eame une sensibilit\u00e9 ISO comprise entre 1 600 et 6 400 ainsi qu\u2019une gestion minutieuse de la balance des blancs en raison du m\u00e9lange de lumi\u00e8re artificielle et ambiante. Privil\u00e9giez la mesure ponctuelle sur les athl\u00e8tes plut\u00f4t que d\u2019\u00e9valuer l\u2019ensemble de la sc\u00e8ne : l\u2019arri\u00e8re-plan sombre entra\u00eene une surexposition des sujets en cas de mesure matricielle.<\/p><p>Les sports nocturnes permettent \u00e9galement de cr\u00e9er des images spectaculaires, car l'arri\u00e8re-plan est souvent plus sombre que le sujet. Tirez parti de ce contraste, mais v\u00e9rifiez l'exposition d\u00e8s le d\u00e9but afin que les maillots, les visages et les zones claires ne soient pas surexpos\u00e9s sous l'\u00e9clairage artificiel.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-d463d71 elementor-widget elementor-widget-text-editor\" data-id=\"d463d71\" data-element_type=\"widget\" data-e-type=\"widget\" id=\"common\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h2>Les erreurs courantes en photographie sportive et comment les corriger<\/h2><figure id=\"attachment_20277\" aria-describedby=\"caption-attachment-20277\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-20277\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/06\/indoor-swimming-sports-photography-clean-background.webp\" alt=\"A swimmer moves through the water during an indoor race with a softly blurred background.\" width=\"1200\" height=\"800\" data-no-translation=\"\" \/><figcaption id=\"caption-attachment-20277\" class=\"wp-caption-text\">Une grande ouverture permet d'estomper les d\u00e9tails g\u00eanants de l'arri\u00e8re-plan, afin de concentrer l'attention sur le sportif et le moment fort de l'action dans le cadre. Tamron 70-180 mm F\/2,8 <span class=\"no-break\">Di III<\/span> VC VXD G2 | Distance focale : 180 mm. Exposition : f\/2,8, 1\/2000, ISO 2000. Photo : Aoi<\/figcaption><\/figure><p>Les erreurs les plus courantes en photographie sportive consistent \u00e0 utiliser l'autofocus ponctuel plut\u00f4t que continu, \u00e0 r\u00e9gler une vitesse d'obturation trop lente par rapport \u00e0 la vitesse du sujet, \u00e0 prendre des photos depuis une mauvaise position par rapport au moment fort de l'action, \u00e0 maintenir le mode rafale activ\u00e9 pendant toute la dur\u00e9e d'une action au lieu de cibler les moments d\u00e9cisifs, et \u00e0 ne pas configurer les r\u00e9glages de l'appareil photo avant le d\u00e9but de l'\u00e9v\u00e9nement. Toutes ces erreurs peuvent \u00eatre corrig\u00e9es imm\u00e9diatement.<\/p><p>L'essentiel est de v\u00e9rifier vos r\u00e9glages et votre position de prise de vue avant le d\u00e9but du match. Les sports se d\u00e9roulent \u00e0 un rythme effr\u00e9n\u00e9. Moins vous aurez de d\u00e9cisions \u00e0 prendre pendant le match, plus vous pourrez vous concentrer sur le timing, les visages, les \u00e9motions et les moments forts de l'action.<\/p><h3>Utilisation d'un mode de mise au point automatique inadapt\u00e9<\/h3><p>L'autofocus \u00e0 prise unique est la cause la plus fr\u00e9quente de photos floues lors de prises de vue d'action chez les d\u00e9butants. Il verrouille la mise au point lorsque vous appuyez sur le d\u00e9clencheur et ne s'ajuste pas : tout mouvement du sujet entre le verrouillage de la mise au point et le d\u00e9clenchement entra\u00eene une image floue. Solution : passez en autofocus continu (AF-C ou AI Servo) avant le d\u00e9but de l'\u00e9v\u00e9nement et conservez ce r\u00e9glage pendant toute la dur\u00e9e de la s\u00e9ance.<\/p><h3>Vitesse d'obturation trop lente<\/h3><p>Si les images pr\u00e9sentent un flou de mouvement sur les membres, les visages ou l'\u00e9quipement des athl\u00e8tes, cela signifie que la vitesse d'obturation est trop lente. Solution : augmentez la vitesse d'obturation \u00e0 au moins 1\/1000 s pour la plupart des sports, en compensant si n\u00e9cessaire par une augmentation de la sensibilit\u00e9 ISO. V\u00e9rifiez votre histogramme et les premi\u00e8res images d\u00e8s le d\u00e9but de l'action \u2014 n'attendez pas la fin de l'\u00e9v\u00e9nement pour vous rendre compte du probl\u00e8me.<\/p><h3>Tirer depuis une mauvaise position et comment y rem\u00e9dier<\/h3><p>Les images techniquement parfaites d'athl\u00e8tes qui s'\u00e9loignent de l'appareil photo ou prises entre deux actions ne sont pas captivantes, quels que soient les r\u00e9glages utilis\u00e9s. Solution : arrivez en avance, rep\u00e9rez les endroits o\u00f9 l'action est la plus intense dans la salle o\u00f9 se d\u00e9roule l'\u00e9v\u00e9nement, et placez-vous \u00e0 cet endroit. \u00c9tudiez suffisamment le sport pour anticiper le moment d\u00e9cisif. Le positionnement et le timing comptent plus que n'importe quel choix de mat\u00e9riel.<\/p><h3>Ne pas tenir compte du contexte<\/h3><p>Un arri\u00e8re-plan g\u00eanant \u2014 une tribune bond\u00e9e, une cl\u00f4ture, des panneaux h\u00e9t\u00e9roclites \u2014 peut nuire m\u00eame \u00e0 une photo d\u2019action techniquement parfaite. Solution : avant de prendre la photo, v\u00e9rifiez ce qui se trouve derri\u00e8re votre sujet potentiel depuis votre position de prise de vue. Un angle plus bas permet souvent d\u2019\u00e9liminer le d\u00e9sordre de l\u2019arri\u00e8re-plan. Une grande ouverture, comme f\/2,8, floute davantage l\u2019arri\u00e8re-plan. Se d\u00e9placer de 10 pieds peut faire la diff\u00e9rence entre un cadre encombr\u00e9 et une image \u00e9pur\u00e9e.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-40cb066 elementor-widget elementor-widget-text-editor\" data-id=\"40cb066\" data-element_type=\"widget\" data-e-type=\"widget\" id=\"specific\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h2>Guides de photographie consacr\u00e9s \u00e0 des sports sp\u00e9cifiques<\/h2><p>Les techniques pr\u00e9sent\u00e9es dans ce guide s'appliquent \u00e0 tous les domaines de la photographie sportive et d'action. Pour en savoir plus sur des sports, des situations et du mat\u00e9riel sp\u00e9cifiques, consultez les ressources consacr\u00e9es \u00e0 la photographie sportive disponibles sur le blog Tamron ci-dessous : chacune d'entre elles aborde en d\u00e9tail les exigences particuli\u00e8res de son sujet.<\/p><ul><li>La Little League et le baseball junior : <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/nos-meilleurs-conseils-pour-photographier-les-petites-ligues-de-baseball\/\"><strong>Les meilleurs conseils pour photographier les matchs de baseball de la Little League<\/strong><\/a><\/li><li>Sports extr\u00eames : <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/photographier-les-sports-extremes\/\"><strong>photographier les sports extr\u00eames<\/strong><\/a><\/li><li>Sports d'hiver : <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/techniques-dexperts-pour-capturer-les-sports-et-activites-dhiver\/\"><strong>Conseils pour la photographie de sports d'hiver<\/strong><\/a><\/li><li>Analyse approfondie de la technique du t\u00e9l\u00e9objectif : <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/photographie-sportive-dynamique-conseils-tamron\/\"><strong>Conseils pour r\u00e9aliser des photos de sport dynamiques \u00e0 l'aide de t\u00e9l\u00e9objectifs<\/strong><\/a><\/li><li>Guide complet sur les objectifs : <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/meilleur-objectif-pour-la-photographie-de-sport\/\"><strong>le meilleur objectif pour la photographie sportive<\/strong><\/a><\/li><li>Couverture r\u00e9elle de l'objectif : <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/la-photographie-de-sport-avec-les-objectifs-tamron\/\"><strong>la photographie sportive avec des t\u00e9l\u00e9objectifs Tamron<\/strong><\/a><\/li><li>Test de terrain de l'objectif : <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/tamron-70-180mm-f2-8-g2-avis-photographie-daction-sportive\/\"><strong>Test du Tamron 70-180 mm F2.8 G2 pour la photographie sportive d'action<\/strong><\/a><\/li><\/ul><h2>D\u00e9couvrez les objectifs Tamron d\u00e9di\u00e9s au sport<\/h2><p>Les bons r\u00e9glages vous aident \u00e0 figer l'action, mais c'est le bon objectif qui vous permet d'y parvenir. D\u00e9couvrez la gamme Tamron de t\u00e9l\u00e9objectifs lumineux destin\u00e9s \u00e0 la photographie sportive et d'action afin de trouver la distance focale, l'ouverture et la portabilit\u00e9 qui correspondent \u00e0 votre style de prise de vue.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-f6baa8b uael-header-sticky-no uael-border-yes elementor-widget elementor-widget-uael-table\" data-id=\"f6baa8b\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"uael-table.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div itemscope class=\"uael-table-wrapper\" itemtype=\"http:\/\/schema.org\/Table\">\n\t\t<table id=\"uael-table-id-f6baa8b\" class=\"uael-text-break uael-column-rules uael-table\" data-sort-table=\"no\" data-show-entry=\"no\" data-searchable=\"no\" data-responsive=\"no\">\n\t\t\t\t<tbody>\n\t\t\t<!-- ROWS -->\n\t\t\t\t\t\t\t\t\t\t<tr data-entry=\"1\" class=\"uael-table-row\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-c08477b\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\"><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-12475c4\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/tamron-americas.com\/fr\/objectifs-photo\/\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\"><b style=\"color: #F56122\">D\u00c9COUVREZ NOS OBJECTIFS<\/b>  D\u00e9couvrez la gamme compl\u00e8te de t\u00e9l\u00e9objectifs lumineux de Tamron, sp\u00e9cialement con\u00e7us pour la photographie sportive et d'action \u2014 tamron-americas.com<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t<\/tbody>\n\t<\/table>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-f3e66bf elementor-widget elementor-widget-text-editor\" data-id=\"f3e66bf\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h2>O\u00f9 acheter les objectifs Tamron<\/h2><p>Pour en savoir plus sur les objectifs Tamron <a href=\"https:\/\/www2.tamron-usa.com\/dealers.aspx\"><strong>revendeur Tamron agr\u00e9\u00e9<\/strong><\/a> pr\u00e8s de chez vous ou faites vos achats directement sur le site officiel <a href=\"https:\/\/tamron-americas.com\/fr\/objectifs-photo\/\"><strong>Magasin TAMRON<\/strong><\/a>.<\/p><p>\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>Sports photography is the practice of capturing athletes, competition, and fast-moving action \u2014 and four settings make it possible: continuous [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":20271,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"site-sidebar-layout":"no-sidebar","site-content-layout":"","ast-site-content-layout":"full-width-container","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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de l'appareil photo pour l'astrophotographie : configuration de base et tous les sc\u00e9narios de prise de vue"},"content":{"rendered":"<div data-elementor-type=\"wp-post\" data-elementor-id=\"20197\" class=\"elementor elementor-20197\" data-elementor-settings=\"{&quot;element_pack_global_tooltip_width&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;element_pack_global_tooltip_width_tablet_extra&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;element_pack_global_tooltip_width_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;element_pack_global_tooltip_width_mobile_extra&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;element_pack_global_tooltip_width_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;element_pack_global_tooltip_padding&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;top&quot;:&quot;&quot;,&quot;right&quot;:&quot;&quot;,&quot;bottom&quot;:&quot;&quot;,&quot;left&quot;:&quot;&quot;,&quot;isLinked&quot;:true},&quot;element_pack_global_tooltip_padding_tablet_extra&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;top&quot;:&quot;&quot;,&quot;right&quot;:&quot;&quot;,&quot;bottom&quot;:&quot;&quot;,&quot;left&quot;:&quot;&quot;,&quot;isLinked&quot;:true},&quot;element_pack_global_tooltip_padding_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;top&quot;:&quot;&quot;,&quot;right&quot;:&quot;&quot;,&quot;bottom&quot;:&quot;&quot;,&quot;left&quot;:&quot;&quot;,&quot;isLinked&quot;:true},&quot;element_pack_global_tooltip_padding_mobile_extra&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;top&quot;:&quot;&quot;,&quot;right&quot;:&quot;&quot;,&quot;bottom&quot;:&quot;&quot;,&quot;left&quot;:&quot;&quot;,&quot;isLinked&quot;:true},&quot;element_pack_global_tooltip_padding_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;top&quot;:&quot;&quot;,&quot;right&quot;:&quot;&quot;,&quot;bottom&quot;:&quot;&quot;,&quot;left&quot;:&quot;&quot;,&quot;isLinked&quot;:true},&quot;element_pack_global_tooltip_border_radius&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;top&quot;:&quot;&quot;,&quot;right&quot;:&quot;&quot;,&quot;bottom&quot;:&quot;&quot;,&quot;left&quot;:&quot;&quot;,&quot;isLinked&quot;:true},&quot;element_pack_global_tooltip_border_radius_tablet_extra&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;top&quot;:&quot;&quot;,&quot;right&quot;:&quot;&quot;,&quot;bottom&quot;:&quot;&quot;,&quot;left&quot;:&quot;&quot;,&quot;isLinked&quot;:true},&quot;element_pack_global_tooltip_border_radius_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;top&quot;:&quot;&quot;,&quot;right&quot;:&quot;&quot;,&quot;bottom&quot;:&quot;&quot;,&quot;left&quot;:&quot;&quot;,&quot;isLinked&quot;:true},&quot;element_pack_global_tooltip_border_radius_mobile_extra&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;top&quot;:&quot;&quot;,&quot;right&quot;:&quot;&quot;,&quot;bottom&quot;:&quot;&quot;,&quot;left&quot;:&quot;&quot;,&quot;isLinked&quot;:true},&quot;element_pack_global_tooltip_border_radius_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;top&quot;:&quot;&quot;,&quot;right&quot;:&quot;&quot;,&quot;bottom&quot;:&quot;&quot;,&quot;left&quot;:&quot;&quot;,&quot;isLinked&quot;:true}}\" data-elementor-post-type=\"post\">\n\t\t\t\t<div class=\"elementor-element elementor-element-6a6d89b3 e-flex e-con-boxed e-con e-parent\" data-id=\"6a6d89b3\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-559b5d1a elementor-widget elementor-widget-text-editor\" data-id=\"559b5d1a\" data-element_type=\"widget\" data-e-type=\"widget\" id=\"baseline\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Les meilleurs r\u00e9glages d'astrophotographie pour la plupart des sujets du ciel nocturne sont l'ouverture maximale de votre objectif, g\u00e9n\u00e9ralement comprise entre F1,8 et F2,8, une sensibilit\u00e9 ISO comprise entre 1 600 et 3 200, une vitesse d'obturation calcul\u00e9e selon la \u00ab r\u00e8gle des 500 \u00bb, une mise au point manuelle r\u00e9gl\u00e9e sur l'infini et la capture au format RAW. Ces r\u00e9glages de base pour l'astrophotographie conviennent aux \u00e9toiles, aux images de la Voie lact\u00e9e et \u00e0 la photographie \u00e0 grand champ du ciel nocturne.<\/p><p><em>Par Stacie Errera, photos r\u00e9alis\u00e9es par les photographes Tamron mentionn\u00e9s. Graphismes r\u00e9alis\u00e9s par Tamron Americas.<\/em><\/p><p>Les r\u00e9glages de l'appareil photo pour l'astrophotographie varient en fonction du sujet que vous photographiez. <span data-olk-copy-source=\"MessageBody\">Pour une introduction plus compl\u00e8te \u00e0 l'astrophotographie, notamment en ce qui concerne le mat\u00e9riel, la pr\u00e9paration et les techniques, consultez notre guide complet <strong><a href=\"https:\/\/tamron-americas.com\/fr\/blog\/astrophotography-guide\/\">Guide d'astrophotographie<\/a><\/strong>. <\/span>Pour photographier la Voie lact\u00e9e, il faut un ciel sombre et des temps d'exposition suffisamment courts pour que les \u00e9toiles restent nettes. Les tra\u00een\u00e9es d'\u00e9toiles n\u00e9cessitent de longues s\u00e9ries de clich\u00e9s et un empilement des images. La Lune exige des vitesses d'obturation bien plus rapides. Les aurores polaires n\u00e9cessitent des temps d'exposition plus courts pour figer le mouvement. La photographie du ciel profond tire parti du suivi, de l'empilement des images et d'une dur\u00e9e d'exposition totale plus longue.<\/p><figure id=\"attachment_20188\" aria-describedby=\"caption-attachment-20188\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-20188\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/06\/astrophotography-camera-settings-cheat-sheet.webp\" alt=\"Astrophotography camera settings cheat sheet for aperture, ISO, shutter speed, focus, and RAW.\" width=\"1200\" height=\"905\" data-no-translation=\"\" \/><figcaption id=\"caption-attachment-20188\" class=\"wp-caption-text\">Commencez par une grande ouverture, une sensibilit\u00e9 ISO comprise entre 1 600 et 3 200, la \u00ab r\u00e8gle des 500 \u00bb, la mise au point manuelle et le format RAW, puis adaptez vos r\u00e9glages en fonction de votre sujet et des conditions du ciel.<\/figcaption><\/figure><p>Ce guide vous offre un point de d\u00e9part pratique pour chaque situation courante en astrophotographie, afin que vous puissiez vous adapter rapidement sur le terrain.<\/p><p><strong>Table des mati\u00e8res<\/strong><\/p><ul><li><a href=\"#baseline\">Param\u00e8tres de base pour l'astrophotographie<\/a><\/li><li><a href=\"#settingsmilky\">R\u00e9glages de l'appareil photo pour photographier la Voie lact\u00e9e<\/a><\/li><li><a href=\"#settingsstar\">R\u00e9glages de l'appareil photo pour la photographie de tra\u00een\u00e9es d'\u00e9toiles<\/a><\/li><li><a href=\"#settingsmoon\">R\u00e9glages de l'appareil photo pour la photographie lunaire<\/a><\/li><li><a href=\"#settingsaurora\">R\u00e9glages de l'appareil photo pour la photographie d'aurores bor\u00e9ales<\/a><\/li><li><a href=\"#settingsdeep\">R\u00e9glages de l'appareil photo pour les prises de vue du ciel profond et les expositions avec suivi<\/a><\/li><li><a href=\"#focus\">Comment faire la mise au point en astrophotographie<\/a><\/li><li><a href=\"#adjust\">Comment r\u00e9gler les param\u00e8tres sur le terrain<\/a><\/li><li><a href=\"#final\">Liste de contr\u00f4le finale des r\u00e9glages pour l'astrophotographie<\/a><\/li><\/ul><h2>Param\u00e8tres de base pour l'astrophotographie<\/h2><figure id=\"attachment_20193\" aria-describedby=\"caption-attachment-20193\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-20193\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/06\/manual-astrophotography-camera-settings-screen.webp\" alt=\"Camera screen showing manual astrophotography exposure settings.\" width=\"1200\" height=\"900\" data-no-translation=\"\" \/><figcaption id=\"caption-attachment-20193\" class=\"wp-caption-text\">Le mode manuel vous offre un contr\u00f4le total sur l'ouverture, la sensibilit\u00e9 ISO, la vitesse d'obturation, la mise au point et la capture au format RAW pour la photographie du ciel nocturne.<\/figcaption><\/figure><p>Les r\u00e9glages de base pour l'astrophotographie sont les suivants : ouverture F1,8-F2,8, sensibilit\u00e9 ISO 1 600-3 200, vitesse d'obturation calcul\u00e9e selon la \u00ab r\u00e8gle des 500 \u00bb, mise au point manuelle \u00e0 l'infini et capture au format RAW. Ces r\u00e9glages permettent d'obtenir une exposition de base solide pour les \u00e9toiles en champ large et les sc\u00e8nes du ciel nocturne, en particulier lorsque l'on photographie depuis un endroit sombre avec un tr\u00e9pied stable.<\/p><p>Commencez par le mode manuel. Ouvrez le diaphragme au maximum (dans la limite de votre objectif), choisissez une sensibilit\u00e9 ISO 3200 pour un premier essai, puis calculez la vitesse d'obturation \u00e0 l'aide de la \u00ab r\u00e8gle des 500 \u00bb : 500 divis\u00e9 par votre distance focale \u00e9quivalente en plein format. Par exemple, 500 \u00f7 24 mm = environ 20 secondes. Selon Photography Life, <strong><a href=\"https:\/\/photographylife.com\/500-rule-vs-npf-rule\" target=\"_blank\" rel=\"noopener\">guide sur la r\u00e8gle des 500 par rapport \u00e0 la r\u00e8gle des FNP<\/a><\/strong>, au-del\u00e0 d\u2019environ 30 secondes, m\u00eame un objectif ultra-grand-angle produira un flou stellaire perceptible d\u00fb \u00e0 la rotation de la Terre, et les appareils photo \u00e0 haute r\u00e9solution peuvent n\u00e9cessiter des limites plus strictes que celles sugg\u00e9r\u00e9es par la formule standard.<\/p><p>Prenez vos photos au format RAW afin de b\u00e9n\u00e9ficier d'un meilleur contr\u00f4le sur la balance des blancs, la correction d'exposition, les ombres et la r\u00e9duction du bruit lors du traitement des images. Pour en savoir plus sur les diff\u00e9rents r\u00e9glages d'exposition, consultez les guides Tamron consacr\u00e9s \u00e0 :<\/p><ul><li><a href=\"https:\/\/tamron-americas.com\/fr\/blog\/quest-ce-que-louverture-en-photographie\/\"><strong>Qu'est-ce que l'ouverture en photographie ?<\/strong><\/a><\/li><li><a href=\"https:\/\/tamron-americas.com\/fr\/blog\/quest-ce-que-liso-en-photographie\/\"><strong>Qu'est-ce que l'ISO en photographie ?<\/strong><\/a><\/li><li><a href=\"https:\/\/tamron-americas.com\/fr\/blog\/quest-ce-que-la-vitesse-dobturation\/\"><strong>Qu'est-ce que la vitesse d'obturation ?<\/strong><\/a><\/li><\/ul>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-d9c40a2 elementor-widget elementor-widget-text-editor\" data-id=\"d9c40a2\" data-element_type=\"widget\" data-e-type=\"widget\" id=\"settingsmilky\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h2>R\u00e9glages de l'appareil photo pour photographier la Voie lact\u00e9e<\/h2><figure id=\"attachment_20194\" aria-describedby=\"caption-attachment-20194\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-20194\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/06\/milky-way-exposure-settings-comparison.webp\" alt=\"Milky Way exposure comparison showing underexposed, balanced, and overexposed settings.\" width=\"1200\" height=\"675\" data-no-translation=\"\" \/><figcaption id=\"caption-attachment-20194\" class=\"wp-caption-text\">Les prises de vue d'essai vous permettent de trouver le bon \u00e9quilibre entre les d\u00e9tails de la Voie lact\u00e9e, la luminosit\u00e9 du ciel et le bruit avant de vous lancer dans une s\u00e9quence de prises de vue compl\u00e8te.<\/figcaption><\/figure><p>Les r\u00e9glages de l'appareil photo pour photographier la Voie lact\u00e9e commencent g\u00e9n\u00e9ralement \u00e0 F2,8, ISO 3 200 et une exposition de 20 \u00e0 25 secondes avec un objectif grand angle. Utilisez la mise au point manuelle, photographiez en format RAW et choisissez un endroit o\u00f9 le ciel est sombre, pr\u00e8s de la nouvelle lune. Le centre de la Voie lact\u00e9e n\u00e9cessite \u00e0 la fois une exposition nette et une faible pollution lumineuse.<\/p><p>Un objectif grand angle de 14 \u00e0 24 mm permet de cadrer une plus grande partie du ciel et d'utiliser des vitesses d'obturation plus longues avant que les \u00e9toiles ne commencent \u00e0 former des tra\u00een\u00e9es. Appliquez la \u00ab r\u00e8gle des 500 \u00bb \u00e0 titre indicatif, puis zoomez sur votre image test pour v\u00e9rifier si les \u00e9toiles sont toujours rondes.<\/p><p>Pour consulter un guide complet consacr\u00e9 \u00e0 ce sujet, rendez-vous sur <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/comment-photographier-la-voie-lactee\/\"><strong>Photographie de la Voie lact\u00e9e : comment pr\u00e9parer, photographier et retoucher le centre de la Voie lact\u00e9e<\/strong><\/a>. Pour plus d'informations sur les lentilles, voir <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/meilleur-objectif-pour-lastrophotographie-tamron\/\"><strong>Le meilleur objectif pour l'astrophotographie<\/strong><\/a>.<\/p><p>\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-4674be5 elementor-widget elementor-widget-text-editor\" data-id=\"4674be5\" data-element_type=\"widget\" data-e-type=\"widget\" id=\"settingsstar\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h2>R\u00e9glages de l'appareil photo pour la photographie de tra\u00een\u00e9es d'\u00e9toiles<\/h2>\n<figure id=\"attachment_20195\" aria-describedby=\"caption-attachment-20195\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-20195\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/06\/star-trail-photography-stacking-sequence-settings.webp\" alt=\"Star trail photography stacking sequence using multiple long exposures.\" width=\"1200\" height=\"900\" data-no-translation=\"\" \/><figcaption id=\"caption-attachment-20195\" class=\"wp-caption-text\">Les images de tra\u00een\u00e9es d'\u00e9toiles sont souvent obtenues en superposant de nombreuses expositions cons\u00e9cutives, ce qui permet d'obtenir des r\u00e9sultats plus nets et de r\u00e9duire le nombre de pixels chauds.<\/figcaption><\/figure>\n\nLes r\u00e9glages de l'appareil photo pour la photographie de tra\u00een\u00e9es d'\u00e9toiles d\u00e9pendent de la technique utilis\u00e9e : une seule exposition longue ou plusieurs expositions courtes superpos\u00e9es. Un bon point de d\u00e9part consiste \u00e0 utiliser une ouverture comprise entre F2,8 et F4, une sensibilit\u00e9 ISO comprise entre 400 et 1 600, puis \u00e0 encha\u00eener des expositions de 30 secondes \u00e0 4 minutes \u00e0 l'aide d'un intervallom\u00e8tre, avant de les superposer \u00e0 l'aide d'un logiciel.\n\nLe superposition est g\u00e9n\u00e9ralement pr\u00e9f\u00e9rable \u00e0 une seule exposition extr\u00eamement longue, car elle r\u00e9duit la chaleur du capteur, limite les pixels chauds et vous offre davantage de contr\u00f4le si un avion, une voiture ou une lampe torche traverse le cadre. Pour obtenir des tra\u00een\u00e9es circulaires, visez l\u2019\u00e9toile Polaire dans l\u2019h\u00e9misph\u00e8re nord. Pour des tra\u00een\u00e9es diagonales \u00e9tendues, orientez-vous vers l\u2019est ou l\u2019ouest.\n\nPour plus d\u2019informations, consultez l\u2019article de Tamron <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/la-photographie-a-longue-exposition-un-guide-complet-et-les-meilleures-pratiques\/\"><strong>Guide de la photographie \u00e0 longue exposition<\/strong><\/a>.<br>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-8602b90 elementor-widget elementor-widget-text-editor\" data-id=\"8602b90\" data-element_type=\"widget\" data-e-type=\"widget\" id=\"settingsmoon\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h2>R\u00e9glages de l'appareil photo pour la photographie lunaire<\/h2><figure id=\"attachment_20202\" aria-describedby=\"caption-attachment-20202\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-20202\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/06\/moon-photography-settings-lunar-phase-guide.webp\" alt=\"Moon photography camera settings guide for different lunar phases.\" width=\"1200\" height=\"800\" data-no-translation=\"\" \/><figcaption id=\"caption-attachment-20202\" class=\"wp-caption-text\">L'exposition \u00e0 la Lune varie en fonction des phases lunaires ; utilisez donc la r\u00e8gle \u00ab Looney f\/11 \u00bb comme point de d\u00e9part, puis ajustez en fonction de la luminosit\u00e9 et des d\u00e9tails dans les ombres.<\/figcaption><\/figure><p>Les r\u00e9glages de l'appareil photo pour photographier la Lune sont tr\u00e8s diff\u00e9rents de ceux utilis\u00e9s pour la Voie lact\u00e9e, car la Lune est tr\u00e8s lumineuse. Pour une pleine lune, commencez par une sensibilit\u00e9 ISO 100, une ouverture de f\/8 et une vitesse d'obturation de 1\/125 de seconde. La r\u00e8gle \u00ab Looney f\/11 \u00bb recommande, \u00e0 titre de r\u00e9f\u00e9rence simple, une ouverture de f\/11, une sensibilit\u00e9 ISO 100 et une vitesse d'obturation proche de 1\/100 de seconde.<\/p><p>Un t\u00e9l\u00e9objectif est indispensable, car la Lune para\u00eet petite lorsqu'on utilise un objectif grand angle. Les objectifs dont la focale est comprise entre 200 et 500 mm permettent de r\u00e9v\u00e9ler les d\u00e9tails de la surface, tandis que les focales plus longues mettent davantage en valeur les crat\u00e8res et la texture. L'exposition varie \u00e9galement en fonction de la phase lunaire : la Lune en croissant et la Lune gibbeuse n\u00e9cessitent souvent des r\u00e9glages diff\u00e9rents de ceux utilis\u00e9s pour la pleine lune.<\/p><p>Pour un guide complet, consultez <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/comment-photographier-la-lune\/\"><strong>Comment photographier la Lune<\/strong><\/a>.<\/p><p>\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-c5f9a94 elementor-widget elementor-widget-text-editor\" data-id=\"c5f9a94\" data-element_type=\"widget\" data-e-type=\"widget\" id=\"settingsaurora\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h2>R\u00e9glages de l'appareil photo pour la photographie d'aurores bor\u00e9ales<\/h2><figure id=\"attachment_20192\" aria-describedby=\"caption-attachment-20192\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-20192\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/06\/aurora-photography-shutter-speed-comparison.webp\" alt=\"Aurora photography shutter speed comparison for freezing northern lights movement.\" width=\"1200\" height=\"900\" data-no-translation=\"\" \/><figcaption id=\"caption-attachment-20192\" class=\"wp-caption-text\">Des vitesses d'obturation plus rapides permettent de figer les rideaux d'aurores bor\u00e9ales en mouvement, tandis que des expositions plus longues cr\u00e9ent un mouvement plus fluide et font ressortir les d\u00e9tails du premier plan avec plus de luminosit\u00e9.<\/figcaption><\/figure><p>Les r\u00e9glages de l'appareil photo pour photographier les aurores bor\u00e9ales commencent g\u00e9n\u00e9ralement autour d'une ouverture de F2,8, d'une sensibilit\u00e9 ISO comprise entre 800 et 3 200, et d'une vitesse d'obturation de 5 \u00e0 15 secondes. Privil\u00e9giez des vitesses d'obturation plus courtes pour les rideaux d'aurores dynamiques et des expositions l\u00e9g\u00e8rement plus longues pour les mouvements plus lents et plus doux. La mise au point manuelle et la prise de vue au format RAW restent indispensables.<\/p><p>Les aurores bor\u00e9ales \u00e9voluent rapidement ; veillez donc \u00e0 v\u00e9rifier r\u00e9guli\u00e8rement vos photos. Si l'aurore semble floue ou \u00e9tal\u00e9e, r\u00e9duisez la vitesse d'obturation. Si l'image est trop sombre, augmentez la sensibilit\u00e9 ISO ou ouvrez le diaphragme. Si les zones claires de l'aurore sont surexpos\u00e9es, r\u00e9duisez la sensibilit\u00e9 ISO ou raccourcissez le temps d'exposition.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-7a0723e elementor-widget elementor-widget-text-editor\" data-id=\"7a0723e\" data-element_type=\"widget\" data-e-type=\"widget\" id=\"settingsdeep\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h2>R\u00e9glages de l'appareil photo pour les prises de vue du ciel profond et les expositions avec suivi<\/h2><figure id=\"attachment_20196\" aria-describedby=\"caption-attachment-20196\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-20196\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/06\/tracked-vs-untracked-astrophotography-settings.webp\" alt=\"Tracked versus untracked astrophotography camera settings comparison.\" width=\"1200\" height=\"900\" data-no-translation=\"\" \/><figcaption id=\"caption-attachment-20196\" class=\"wp-caption-text\">Un suiveur d'\u00e9toiles vous permet d'utiliser des temps d'exposition plus longs et des sensibilit\u00e9s ISO plus faibles, ce qui peut donner des fichiers plus nets pour les sujets du ciel profond.<\/figcaption><\/figure><p>Les r\u00e9glages de l'appareil photo pour la photographie du ciel profond impliquent g\u00e9n\u00e9ralement l'utilisation d'un suiveur d'\u00e9toiles, une sensibilit\u00e9 ISO plus faible, des expositions plus longues et l'empilement d'images. On peut commencer par une sensibilit\u00e9 ISO comprise entre 800 et 1 600, avec des expositions allant de 30 secondes \u00e0 plusieurs minutes, en fonction de votre suiveur, de la distance focale, de la luminosit\u00e9 du ciel et de la cible.<\/p><p>Le suivi modifie la strat\u00e9gie d'exposition. Au lieu d'augmenter fortement la sensibilit\u00e9 ISO pour une seule exposition courte, vous pouvez capter davantage de lumi\u00e8re au fil du temps gr\u00e2ce \u00e0 plusieurs expositions plus longues, puis les superposer par la suite. Selon Cambridge in Colour, <a href=\"https:\/\/www.cambridgeincolour.com\/tutorials\/image-noise.htm\" target=\"_blank\" rel=\"noopener\"><strong>tutoriel sur le bruit des images des appareils photo num\u00e9riques<\/strong><\/a>, des sensibilit\u00e9s ISO plus \u00e9lev\u00e9es amplifient le signal de l'image mais augmentent \u00e9galement le bruit, produisant des taches al\u00e9atoires qui alt\u00e8rent les d\u00e9tails fins. Le cumul d'expositions plus longues \u00e0 une sensibilit\u00e9 ISO plus faible am\u00e9liore le rapport signal\/bruit et permet de mettre en \u00e9vidence des galaxies, des n\u00e9buleuses et des amas d'\u00e9toiles peu lumineux.<\/p><p>L'astrophotographie du ciel profond est plus technique que l'astrophotographie \u00e0 grand champ ; commencez donc par des expositions simples avec suivi avant d'ajouter des images d'\u00e9talonnage avanc\u00e9es ou d'utiliser des logiciels d'astronomie sp\u00e9cialis\u00e9s.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-2b8e300 elementor-widget elementor-widget-text-editor\" data-id=\"2b8e300\" data-element_type=\"widget\" data-e-type=\"widget\" id=\"focus\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h2>Comment faire la mise au point en astrophotographie<\/h2><figure id=\"attachment_20190\" aria-describedby=\"caption-attachment-20190\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-20190\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/06\/astrophotography-manual-focus-soft-vs-sharp-star.webp\" alt=\"Soft versus sharp star comparison for manual astrophotography focus.\" width=\"1200\" height=\"900\" data-no-translation=\"\" \/><figcaption id=\"caption-attachment-20190\" class=\"wp-caption-text\">Une \u00e9toile bien nette doit appara\u00eetre petite et bien d\u00e9finie en mode Live View, et non pas grande, floue ou d\u00e9form\u00e9e.<\/figcaption><\/figure><p>Pour l'astrophotographie, utilisez la mise au point manuelle et agrandissez une \u00e9toile brillante en mode \u00ab Live View \u00bb jusqu'\u00e0 ce qu'elle apparaisse aussi petite et nette que possible. L'autofocus a g\u00e9n\u00e9ralement du mal dans des conditions de faible luminosit\u00e9, et le rep\u00e8re \u00ab infini \u00bb sur un objectif n'est pas toujours parfaitement pr\u00e9cis pour obtenir des \u00e9toiles nettes.<\/p><p>Une fois la mise au point effectu\u00e9e, \u00e9vitez de toucher la bague de mise au point. Si votre objectif prend en charge la <a href=\"https:\/\/tamron-americas.com\/fr\/produit\/tamron-lens-utility\/\"><strong>TAMRON Lens Utility<\/strong><\/a>\u2122, l\u2019utilisation de la fonction \u00ab Astro Focus Lock \u00bb vous permettra de maintenir un point de mise au point stable pour vos prises de vue du ciel nocturne. Pour en savoir plus, consultez la <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/astro-focus-lock-tamron-lens-utility-guide\/\"><strong>Guide de verrouillage de la mise au point Astro<\/strong><\/a>.<\/p><p>\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-6b68730 elementor-widget elementor-widget-text-editor\" data-id=\"6b68730\" data-element_type=\"widget\" data-e-type=\"widget\" id=\"adjust\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h2>Comment r\u00e9gler les param\u00e8tres sur le terrain<\/h2><figure id=\"attachment_20191\" aria-describedby=\"caption-attachment-20191\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-20191\" src=\"https:\/\/tamron-americas.com\/wp-content\/uploads\/2026\/06\/astrophotography-settings-troubleshooting-flowchart.webp\" alt=\"Astrophotography settings troubleshooting flowchart for shutter speed, ISO, aperture, and focus.\" width=\"1200\" height=\"900\" data-no-translation=\"\" \/><figcaption id=\"caption-attachment-20191\" class=\"wp-caption-text\">Une petite liste de contr\u00f4le sur le terrain vous aide \u00e0 corriger les probl\u00e8mes courants d'exposition et de mise au point avant de prendre la photo<\/figcaption><\/figure><p>Pour r\u00e9gler les param\u00e8tres d'astrophotographie sur le terrain, prenez une photo d'essai, zoomez sur les \u00e9toiles et v\u00e9rifiez trois \u00e9l\u00e9ments : la forme des \u00e9toiles, la luminosit\u00e9 de l'exposition et le bruit. Si les \u00e9toiles laissent des tra\u00een\u00e9es, r\u00e9duisez la vitesse d'obturation. Si l'image est trop sombre, augmentez la sensibilit\u00e9 ISO ou ouvrez le diaphragme. Si le bruit est trop important, r\u00e9duisez la sensibilit\u00e9 ISO ou superposez plusieurs expositions.<\/p><p>Ne vous fiez pas uniquement \u00e0 la luminosit\u00e9 de l'\u00e9cran LCD arri\u00e8re de l'appareil photo. Utilisez l'histogramme d\u00e8s que possible et examinez l'image \u00e0 fort grossissement. Les petites erreurs de mise au point ou de vitesse d'obturation sont plus faciles \u00e0 corriger avant de prendre une s\u00e9rie compl\u00e8te de photos.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-2caf35c elementor-widget elementor-widget-text-editor\" data-id=\"2caf35c\" data-element_type=\"widget\" data-e-type=\"widget\" id=\"final\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h2>Liste de contr\u00f4le finale des r\u00e9glages pour l'astrophotographie<\/h2><p>Les meilleurs r\u00e9glages de l'appareil photo pour l'astrophotographie d\u00e9pendent de votre sujet, mais la logique d'exposition reste la m\u00eame dans tous les cas. Utilisez une grande ouverture pour capter davantage de lumi\u00e8re, r\u00e9glez la sensibilit\u00e9 ISO \u00e0 un niveau suffisamment \u00e9lev\u00e9 pour faire ressortir les d\u00e9tails sans bruit excessif, choisissez la vitesse d'obturation en fonction du mouvement, effectuez la mise au point manuellement et prenez vos photos au format RAW pour b\u00e9n\u00e9ficier d'une flexibilit\u00e9 maximale lors du traitement.<\/p><p><strong>Avant de commencer \u00e0 prendre des photos, v\u00e9rifiez ces r\u00e9glages rapides :<\/strong><\/p><ul><li>Mode manuel<\/li><li>F1,8-F2,8 pour les \u00e9toiles, la Voie lact\u00e9e et les aurores bor\u00e9ales<\/li><li>ISO 1600-3200 pour la photographie nocturne \u00e0 grand champ du ciel<\/li><li>R\u00e8gle des 500 : vitesse d'obturation pour obtenir des \u00e9toiles nettes<\/li><li>Des expositions plus longues pour les tra\u00een\u00e9es d'\u00e9toiles<\/li><li>ISO 100 et des vitesses d'obturation plus rapides pour photographier la Lune<\/li><li>R\u00e9duisez la sensibilit\u00e9 ISO et allongez les temps d'exposition lors du suivi<\/li><li>Mise au point manuelle sur une \u00e9toile brillante<\/li><li>Capture de fichiers RAW<\/li><li>Un tr\u00e9pied stable et un retardateur de 2 secondes ou un d\u00e9clencheur \u00e0 distance<\/li><\/ul><p>Pour une vue d'ensemble compl\u00e8te du ciel nocturne, consultez le guide de Tamron <a href=\"https:\/\/tamron-americas.com\/fr\/blog\/astrophotography-guide\/\"><strong>Astrophotographie : guide complet pour photographier les \u00e9toiles et le ciel nocturne<\/strong><\/a>.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-d708d83 uael-header-sticky-no uael-border-yes elementor-widget elementor-widget-uael-table\" data-id=\"d708d83\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"uael-table.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div itemscope class=\"uael-table-wrapper\" itemtype=\"http:\/\/schema.org\/Table\">\n\t\t<table id=\"uael-table-id-d708d83\" class=\"uael-text-break uael-column-rules uael-table\" data-sort-table=\"no\" data-show-entry=\"no\" data-searchable=\"no\" data-responsive=\"no\">\n\t\t\t\t<tbody>\n\t\t\t<!-- ROWS -->\n\t\t\t\t\t\t\t\t\t\t<tr data-entry=\"1\" class=\"uael-table-row\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-c08477b\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\"><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"uael-table-col uael-table-body-cell-text elementor-repeater-item-12475c4\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/tamron-americas.com\/fr\/objectifs-photo\/\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"uael-table__text-inner\"><b style=\"color: #F56122\">D\u00c9COUVREZ NOS OBJECTIFS<\/b>  D\u00e9couvrez la gamme compl\u00e8te d'objectifs grand angle et t\u00e9l\u00e9objectifs lumineux de Tamron, sp\u00e9cialement con\u00e7us pour la photographie du ciel nocturne \u2014 tamron-americas.com<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n\t\t\t\t\t\t\t\t\t<\/tbody>\n\t<\/table>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-1e1c16f elementor-widget elementor-widget-text-editor\" data-id=\"1e1c16f\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h2>O\u00f9 acheter les objectifs Tamron<\/h2><p>Pour en savoir plus sur les objectifs Tamron <a href=\"https:\/\/www2.tamron-usa.com\/dealers.aspx\"><strong>revendeur Tamron agr\u00e9\u00e9<\/strong><\/a> pr\u00e8s de chez vous ou faites vos achats directement sur le site officiel <a href=\"https:\/\/tamron-americas.com\/fr\/objectifs-photo\/\"><strong>Magasin TAMRON<\/strong><\/a>.<\/p><p>\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p class=\"maincopy\">\n<p>\n<strong>Comment faire : Photographier la Voie lact\u00e9e<\/strong><\/p>\n<p>Conseils et images \u00a9 Erica Robinson<\/p>\n<p>Une vue claire de la Voie lact\u00e9e dans un ciel nocturne sombre est \u00e0 couper le souffle, et la photographier demande de la patience, de la pers\u00e9v\u00e9rance et de la pr\u00e9paration. Voici quelques conseils \u00e0 prendre en compte lorsque vous partez photographier sous le ciel nocturne :   <\/p>\n<p><strong>Conseil #1)<\/strong> Pr\u00e9paration (a) : Les astro-photographes \u00e9tudient souvent les heures de coucher et de lever du soleil, ainsi que les phases de la lune et les conditions m\u00e9t\u00e9orologiques pour r\u00e9ussir \u00e0 photographier la Voie lact\u00e9e. L'objectif est de trouver un ciel nocturne sombre, \u00e0 l'abri de la pollution lumineuse, par une nuit peu nuageuse, pendant ce que l'on appelle souvent la \"saison de la Voie lact\u00e9e\". La \"saison de la Voie lact\u00e9e\" est d\u00e9finie par les mois de l'ann\u00e9e o\u00f9 le noyau galactique est visible. Dans l'h\u00e9misph\u00e8re nord, le noyau galactique n'est pas visible pendant les mois d'hiver (novembre, d\u00e9cembre et janvier) et il est le plus souvent photographi\u00e9 entre mars et octobre. Des applications populaires telles que PhotoPills et Sky Guide permettent de planifier des mois \u00e0 l'avance et d'effectuer des rep\u00e9rages sur place.  <\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"robinson1.jpg\" width=\"374\" height=\"249\" alt=\"\u00a9 Erica Robinson\" data-no-translation=\"\"><br \/>Erica Robinson<br \/>\nDonn\u00e9es de l'image : f\/2.8, ISO 3200, 25 sec.<\/p>\n<p> <strong>Conseil #2)<\/strong>\tPr\u00e9paration (b) : Rep\u00e9rez les lieux ! Toute activit\u00e9 sans lumi\u00e8re devient plus compliqu\u00e9e, car vous devez faire appel \u00e0 d'autres sens que la vue. En rep\u00e9rant les lieux pendant la journ\u00e9e avant la prise de vue, vous pouvez peaufiner les d\u00e9tails, vous assurer que le terrain est accessible dans l'obscurit\u00e9 et confirmer la vue. C'est aussi un moment privil\u00e9gi\u00e9 pour la photographie ! <\/p>\n<p>  <strong>Conseil #3)<\/strong>\tPr\u00e9paration (c) : Utilisez votre \u00e9quipement photo dans l'obscurit\u00e9 \u00e0 la maison. \u00c0 la maison, il n'y a pas d'intemp\u00e9ries, d'ours, de lions de montagne et de canyons profonds. En d'autres termes, il y a moins de facteurs de stress en jeu. Prenez le temps d'\u00e9teindre toutes les lumi\u00e8res et de vous entra\u00eener \u00e0 r\u00e9gler les param\u00e8tres de l'appareil photo. Ces connaissances et la m\u00e9moire musculaire permettent d'\u00e9viter d'avoir \u00e0 allumer une lampe frontale ou une lampe de poche. <\/p>\n<p>  <strong>Conseil #4)<\/strong>\tR\u00e9glages de l'appareil photo : Il n'existe pas d'\u00e9quation parfaite des r\u00e9glages de l'appareil photo pour chaque image. Mais dans ce cas, il existe des param\u00e8tres ajustables pour commencer. Essayez de commencer par : f\/2,8 ; 30 secondes ; ISO 3200. Cette valeur devra \u00eatre ajust\u00e9e en fonction de la distance focale et de la lumi\u00e8re disponible. Cette \u00e9quation est utilis\u00e9e en combinaison avec un objectif grand angle pour localiser les \u00e9toiles sans mouvement. En raison de la rotation de la terre, lorsqu'une distance focale plus longue est utilis\u00e9e, la vitesse d'obturation doit \u00eatre ajust\u00e9e afin d'\u00e9viter de montrer des mouvements. Cette \u00e9quation devra \u00e9galement \u00eatre ajust\u00e9e pour laisser entrer moins de lumi\u00e8re lors d'une nuit de clair de lune ou de pollution lumineuse. <\/p>\n<p>   <img loading=\"lazy\" decoding=\"async\" src=\"robinson2.jpg\" width=\"332\" height=\"499\" alt=\"\u00a9 Erica Robinson\" data-no-translation=\"\"><br \/>Erica Robinson<br \/>\n Donn\u00e9es de l'image : f\/2.8, ISO 2500, 30sec.<\/p>\n<p><\/p>\n<p><a href=\"https:\/\/www.tamron-usa.com\/special\/phototips\/index.html\">Plus de conseils photo<\/a> | <a href=\"https:\/\/www.tamron-usa.com\/special\/video\/index.html\">Regarder les vid\u00e9os<\/a> | <a href=\"https:\/\/www.tamron-usa.com\/product\/index.html\">En savoir plus sur les objectifs Tamron<\/a> | <a href=\"https:\/\/www.tamron-usa.com\/special\/gallery\/index.html\">Galerie de photos<\/a><\/p>","protected":false},"author":7,"featured_media":20189,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"site-sidebar-layout":"no-sidebar","site-content-layout":"","ast-site-content-layout":"full-width-container","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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